In illustration of the impediments which the present system opposes to such undertakings, I may instance the difficulty of meeting the legitimate demands of provincial museums. Residents in the provinces, equally with residents in the metropolis, contribute to the support of institutions like the British Museum, and are entitled to expect that they should, as far as possible, participate in its advantages. There are, I believe, many well-meaning people so impressed with the justice of this demand that to give it satisfaction they are prepared to permanently dislocate the national collection, or to despatch portion after portion on an itinerating tour throughout the provinces. I need not seek to convince you that this specious suggestion is unsound; that the moral and historical and artistic significance of the collection depend upon its universality and the preservation of the delicate links and gradations of its several parts, and that the loss of the metropolis would by no means be the gain of the provinces. It is nevertheless the duty of the central institution to compensate the provinces in every possible way for their inevitable disadvantages, and though photography will not do everything in this respect, it will do much. In sculpture, coins, engravings, and drawings in outline or of neutral tint, the smallest town in the kingdom might
be almost on a par with the metropolis for every purpose of instruction or refinement. By enabling them to be so we should not be creating a luxury, but redressing a grievance. On this ground alone Government might fairly be asked to move in the matter. How much, too, might be effected by such artistic and archæological handbooks, photographically illustrated, as could be produced for a trifle if the process were no element in the expense! How much can be and is done even under existing difficulties is shown by the exquisite autotype illustrations of some of the catalogues of selected coins and medals recently published by the Numismatic Department of the British Museum. They prove how easily the entire collection might be made available for study and inspection all over the kingdom—ay, and in foreign countries and colonies—and confirm the proposition I have advanced, that the expenditure of public money in cheapening photographic reproduction is not merely a boon to the purchaser, but to the general public.
The circulation of photographs of works of art, though important to individual collectors, is rather the affair of public institutions. The similar circulation of books and MSS., the aspect of the question with which we as librarians are particularly concerned, is more directly interesting to private individuals, and on this account has attracted comparatively little notice. I am not sure, however, that it is not the more important of the two, nor that it may not, after all, be the branch most susceptible of profitable development. In the
matter of rare books, demand has now almost killed supply. The wish to possess them is more general than ever, but the means of gratifying it become from day to day more restricted by the tendency of such books to drift into public libraries, or into large private collections where they may be locked up indefinitely, and especially by the competition of America. At this juncture, photography, particularly in its form of photo-zincography, steps in, and offers the means of doing for the amateur of ancient and curious literature, for maps and MSS., precisely what the printing-press does for the great body of readers. All we need is that the obstacles which still render this process expensive, except when applied to objects in great demand, should be removed, that the scholar should be enabled to procure a cheap photographic reproduction as easily as the general reader can obtain a cheap book. Such scholars are numerous enough, I feel convinced, to defray the cost of material and of minor assistance, leaving in the worst case nothing for the State to pay but the insignificant salary of the chief photographic officer. Now let us take the case of another class of students, who deserve even more consideration, the collators of MSS. and rare books. Why should the scholar of the nineteenth century be in no better position than the scholar of the sixteenth? Why should he continue to be exposed to hardships which science has met? Think of the waste of human effort, the fret and friction of human temper entailed by the inability to procure accurate
facsimiles. Why should the scholar of an age of light get no good from the sun? Think of the long journeys, the long residences, the interminable correspondences of scholars, the mechanical labour if they are their own copyists, the expense and probable inaccuracy if they are not. Do we often see a critical edition of a classic without a lament that the editor has been unable to inspect some MS. at Madrid or Moscow? Did not the Biblical world wait thirty years for a facsimile of the Vatican MS., which a photographer would have produced in a small fraction of the time? And did it not prove an imperfect facsimile after all? Did not the learned Meibomius, albeit a ponderous Dutchman, ill adapted for equitation, ride all the way from Leyden to Bologna, allured by the unhappily misleading announcement, Habemus Petronium integrum? To come nearer to our own times, I may report (since I rather suspect it has been the germ of the whole subject in my mind) a conversation I have myself had with the Rev. Dr. Hayman, then editing the Odyssey, and most anxious to take our Museum MSS. of the poem home to his rectory in the north of Lancashire. I told him that the idea was contrary to the Museum statutes, to Act of Parliament, and to the eternal fitness of things. He said that he would give security to any amount. I said that money would not compensate the Museum or the world of letters for the loss of an unique MS., and that it would be shocking to place a scholar, possibly poor, under obligations which might
involve the loss of all he was worth. "Oh, as to that," he said, "as soon as I got the MS. home I should insure it for its full value." "Yes," I replied, "and deprive us of the only security we had for your vigilance." But I think we could have trusted Dr. Hayman with a photograph, or he could probably have bought one for the cost of his railway fare to and from London.
Let me now adduce some minor instances of the inconvenience created, at the Museum alone, by the absence of photographic facilities. The Congress of Orientalists has felt the want of Oriental MSS. deposited in England so keenly as to have unanimously concurred in a perfectly futile memorial to allow them to be sent to the Continent. The Austrian Government lately addressed an official request for the loan of an exceedingly rare book, which, if the Museum had possessed it, they could not have had, but of which, if an official photographic department had existed, they might have obtained the facsimile for a trifle. With due photographic facilities at Basle we might each of us have taken home a perfect facsimile of the memorable letter of Fichet which Mr. Bullen has brought to our notice, the accurate typographic reproduction of which will assuredly tax the resources of the printers of the "Library Chronicle." The Dean of Armagh could tell us how much he had recently to pay for the transcription of an entire book on Irish history at the Museum, though the charge was as low as possible. I have seen an accomplished lady, the wife of a Professor of Fine Art,
toiling day after day for weeks together, laboriously tracing plans of architectural structures for the illustration of her husband's lectures, which plans, under the conditions contemplated, she could have carried away in facsimile for a few shillings. I have known weeks employed and twenty pounds expended in copying a manuscript grammar of an African language; and a rare old English book transcribed, every word of it, to obtain a reprint. I have now a colleague in the Museum coming early and staying late out of his official time to transcribe an almost illegible Coptic manuscript, a photograph of which would have answered every purpose. Another colleague wished to give a facsimile page of a very curious MS. he had edited for a learned society; but was prevented by the cost; conversely, the same gentleman, thanks to photography, is at present deciphering a most obstinate MS. for the Corporation of Stratford-on-Avon, without having to go there or make himself responsible for the safe custody of the document. I know that the charges of the skilful men who restore missing passages of books in facsimile are, inevitably I suppose, so high that nobody who can help it will employ them. I have a mutilated book on my table at this moment which I earnestly wish could be entrusted to one of them, but I fear it will not do. Now, when we consider that it has been found practicable to facsimile the rare original edition of "Goody Two Shoes," with numerous woodcuts, by photo-zincography, and publish it at half-a-crown, it is clear that there
must be something wrong about this exorbitant cost which so effectually hinders the very work which photography, in our age, seems so especially called upon to perform, of counteracting the inevitable tendency of old books to scarcity and consequent dearness. Of the numerous official services which photography could render in a library, such as saving time in copying documents, or restoring damaged leaves of catalogues, I say nothing, for fear of occupying your time unduly; and of the innumerable uses to which it can be turned by an ingenious bibliographer I am also silent for the same reason, and because I regard this branch of the case as the especial property of Mr. Henry Stevens, who has proved it experimentally, and who has, I hope, more to tell us respecting it. I will merely remark that under all disadvantages, the last four volumes of the British Museum Catalogue of Greek Coins contain 116 autotype plates, with representations of nearly 2000 coins. What might not be done if the Museum were its own autotypist!
Instances so numerous, representative without doubt of a very large number which have not come to my knowledge, encourage the hope that the establishment of a photographic department at the Museum would be even financially successful. One very strong fact may be adduced, that proposals have been actually made to obtain a photographic copy of the great Chinese Cyclopædia, occupying eighteen hundred volumes. The proposition, needless if the Museum had possessed a photographic