Alberti, Leon, Battista, [57]
Aldus Manutius, [54]
Alhambra, [63]
Amasis, [77]
Anthemion, [7-17]
Andreani, Andrea, [54]
Apollodorus, [27]
Arabesque, [53-54]
Arch of Septimus Severus, [21]
Architecture
Capitals, [126]
Composite, [22]
Corinthian, [10]
Decorated Gothic, [39-46]-[130]
Doric, [9]
Early Gothic, [38-45]-[129]
English Renascence, [60]
French Renascence, [58]
Ionic, [9]
Italian Renascence, [56]
Perpendicular Gothic, [46]
Tuscan, [22]
Atrium, [23]
Baccio d’Agnolo, [57]
Balducco di Pisa, [50]
Baptistery at Pisa, [49]
Baptistery at Florence, [50-103]
Basilica of Trajan, [27]
Black Figure Vases, [77]
Boule, André, [59-107]
Bramante, [57]
Bronzes, [103]
Brunelleschi, [51-57]
Buen Retiro, [83]
Bullant, Jean, [58]
Busti, Agostino, [54]
Cachrylion, [77]
Cambio, Arnolfo di, [49]
Caradosso, [51]
Caryatides, [9]
Castor Ware, [80]
Cellini, Benvenuto, [51]
Celtic Ornament, [35]
Ceramic Art, [78]
Chairs, [106]
Chaldea, [7]
Champlevé Enamels, [35]
Chinese Ornament, [71]
Chippendale, [106]
Chryselephantine Sculpture, [73]
Cinque-Cento Ornament, [49-52]
Classification of Temples, [11]
Classification of Gothic Architecture, [36]
Cloisonné Enamels, [91]
Coleone, Bartolomeo, [103]
Cologne Pots, [82]
Column of Trajan, [27]
Column of Marcus Aurelius, [27]
Compluvium, [23]
Continuity of Style, [125]
Crockets, [45]
Cronaca, [57]
Decorated Gothic Details, [46]
Delft Ware, [80]
Dipylon Ware, [77]
Domus, [23]
Donatello, [51]
Duris, [77]
Early Gothic Details, [45]
Earthenware, [79]
Egyptian Ornament, [5]
Elgin Marbles, [13]
Elizabethan Ornament, [60]
Elizabethan Mansions, [60]
Enamels, [91]
English Cathedrals, [40]
English Renascence, [60]
Epiktetos, [77]
Euphronios, [77]
Exekias, [77]
Fauces, [23]
Flaxman, [82]
Fontana, [57]
Fontano, Orazio, [87]
French Cathedrals, [40]
Frets, [123]
Frieze of the Parthenon, [15]
Frieze at Phigaleia, [15]
Frieze at Pergamos, [16]
Frieze from Susa, [17]
Georgio, Maestro, [87-88]
Ghiberti, Lorenzo, [50-103]
Giotto, [49]
Glass, [95-97]
Gobelin Tapestry, [59]
Goldsmith’s Work, [101]
Gothic Architecture, [36]
Goujon, Jean, [59-107]
Gouthière, [59-107]
Greek Architecture, [9]
Greek Ceramics, [77]
Grisaille Enamel, [93]
Grisaille Glass, [98]
Grinling Gibbons, [107]
Grolier, [59]
Henri Deux Period, [58]
Henri Deux Pottery, [81]
Henri Quatre, [58]
Hepplewhite, [107]
Hieron, [77]
Hispano-Moresque Pottery, [87]
Impluvium, [23]
Indian Ornament, [69]
Insular, [23]
Ivories, [73]
Jacobean, [60]
Japanese Ornament, [71]
Jean, Juste, [58]
Jeweller’s Enamel, [92]
Lacunaria, [25]
Lancet Period, [38]
Leoni, Lione, [51]
Leoni, Pompeoni, [51]
Lescot, Pierre, [58]
Lombardo, Pietro, Tullio and Antonio, [54-56]
Lotus, [7]
Louis Quatorze, [59]
Louis Quinze, [59]
Louis Seize, [59]
Maiolica, [87]
Mantegna, Andrea, [54]
Marquetry, [107]
Matteo Civitali, [51]
Mausoleum, [16]
Melanesia, [3]
Michel Angelo, [52]
Michelozzi, [57]
Mino da Fiesole, [51]
Mosaics, [75]
Mycenæ or Colonial Ware, [77]
Nicosthenes, [77]
Nineveh, [7]
Norman Architecture, [37]
Oiron Pottery, [81]
Opus Tesselatum, [75]
Opus Lithostratum, [75]
Opus Miserum, [75]
Painted Enamels, [91]
Palaces in Italy, [57]
Palissy, Bernard, [81]
Palladio, Andrea, [56]
Pamphæios, [77]
Pantheon, [22]
Pannitz, Arnold, [54]
Parthenon, [13]
Pastorino, [51]
Patera, [7]
Penni, Francesco, [53]
Perino del Vaga, [53]
Perpendicular Gothic, [46]
Persian Ornament, [65]
Peristylium, [23]
Pethenos, [77]
Peruvian Textiles, [118]
Peruzzi, Baldassare, [57]
Phaleron Ware, [77]
Phidias, [13]
Pisanello, [51]
Pisano, Nicolo, [49]
” Giovanni, [49]
” Andrea, [50]
” Vittore, [51]
Plaster Work, [61]
Plique à Jour, [92]
Polynesian Ornament, [2]
Pompeian Ornament, [29]
Porcelain, [79-83]
Portland Vase, [95]
Primaticcio, [54]
Printing in Italy, [54]
Pythos, [77]
Quercia, Jacopo della, [50]
Raphael, [53]
Red Figured Ware, 77
Renascence Ornament, [49]
Renascence Palaces, [57]
Rhodian Pottery, [80]
Riesener, [107]
Robbia, Luca della, [51-87]-[90]
” Andrea ”, [51-90]
” Giovanni ”, [51-90]
Roentgen, David, [107]
Romano, Giulio, [53-54]
Roman Ornament, [25]
Rosette, [7]
Rossellini, [51]
Rouen Pottery, [81]
Samian Ware, [80]
Sangallo, Antonio, [57]
” Giuliano, [57]
Sansovino, Andrea, [54]
” Jacopo, [54]
Scandinavian Ornament, [33]
Serlio, [56]
Settignano, Desiderio da, [51]
Sgraffito, [87]
Sheraton, Thomas, [107]
Sicilian Fabrics, [111]
Silversmith’s Work, [101]
Sperandio, [51]
Stained Glass, [97]
Stiacciato, [51]
Stoneware, [82]
St. Mark’s, [31]
“ Apollinare Nuovo, [31]
“ “ in Classe, [31]
St. Sophia, [31]
“ Vitale, [31]
“ Paul’s, [61]
Sweynheym, Conrad, [54]
Tablinum, [23]
Tapestry, [118]
Terra Cotta, [89]
Terms used in Ornamental Art, [131]
Textile Fabrics, [109]
Theatre of Marcellus, [21]
Thermæ, [25]
Tijon, Jean, [105]
Toft, Thomas, [82]
Torrigiano, [60]
Trajan, [27]
Trecento, [49]
Triforium, [41]
Triclinium, [23]
Udine, Giovanni da, [53]
Verrocchio, Andrea del, [51]
Vestibule, [23]
Vignola, [58]
Vincentine, [51]
Viridarium, [23]
Vitruvius, [56]
Watteau, [59]
Wedgwood, [82]
Well-heads, [57]
Wheildon, Thomas, [82]
Wrought Iron, [105]
Zormorpic Ornament, [35]

A LIST OF STANDARD BOOKS
ON
ARCHITECTURE
AND
THE DECORATIVE ARTS
PUBLISHED BY
B. T. BATSFORD,
94, HIGH HOLBORN, LONDON.
Forwarded Carriage Paid at the Discount Prices affixed.

NATURE IN ORNAMENT. By Lewis F. Day. With 123 full-page Plates and 192 Illustrations in the Text. Third Edition, revised (Fifth Thousand). Thick crown 8vo, in handsome cloth binding, richly gilt, from a special design by the Author. Price 12s. 6d. Net 10s.

Contents:—I. Introductory. II. Ornament in Nature. III. Nature in Ornament. IV. The Simplification of Natural Forms. V. The Elaboration of Natural Forms. VI. Consistency in the Modification of Nature. VII. Parallel Renderings. VIII. More Parallels. IX. Tradition in Design. X. Treatment. XI. Animals in Ornament. XII. The Element of the Grotesque. XIII. Still Life in Ornament. XIV. Symbolic Ornament.

“Amongst the best of our few good ornamental designers is Mr. Lewis F. Day, who is the author of several books on ornamental art. ‘Nature in Ornament’ is the latest of these, and is probably the best. The treatise should be in the hands of every student of ornamental design. It is profusely and admirably illustrated, and well printed.”—Magazine of Art.

“A book more beautiful for its illustrations, or one more helpful to students of art, can hardly be imagined.”—Queen.