His mulberry tree, more fortunate than either that of Shakspeare, or the pear tree of his contemporary and patron, Oliver Cromwell, is still shown in the Fellows’ Garden of Christ College, and still “bears abundance in fruit-time,” and near it is a drooping ash, planted by the present Marquis of Bute, when a student of Christ College.
CROMWELL’S PEAR-TREE
I saw cut down, from the window of my sitting-room, in Jesus-lane, Cambridge (which happened to overlook the Fellows’ Garden of Sidney College,) in March, 1833. The tree is said to have been planted by Cromwell’s own hand, when a student at Sidney College, and, said the Cambridge Chronicle of the 11th of the above month, it seems not unlikely that the original stock was coeval with the Protector. The tree consisted of five stems (at the time it was cut down,) which rose directly from the ground, and which had probably shot up after the main trunk had been accidentally or intentionally destroyed. Four of these stems had been dead for some years, and the fifth was cut down, as stated above. “A section of it, at eight feet from the ground, had 103 consecutive rings, indicating as many years of growth for that part. If we add a few more for the growth of the portion still lower down, it brings us to a period within seventy years of the Restoration; and it is by no means improbable that the original trunk may have been at least seventy or eighty years old before it was mutilated. The stumps of the five stems are still left standing, the longest being eight feet high; and it is intended to erect a rustic seat within the area they embrace.”
OTHER MEMORIALS OF CROMWELL
At Sidney College, are his bust, in the Master’s Lodge, and his portrait in the Library. The first was executed by the celebrated Bernini, at the request of Ferdinand, Grand Duke of Tuscany, from a plaster impression of the face of Cromwell, taken soon after his death. It was obtained by the late learned Cambridge Regius Professor of Botany, Thomas Martyn, B. D., during his stay in Italy, and by him presented to the Society of Sidney College, of which he was a fellow. Lord Cork said it bore “the strongest character of boldness, steadiness, sense, penetration, and pride.” The portrait is unique, drawn in crayons, by the celebrated Cooper, and is said to be that from which he painted his famous miniatures of the Protector. In the College Register is a memorandum of Cromwell’s admission to the society, dated April 23, 1616, to which some one has added his character, in Latin, in a different hand-writing, and very severe terms.
DRYDEN CONFINED TO COLLEGE WALLS.
Dryden, whom some have styled “The True Father of English Poetry,” was fond of a college life, as especially “favourable to the habits of a student.” He was bread at Trinity College, Cambridge, where he resided seven years, during which he is said never, like Milton and others, to have “wooed the muses.” What were his college habits is not known. The only notice of him at Trinity (where his bust and portrait are preserved, the first in the Library, the second in the Hall,) whilst an undergraduate, is the following entry in the College Register, made about two years after his admission:—“July 19, 1652. Agreed, then, that Dryden be put out of Comons, for a fortnight at least, and that he goe not out of the College during the time aforesaid, excepting to Sermons, without express leave from the Master or Vice-master (disobedience to whom was his fault,) and that, at the end of the fortnight, he read a confession of his crime in the Hall at the dinner-time, at the three fellows’ table.”
His contemporary, Dennis the Critic, seems to have been less fortunate at Cambridge. The author of the “Biographia Dramatica” asserts that he was