Cinderella, and Other Stories

by Richard Harding Davis

It was quite late, and he had recovered from his hunger, and only felt a sick tired ache at his heart. His feet were heavy and numb, and he was very sleepy. People passed him continually, and doors opened into churches and into noisy glaring saloons and crowded shops, but it did not seem possible to him that there could be any relief from any source for the sorrow that had befallen him. It seemed too awful, and as impossible to mend as it would be to bring the crushed plaster into shape again. He considered dully that his uncle would miss him and wait for him, and that his anger would increase with every moment of his delay. He felt that he could never return to his uncle again.

Then he came to another park, opening into a square, with lighted saloons on one side, and on the other great sheds, with ships lying beside them, and the electric lights showing their spars and masts against the sky. It had ceased snowing, but the air from the river was piercing and cold, and swept through the wires overhead with a ceaseless moaning. The numbness had crept from his feet up over the whole extent of his little body, and he dropped upon a flight of steps back of a sailors' boarding-house, and shoved his hands inside of his jacket for possible warmth. His fingers touched the figure he had hidden there and closed upon it lightly, and then his head dropped back against the wall, and he fell into a heavy sleep. The night passed on and grew colder, and the wind came across the ice-blocked river with shriller, sharper blasts, but Guido did not hear it.

"Chuckey" Martin, who blacked boots in front of the corner saloon in summer and swept out the bar-room in winter, came out through the family entrance and dumped a pan of hot ashes into the snow-bank, and then turned into the house with a shiver. He saw a mass of something lying curled up on the steps of the next house, and remembered it after he had closed the door of the family entrance behind him and shoved the pan under the stove. He decided at last that it might be one of the saloon's customers, or a stray sailor with loose change in his pockets, which he would not miss when he awoke. So he went out again, and picking Guido up, brought him in in his arms and laid him out on the floor.

There were over thirty men in the place; they had been celebrating the coming of Christmas; and three of them pushed each other out of the way in their eagerness to pour very bad brandy between Guido's teeth. "Chuckey" Martin felt a sense of proprietorship in Guido, by the right of discovery, and resented this, pushing them away, and protesting that the thing to do was to rub his feet with snow.

A fat oily chief engineer of an Italian tramp steamer dropped on his knees beside Guido and beat the boy's hands, and with unsteady fingers tore open his scarf and jacket, and as he did this the figure of the plaster Virgin with her hands stretched out looked up at him from its bed on Guido's chest.

Some of the sailors drew their hands quickly across their breasts, and others swore in some alarm, and the bar-keeper drank the glass of whiskey he had brought for Guido at a gulp, and then readjusted his apron to show that nothing had disturbed his equanimity. Guido sat up, with his head against the chief engineer's knees, and opened his eyes, and his ears were greeted with words in his own tongue. They gave him hot coffee and hot soup and more brandy, and he told his story in a burst of words that flowed like a torrent of tears—how he had been stolen from his home at Genoa, where he used to watch the boats from the stone pier in front of the custom-house, at which the sailors nodded, and how the padrone, who was not his uncle, finding he could not black boots nor sell papers, had given him these plaster casts to sell, and how he had whipped him when people would not buy them, and how at last he had tripped, and broken them all except this one hidden in his breast, and how he had gone to sleep, and he asked now why had they wakened him, for he had no place to go.

Guido remembered telling them this, and following them by their gestures as they retold it to the others in a strange language, and then the lights began to spin, and the faces grew distant, and he reached out his hand for the fat chief engineer, and felt his arms tightening around him.

A cold wind woke Guido, and the sound of something throbbing and beating like a great clock. He was very warm and tired and lazy, and when he raised his head he touched the ceiling close above him, and when he opened his eyes he found himself in a little room with a square table covered with oil-cloth in the centre, and rows of beds like shelves around the walls. The room rose and fell as the streets did when he had had nothing to eat, and he scrambled out of the warm blankets and crawled fearfully up a flight of narrow stairs. There was water on either side of him, beyond and behind him—water blue and white and dancing in the sun, with great blocks of dirty ice tossing on its surface.

And behind him lay the odious city of New York, with its great bridge and high buildings, and before him the open sea. The chief engineer crawled up from the engine-room and came towards him, rubbing the perspiration from his face with a dirty towel.

"Good-morning," he called out. "You are feeling pretty well?"