"They answer each other," was his final instruction. "It looks like peace."

Mr. Andrews with genial patience had remained silent. Now he turned upon his visitors. A Levantine, burly, unshaven, and soiled, towered truculently above him. Young Mr. Andrews with his swivel chair tilted back, his hands clasped behind his head, his cigarette hanging from his lips, regarded the man dispassionately.

"You gotta hell of a nerve to come to see me," he commented cheerfully. To Mr. Thorndike, the form of greeting was novel. So greatly did it differ from the procedure of his own office, that he listened with interest.

"Was it you," demanded young Andrews, in a puzzled tone, "or your brother who tried to knife me?" Mr. Thorndike, unaccustomed to cross the pavement to his office unless escorted by bank messengers and plain-clothes men, felt the room growing rapidly smaller; the figure of the truculent Greek loomed to heroic proportions. The hand of the banker went vaguely to his chin, and from there fell to his pearl pin, which he hastily covered.

"Get out!" said young Andrews, "and don't show your face here—"

The door slammed upon the flying Greek. Young Andrews swung his swivel chair so that, over his shoulder, he could see Mr. Thorndike, "I don't like his face," he explained.

A kindly eyed, sad woman with a basket on her knee smiled upon Andrews with the familiarity of an old acquaintance.

"Is that woman going to get a divorce from my son," she asked, "now that he's in trouble?"

"Now that he's in Sing Sing?" corrected Mr. Andrews. "I hope so! She deserves it. That son of yours, Mrs. Bernard," he declared emphatically, "is no good!"

The brutality shocked Mr. Thorndike. For the woman he felt a thrill of sympathy, but at once saw that it was superfluous. From the secure and lofty heights of motherhood, Mrs. Bernard smiled down upon the assistant district attorney as upon a naughty child. She did not even deign a protest. She continued merely to smile. The smile reminded Thorndike of the smile on the face of a mother in a painting by Murillo he had lately presented to the chapel in the college he had given to his native town.