The Congo and Coasts of Africa

by Richard Harding Davis

But going aboard was a simple ceremony. The Hôtel Splendide stands on the bank of the Congo River. After saying "Good-by" to her proprietor, I walked to the edge of the water and waved my helmet. In the Congo, a white man standing in the sun without a hat is a spectacle sufficiently thrilling to excite the attention of all, and at once Captain Hughes of the Nigeria sent a cargo boat to the rescue, and on the shoulders of naked Kroo boys Mrs. Davis and the maid, and the trunks, spears, tents, bathtubs, carved idols, native mats, and a live mongoos were dropped into it, and we were paddled to the gangway.

"If that's all, we might as well get under way," said Captain Hughes. The anchor chains creaked, from the bank the proprietor of the Splendide waved his hand, and the long voyage to Liverpool had begun. It was as casual as halting and starting a cable-car.

According to schedule, after leaving the Congo, we should have gone south and touched at Loanda. But on this voyage, outward bound, the Nigeria had carried, to help build the railroad at Lobito Bay, a deckload of camels. They had proved trying passengers, and instead of first touching at the Congo, Captain Hughes had continued on south and put them ashore. So we were robbed of seeing both Loanda and the camels.

This line, until Calabar is reached, carries but few passengers, and, except to receive cargo, the ship is not fully in commission. During this first week she is painted, and holystoned, her carpets are beaten, her cabins scrubbed and aired, and the passengers mess with the officers. So, of the ship's life, we acquired an intimate knowledge, her interests became our own, and the necessity of feeding her gaping holds with cargo was personal and acute. On a transatlantic steamer, when once the hatches are down, the captain need think only of navigation; on these coasters, the hatches never are down, and the captain, that sort of captain dear to the heart of the owners, is the man who fills the holds.

A skipper going ashore to drum up trade was a novel spectacle. Imagine the captain of one of the Atlantic greyhounds prying among the warehouses on West Street, demanding of the merchants: "Anything going my way, this trip?" He would scorn to do it. Before his passengers have passed the custom officers, he is in mufti, and on his way to his villa on Brooklyn Heights, or to the Lambs Club, and until the Blue Peter is again at the fore, little he cares for passengers, mails, or cargo. But the captain of a "coaster" must be sailor and trader, too. He is expected to navigate a coast, the latest chart of which is dated somewhere near 1830, and at which the waves rush in walls of spray, sometimes as high as a three-story house. He must speak all the known languages of Europe, and all the unknown tongues of innumerable black brothers. At each port he must entertain out of his own pocket the agents of all the trading houses, and, in his head, he must keep the market price, "when laid down in Liverpool," of mahogany, copra, copal, rubber, palm oil, and ivory. To see that the agent has not overlooked a few bags of ground nuts, or a dozen puncheons of oil, he must go on shore and peer into the compound of each factory, and on board he must keep peace between the Kroo boys and the black deck passengers, and see that the white passengers with a temperature of 105, do not drink more than is good for them. At least, those are a few of the duties the captains on the ships controlled by Sir Alfred Jones, who is Elder and Dempster, are expected to perform. No wonder Sir Alfred is popular.

Our first port of call was Landana, in Portuguese territory, but two ships of the Woermann Line were there ahead of us and had gobbled up all the freight. So we could but up anchor and proceed to Libreville, formerly the capital of the French Congo. At five in the morning by the light of a ship's lantern, we were paddled ashore to drum up trade. We found two traders, Ives and Thomas, who had waiting for the Nigeria at the mouth of the Gabun River six hundred logs of mahogany, and, in consequence, there was general rejoicing, and Scotch and "sparklets," and even music from a German music-box that would burst into song only after it had been fed with a copper. One of the clerks said that Ives had forgotten how to extract the coppers and in consequence was using the music-box as a savings bank.

In the French Congo the natives are permitted to trade; in the Congo Free State they are not, or, rather, they have nothing with which to trade, and the contrast between the empty "factories" of the Congo and those of Libreville, crowded with natives buying and selling, was remarkable. There also was a conspicuous difference in the quality and variety of the goods. In Leopold's Congo "trade" goods is a term of contempt. It describes articles manufactured only for those who have no choice and must accept whatever is offered. When your customers must take what you please to give them the quality of your goods is likely to deteriorate. Salt of the poorest grade, gaudy fabrics that neither "wear" nor "wash," bars of coarse soap (the native is continually washing his single strip of cloth), and axe-heads made of iron, are what Leopold thinks are a fair exchange for the forced labor of the black.

But the articles I found in the factories in Libreville were what, in the Congo, are called "white man's goods" and were of excellent quality and in great variety. There were even French novels and cigars. Some of the latter, called the Young American on account of the name and the flag on the lid, tempted me, until I saw they were manufactured by Dusseldorffer and Vanderswassen, and one suspected Rotterdam.

In Ives's factory I saw for the first time a "trade" rifle, or Tower musket. In the vernacular of the Coast, they are "gas-pipe" guns. They are put together in England, and to a white man are a most terrifying weapon. The original Tower muskets, such as, in the days of '76, were hung over the fireplace of the forefathers of the Sons of the Revolution, were manufactured in England, and stamped with the word "Tower," and for the reigning king G.R. I suppose at that date at the Tower of London there was an arsenal; but I am ready to be corrected. To-day the guns are manufactured at Birmingham, but they still have the flint lock, and still are stamped with the word "Tower" and the royal crown over the letters G.R., and with the arrow which is supposed to mark the property of the government. The barrel is three feet four inches long, and the bore is that of an artesian well. The native fills four inches of this cavity with powder and the remaining three feet with rusty nails, barbed wire, leaden slugs, and the legs and broken parts of iron pots. An officer of the W.A.F.F.'s, in a fight in the bush in South Nigeria, had one of these things fired at him from a distance of fifteen feet. He told me all that saved him was that when the native pulled the trigger the recoil of the gun "kicked" the muzzle two feet in the air and the native ten feet into the bush. I bought a Tower rifle at the trade price, a pound, and brought it home. But although my friends have offered to back either end of the gun as being the more destructive, we have found no one with a sufficient sporting spirit to determine the point.

Libreville is a very pretty town, but when it was laid out the surveyors just missed placing the Equator in its main street. It is easy to understand why with such a live wire in the vicinity Libreville is warm. From the same cause it also is rich in flowers, vines, and trees growing in generous, undisciplined abundance, making of Libreville one vast botanical garden, and burying the town and its bungalows under screens of green and branches of scarlet and purple flowers. Close to the surf runs an avenue bordered by giant cocoanut palms and, after the sun is down, this is the fashionable promenade. Here every evening may be seen in their freshest linen the six married white men of Libreville, and, in the latest Paris frocks, the six married ladies, while from the verandas of the factories that line the sea front and from under the paper lanterns of the Café Guion the clerks and traders sip their absinthe and play dominoes, and cast envious glances at the six fortunate fellow exiles.