Young Harry Harvey, "The Boy Orator of Zepata City," as he was called, was very dear to the people of that booming town. In their eyes he was one of the most promising young men in the whole great unwieldy State of Texas, and the boy orator thought they were probably right, but he was far too clever to let them see it. He was clever in his words and in his deeds and in his appearance. And he dressed much more carefully than any other man in town, with a frock-coat and a white tie winter and summer, and a fine high hat. That he was slight and short of stature was something he could not help, and was his greatest, keenest regret, and that Napoleon was also short and slight did not serve to satisfy him or to make his regret less continual. What availed the sharply cut, smoothly shaven face and the eyes that flashed when he was moved, or the bell-like voice, if every unlettered ranchman or ranger could place both hands on his shoulders and look down at him from heights above? But they forgot this and he forgot it before he had reached the peroration of his closing speech. They saw only the Harry Harvey they knew and adored moving and rousing them with his voice, trembling with indignation when he wished to tremble, playing all his best tricks in his best manner, and cutting the air with sharp, cruel words when he was pleased to be righteously just.
The young District Attorney turned slowly on his heels, and swept the court-room carelessly with a glance of the clever black eyes. The moment was his. He saw all the men he knew—the men who made his little world—crowding silently forward, forgetful of the heat, of the suffocating crush of those about them, of the wind that rattled the doors in the corridors, and conscious only of him. He saw his old preceptor watching keenly from the bench, with a steady glance of perfect appreciation, such as that with which one actor in the box compliments the other on the stage. He saw the rival attorney—the great lawyer from the great city—nervously smiling, with a look of confidence that told the lack of it; and he saw the face of the prisoner grim and set and hopelessly defiant. The boy orator allowed his uplifted arm to fall until the fingers pointed at the prisoner.
"This man," he said, and as he spoke even the wind in the corridors hushed for the moment, "is no part or parcel of Zepata City of to-day. He comes to us a relic of the past—a past that has brought honor to many, wealth to some, and which is dear to all of us who love the completed purpose of their work; a past that was full of hardships and glorious efforts in the face of daily disappointments, embitterments, and rebuffs. But the part this man played in that past lives only in the rude court records of that day, in the traditions of the gambling-hell and the saloons, and on the headstones of his victims. He was one of the excrescences of that unsettled period, an unhappy evil—an inevitable evil, I might almost say, as the Mexican horse-thieves and the prairie fires and the Indian outbreaks were inevitable, as our fathers who built this beautiful city knew to their cost. The same chance that was given to them to make a home for themselves in the wilderness, to help others to make their homes, to assist the civilization and progress not only of this city, but of the whole Lone Star State, was given to him, and he refused it, and blocked the way of others, and kept back the march of progress, until to-day, civilization, which has waxed great and strong—not on account of him, remember, but in spite of him—sweeps him out of its way, and crushes him and his fellows."
The young District Attorney allowed his arm to drop, and turned to the jury, leaning easily with his bent knuckles on the table.
"Gentlemen," he said, in his pleasant tones of every-day politeness, "the 'bad man' has become an unknown quantity in Zepata City and in the State of Texas. It lies with you to see that he remains so. He went out of existence with the blanket Indian and the buffalo. He is dead, and he must not be resurrected. He was a picturesque evil of those early days, but civilization has no use for him, and it has killed him, as the railroads and the barb-wire fence have killed the cowboy. He does not belong here; he does not fit in; he is not wanted. We want men who can breed good cattle, who can build manufactories and open banks; storekeepers who can undersell those of other cities; and professional men who know their business. We do not want desperadoes and 'bad men' and faro-dealers and men who are quick on the trigger. A foolish and morbid publicity has cloaked men of this class with a notoriety which cheap and pernicious literature has greatly helped to disseminate. They have been made romantic when they were brutal, brave when they were foolhardy, heroes when they were only bullies and blackguards. This man, Abe Barrow, the prisoner at the bar, belongs to that class. He enjoys and has enjoyed a reputation as a 'bad man,' a desperate and brutal ruffian. Free him to-day, and you set a premium on such reputations; acquit him of this crime, and you encourage others to like evil. Let him go, and he will walk the streets with a swagger, and boast that you were afraid to touch him—afraid, gentlemen—and children and women will point after him as the man who has sent nine others into eternity, and who yet walks the streets a free man. And he will become, in the eyes of the young and the weak, a hero and a god. This is unfortunate, but it is true.
"Now, gentlemen, we want to keep the streets of this city so safe that a woman can walk them at midnight without fear of insult, and a man can express his opinion on the corner without being shot in the back for doing so."
The District Attorney turned from the jury with a bow, and faced Judge Truax.
"For the last ten years, your honor, this man, Abner Barrow, has been serving a term of imprisonment in the State penitentiary; I ask you to send him back there again for the remainder of his life. It will be the better place for him, and we will be happier in knowing we have done our duty in placing him there. Abe Barrow is out of date. He has missed step with the march of progress, and has been out of step for ten years, and it is best for all that he should remain out of it until he, who has sent nine other men unprepared to meet their God—"
"He is not on trial for the murder of nine men," interrupted Colonel Stogart, springing from his chair, "but for the justifiable killing of one, and I demand, your honor, that—"
"—has sent nine other men to meet their Maker," continued the District Attorney, "meets with the awful judgment of a higher court than this."