At her side Captain Thierry was smiling down at her, but his smile was hateful.
"It is the prison of St. Lazare," he said. "It is not becoming," he added sternly, "that the name of the Countess d'Aurillac should be made common as the Paris road!"
Fighting for her life, Marie thrust herself against him; her arm that throughout the journey had rested on the back of the driving-seat caressed his shoulders; her lips and the violet eyes were close to his.
"Why should you care?" she whispered fiercely. "You have me! Let the Count d'Aurillac look after the honor of his wife himself."
The charming Thierry laughed at her mockingly.
"He means to," he said. "I am the Count d'Aurillac!"
THE DESERTER
In Salonika, the American consul, the Standard Oil man, and the war correspondents formed the American colony. The correspondents were waiting to go to the front. Incidentally, as we waited, the front was coming rapidly toward us. There was "Uncle" Jim, the veteran of many wars, and of all the correspondents, in experience the oldest and in spirit the youngest, and there was the Kid, and the Artist. The Kid jeered at us, and proudly described himself as the only Boy Reporter who jumped from a City Hall assignment to cover a European War. "I don't know strategy," he would boast; "neither does the Man at Home. He wants 'human interest' stuff, and I give him what he wants. I write exclusively for the subway guard and the farmers in the wheat belt. When you fellows write about the 'Situation,' they don't understand it. Neither do you. Neither does Venizelos or the King. I don't understand it myself. So, I write my people heart-to-heart talks about refugees and wounded, and what kind of ploughs the Servian peasants use, and that St. Paul wrote his letters to the Thessalonians from the same hotel where I write mine; and I tell 'em to pronounce Salonika 'eeka,' and not put the accent on the 'on.' This morning at the refugee camp I found all the little Servians of the Frothingham unit in American Boy Scout uniforms. That's my meat. That's 'home week' stuff. You fellows write for the editorial page; and nobody reads it. I write for the man that turns first to Mutt and Jeff, and then looks to see where they are running the new Charlie Chaplin release. When that man has to choose between 'our military correspondent' and the City Hall Reporter, he chooses me!"
The third man was John, "Our Special Artist." John could write a news story, too, but it was the cartoons that had made him famous. They were not comic page, but front page cartoons, and before making up their minds what they thought, people waited to see what their Artist thought. So, it was fortunate his thoughts were as brave and clean as they were clever. He was the original Little Brother to the Poor. He was always giving away money. When we caught him, he would prevaricate. He would say the man was a college chum, that he had borrowed the money from him, and that this was the first chance he had had to pay it back. The Kid suggested it was strange that so many of his college chums should at the same moment turn up, dead broke, in Salonika, and that half of them should be women.