The rock of the Acropolis is hardly more a part of modern Greece than the Rock of Gibraltar is a part of Spain. Geographically it is, but it belongs as much to the visitor as to the native, so little inspiration has he apparently drawn from it, and so little has it served to bring out in him to-day those qualities that made demigods of his ancestors. I think I represent the average intelligence, and yet at this moment I cannot think of any Greek within the last hundred years who has gained world-wide renown, either as a sculptor, an artist, a soldier, a writer of comedies and satires, a statesman, nor even as an archæologist; the very historians of Greece and the exponents of its secrets and the most distinguished of its excavators are of other countries. They have many heroes of their own; you see their portraits or their photographs in every shop-window; but they are not as familiar to you as the faces and histories of those other Greeks who sighed because there were no more worlds, and whose fame has lasted long after the other worlds were discovered. One would think that some young Greek, on arising in the morning and seeing the Acropolis against the sky, would say to himself, "To-day I shall do something worthy of that." And were he to say that often enough, and try to live up to the fortress and the temple above him, he might help to make Greece in this known world what she was in the smaller world of her day of glory. It is not because the world has grown and given her more with which to compete that she has fallen into lesser and lesser significance; for though the world has increased in latitude and longitude, it has not yet carved another Hermes like that of Praxiteles; and though it has added three continents since his day, it has never equalled in marbles the fluttering draperies of the Flying Victory, nor the carvings over the doorway of the Erechtheum.
GREEK PEASANT
ALBANIAN PEASANT IN THE STREETS OF ATHENS
But, as far as in him lies, the Greek has endeavored to copy the traditions of his ancestors. He holds Olympic games in the ancient arena which King George has had excavated, and if victorious receives a wreath of wild olives from the hands of the King; and he builds the new market where the old market stood, and the new military hospital as near as is possible to the hospital of Æsculapius. But he cannot restore to the market-place that very human citizen who cast in his shell against Aristides because he was aweary of hearing him called the Just; nor can either his games or his hospital bring back the perfect figure and health of the men whose figures and profiles have set the model for all time. He has, however, retained the Greek language, which is very creditable to him, as it is a language one learns only after much difficulty, and then forgets at once. He even goes so far as to put up the names of the streets in Greek, which strikes the bewildered tourist trying to find his way back to his hotel as a trifle pedantic, and he prints his daily newspaper in this same tongue. This is, perhaps, going a little too far, as it leaves you in some doubt as to whether you have been reading of the Panama scandal or a reprint on the battle of Marathon.
Baron Sina, a Greek banker, has shown the most public-spirited and patriotic generosity, and taste as well, in erecting the buildings of the university at his own expense and giving them to the city. They are reproductions in many ways of different parts of the temples of the Acropolis in miniature. The Polytechnic is almost an exact copy of the front of the Parthenon. There is a picture of it from a photograph given in this article, but it can supply no idea of the beauty of the modern reproduction of this temple. The lines and measurements are the same in degree; and the Polytechnic, besides, is colored and gilded as was the original Parthenon, and for the first time makes you understand how brilliant reds and beautiful blues and gold and black on marble can be combined with the marble's purity and help rather than cheapen it. It is a lesson in loveliness, and is as wonderful and brilliantly beautiful a building as the marble and gold monument to the Prince Consort in Hyde Park is vulgar and atrocious. If this copy in miniature, this working model of the Parthenon, moves one as it does, it can be understood how great must be the strength and purity of the Parthenon, even in ruins, with its gilt washed to a dull brown and its colors and bass-reliefs stripped from its pediment. I shall certainly not attempt to describe it.