The White Mice

by Richard Harding Davis

He returned to the agent of the line and told him he now believed the freight had been left behind in New York and that he would remain in Willemstad until the arrival of the next steamer, which was due in three days.

At the hotel he found Peter anxiously awaiting him. Having locked themselves in the room the two conspirators sat down to talk things over. From what had escaped the Consul, Roddy pointed out certain facts that seemed evident: Alvarez had not paid the Forrester Construction Company, or, in a word, his father, for the work already completed in the last two years. His father, in order to obtain his money, was interested in some scheme to get rid of Alvarez and in his place put some one who would abide by the terms of the original concession. This some one might be Rojas, and then, again, might not. As Peter suggested, the Construction Company might prefer to back a candidate for president, who, while he might not be so welcome to the Venezuelans, would be more amenable to the wishes of the F. C. C. It also would probably prefer to assist a man younger than Rojas, one more easily controlled, perhaps one less scrupulously honest. It also seemed likely that if, by revolution, the men of the Construction Company intended to put in the field a candidate of their own, they would choose one with whom they could consult daily, not one who, while he might once have been a popular idol, had for the last two years been buried from the sight of man, and with whom it now was impossible to communicate.

The longer they discussed the matter the more sure they became that Rojas could not be the man for whom the Construction Company was plotting.

“If Rojas isn’t the choice of the F. C. C.,” argued Roddy, “his being free, or in prison, does not interest them in the least. While, on the other hand, if Rojas is the candidate father is backing, the sooner he is out of prison the better for everybody.

“Anyway,” added Roddy, with the airy fatalism of one who nails his banner to the mast, “if my father is going to lose two millions because you and I set an old man free, then father is going to lose two millions.”

Having arrived at this dutiful conclusion Roddy proposed that, covertly, in the guise of innocent sight-seers, they should explore the town, and from a distance reconnoitre the home of Señora Rojas. They accordingly hired one of the public landaus of Willemstad and told the driver to show them the places of interest.

But in Willemstad there are no particular places of interest. It is the place itself that is of interest. It is not like any other port in the world.

“It used to be,” Roddy pointed out, “that every comic opera had one act on a tropical island. Then some fellow discovered Holland, and now all comic operas run to blonde girls in patched breeches and wooden shoes, and the back drops are ‘Rotterdam, Amsterdam, any damn place at all.’ But this town combines both the ancient and modern schools. Its scene is from Miss Hook of Holland, and the girls are out of Bandanna Land.”

Willemstad is compact and tiny, with a miniature governor and palace. It is painted with all the primary colors, and, though rain seldom falls on Curaçao Island, it is as clean as though the minute before it had been washed by a spring shower and put out in the sun to dry. Saint Ann Bay, which is the harbor of Willemstad, is less of a bay than a canal. On entering it a captain from his bridge can almost see what the people in the houses on either bank are eating for breakfast. These houses are modeled like those that border the canals of The Hague. They have the same peaked roofs, the front running in steps to a point, the flat façades, the many stories. But they are painted in the colors of tropical Spanish-America, in pink, yellow, cobalt blue, and behind the peaked points are scarlet tiles. Under the southern sun they are so brilliant, so theatrical, so unreal, that they look like the houses of a Noah’s Ark fresh from the toy shop. There are two towns: Willemstad, and, joined to it by bridges, Otrabanda. It is on the Willemstad side that the ships tie up, and where, from the deck to the steamer, one can converse quite easily with the Monsanto brothers in their drawing-room, or with the political exiles on the balconies of the Hotel Commercial. The streets are narrow and, like the streets of Holland, paved with round cobblestones as clean as a pan of rolls just ready for the oven. Willemstad is the cleanest port in the West Indies. It is the Spotless Town of the tropics. Beyond the town are the orange plantations, and the favorite drive is from Willemstad through these orange trees around the inner harbor, or the Schottegat, to Otrabanda, and so back across the drawbridge of Good Queen Emma into Willemstad. It is a drive of little over two hours, and Roddy and Peter found it altogether charming.

About three miles outside of Willemstad they came upon the former home of a rich Spanish planter, which had been turned into a restaurant, and which, once the Groot du Crot, was now the Café Ducrot. There is little shade on the Island of Curaçao and the young men dived into the shadows of the Ducrot garden as into a cool bath. Through orange trees and spreading palmettos, flowering bushes and a tangle of vines, they followed paths of pebbles, and wandered in a maze in which they lost themselves.