It might be young Wainwright, with the proof-sheets of the new story he had promised to let her see, or flowers for the dance from Bruce-Brice, of the English Legation at Washington, who for the time being was practising diplomatic moves in New York, or some of her working-girls with a new perplexity for her to unravel, or only one of the men from the stable to tell her how her hunter was getting on after his fall. It might be any of these and more. The possibilities were diverse and all of interest, and she acknowledged this to herself, with a little sigh of content that it was so. For she found her pleasure in doing many things, and in the fact that there were so many. She rejoiced daily that she was free, and her own mistress in everything; free to do these many things denied to other young women, and that she had the health and position and cleverness to carry them on and through to success. She did them all, and equally well and gracefully, whether it was the rejection of a too ambitious devotee who dared to want to have her all to himself, or the planning of a woman's luncheon, or the pushing of a bill to provide kindergartens in the public schools. But it was rather a relief when the man opened the curtains and said, "Mr. Wainwright," and Wainwright walked quickly towards her, tugging at his glove.
"You are very good to see me so late," he said, speaking as he entered, "but I had to see you to-night, and I wasn't asked to that dance. I'm going away," he went on, taking his place by the fire, with his arm resting on the mantel. He had a trick of standing there when he had something of interest to say, and he was tall and well-looking enough to appear best in that position, and she was used to it. He was the most frequent of her visitors.
"Going away," she repeated, smiling up at him; "not for long, I hope. Where are you going now?"
"I'm going to London," he said. "They cabled me this morning. It seems they've taken the play, and are going to put it on at once." He smiled, and blushed slightly at her exclamation of pleasure. "Yes, it is rather nice. It seems 'Jilted' was a failure, and they've taken it off, and are going to put on 'School,' with the old cast, until they can get my play rehearsed, and they want me to come over and suggest things."
She stopped him with another little cry of delight that was very sweet to him, and full of moment.
"Oh, how glad I am!" she said. "How proud you must be! Now, why do you pretend you are not? And I suppose Tree and the rest of them will be in the cast, and all that dreadful American colony in the stalls, and you will make a speech—and I won't be there to hear it." She rose suddenly with a quick, graceful movement, and held out her hand to him, which he took, laughing and conscious-looking with pleasure.
She sank back on the divan, and shook her head doubtfully at him. "When will you stop?" she said. "Don't tell me you mean to be an Admirable Crichton. You are too fine for that."
He looked down at the fire, and said, slowly, "It is not as if I were trying my hand at an entirely different kind of work. No, I don't think I did wrong in dramatizing it. The papers all said, when the book first came out, that it would make a good play; and then so many men wrote to me for permission to dramatize it that I thought I might as well try to do it myself. No, I think it is in line with my other work. I don't think I am straying after strange gods."
"You should not," she said, softly. "The old ones have been so kind to you. But you took me too seriously," she added.
"I am afraid sometimes," he answered, "that you do not know how seriously I do take you."