He exclaimed in horror: “No, divided among the nine of us!”
No wonder Volo is a popular summer resort, even in December.
The next day, after sunset, we saw the snow-capped peak of Mount Olympus and the lamps of a curving water-front, the long rows of green air ports that mark the French hospital ships, the cargo lights turned on the red crosses painted on their sides, the gray, grim battleships of England, France, Italy, and Greece, and a bustling torpedo-boat took us in tow, and guided us through the floating mines and into the harbor of Salonika.
If it is true that happy are the people without a history, then Salonika should be thoroughly miserable. Some people make history; others have history thrust upon them. Ever since the world began Salonika has had history thrust upon her. She aspired only to be a great trading seaport. She was content to be the place where the caravans from the Balkans met the ships from the shores of the Mediterranean, Egypt, and Asia Minor. Her wharfs were counters across which they could swap merchandise. All she asked was to be allowed to change their money. Instead of which, when any two nations of the Near East went to the mat to settle their troubles, Salonika was the mat. If any country within a thousand-mile radius declared war on any other country in any direction whatsoever, the armies of both belligerents clashed at Salonika. They not only used her as a door-mat, but they used her hills to the north of the city for their battle-field. In the fighting, Salonika took no part. She merely loaned the hills. But she knew, whichever side won, two things would happen to her: She would pay a forced loan and subscribe to an entirely new religion. Three hundred years before Christ, the people of Salonika worshipped the mysterious gods who had their earthly habitation on the island of Thasos. The Greeks ejected them, and erected altars to Apollo and Aphrodite, the Egyptians followed and taught Salonika to fear Serapis; then came Roman gods and Roman generals; and then St. Paul. The Jews set up synagogues, the Mohammedans reared minarets, the Crusaders restored the cross, the Tripolitans restored the crescent, the Venetians re-restored Christianity. Romans, Greeks, Byzantines, Persians, Franks, Egyptians, and Barbary pirates, all, at one time or another, invaded Salonika. She was the butcher’s block upon which they carved history. Some ruled her only for months, others for years. Of the monuments to the religions forced upon her, the most numerous to-day are the synagogues of the Jews and the mosques of the Mohammedans. It was not only fighting men who invaded Salonika. Italy can count her great earthquakes on one hand; the United States on one finger. But a resident of Salonika does not speak of the “year of the earthquake.” For him, it saves time to name the years when there was no earthquake. Each of those years was generally “the year of the great fire.” If it wasn’t one thing, it was another. If it was not a tidal wave, it was an epidemic; if it was not a war, it was a blizzard. The trade of Asia Minor flows into Salonika and with it carries all the plagues of Egypt. Epidemics of cholera in Salonika used to be as common as yellow fever in Guayaquil. Those years the cholera came the people abandoned the seaport and lived on the plains north of Salonika, in tents. If the cholera spared them, the city was swept by fire; if there was no fire, there came a great frost. Salonika is on the same latitude as Naples, Madrid, and New York; and New York is not unacquainted with blizzards. Since the seventeenth century, last winter was said to be the coldest Salonika has ever known. I was not there in the seventeenth century, but am willing to believe that last winter was the coldest since then; not only to believe it, but to swear to it. Of the frost in 1657 the Salonikans boast the cold was so severe that to get wood the people destroyed their houses. This December, when on the English and French front in Serbia, I saw soldiers using the same kind of fire-wood. They knew a mud house that is held together with beams and rafters can be rebuilt, but that you cannot rebuild frozen toes and fingers.
In thrusting history upon Salonika, the last few years have been especially busy. They gave her a fire that destroyed a great part of the city, and between 1911 and 1914 two cholera epidemics, the Italian-Turkish War, which, as Salonika was then Turkish, robbed her of hundreds of her best men, the Balkan-Turkish War, and the Second Balkan War. In this Salonika was part of the spoils, and Greece and Bulgaria fought to possess her. The Greeks won, and during one year she was at peace. Then, in 1914, the Great War came, and Serbia sent out an S. O. S. call to her Allies. At the Dardanelles, not eighteen hours away, the French and English heard the call. But to reach Serbia by the shortest route they must disembark at Salonika, a port belonging to Greece, a neutral power; and in moving north from Salonika into Serbia they must pass over fifty miles of neutral Greek territory. Venizelos, prime minister of Greece, gave them permission. King Constantine, to preserve his neutrality, disavowed the act of his representative, and Venizelos resigned. From the point of view of the Allies, the disavowal came too late. As soon as they had received permission from the recognized Greek Government, they started, and, leaving the King and Venizelos to fight it out between them, landed at Salonika. The inhabitants received them calmly. The Greek officials, the colonel commanding the Greek troops, the Greek captain of the port, and the Greek collector of customs may have been upset; but the people of Salonika remained calm. They were used to it. Foreign troops were always landing at Salonika. The oldest inhabitant could remember, among others, those of Alexander the Great, Mark Antony, Constantine, the Sultan Murad, and several hundred thousand French and English who over their armor wore a red cross. So he was not surprised when, after seven hundred years, the French and English returned, still wearing the red cross.
“In Salonika the water-front belongs to everybody.”
One of the greatest assets of those who live in a seaport city is a view of their harbor. As a rule, that view is hidden from them by zinc sheds on the wharfs and warehouses. But in Salonika the water-front belongs to everybody. To the north it encloses the harbor in a great half-moon that from tip to tip measures three miles. At the western tip of this crescent are tucked away the wharfs for the big steamers, the bonded warehouses, the customs, the goods-sheds. The rest of the water-front is open to the people and to the small sailing vessels. For over a mile it is bordered by a stone quay, with stone steps leading down to the rowboats. Along this quay runs the principal street, and on the side of it that faces the harbor, in an unbroken row, are the hotels, the houses of the rich Turks and Jews, clubs, restaurants, cafés, and moving-picture theatres. At night, when these places are blazing with electric lights, the curving water-front is as bright as Broadway—but Broadway with one-half of the street in darkness. On the dark side of the street, to the quay, are moored hundreds of sailing vessels. Except that they are painted and gilded differently, they look like sisters. They are fat, squat sisters with the lines of half a cantaloupe. Each has a single mast and a lateen-sail, like the Italian felucca and the sailing boats of the Nile. When they are moored to the quay and the sail is furled, each yard-arm, in a graceful, sweeping curve, slants downward. Against the sky, in wonderful confusion, they follow the edge of the half-moon; the masts a forest of dead tree trunks, the slanting yards giant quill pens dipping into an ink-well. Their hulls are rich in gilding and in colors—green, red, pink, and blue. At night the electric signs of a moving-picture palace on the opposite side of the street illuminate them from bow to stern. It is one of those bizarre contrasts you find in the Near East. On one side of the quay a perfectly modern hotel, on the other a boat unloading fish, and in the street itself, with French automobiles and trolley-cars, men who still are beasts of burden, who know no other way of carrying a bale or a box than upon their shoulders. In Salonika even the trolley-car is not without its contrast. One of our “Jim Crow” street-cars would puzzle a Turk. He would not understand why we separate the white and the black man. But his own street-car is also subdivided. In each there are four seats that can be hidden by a curtain. They are for the women of his harem.