Part II
WILD ENGLAND

CHAPTER I
SIR FELIX

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On a bright May morning, the sunlight, at five o'clock, was pouring into a room which face the east at the ancestral home of the Aquilas. In this room Felix, the eldest of the three sons of the Baron, was sleeping. The beams passed over his head, and lit up a square space on the opposite whitewashed wall, where, in the midst of the brilliant light, hung an ivory cross. There were only two panes of glass in the window, each no more than two or three inches square, the rest of the window being closed by strong oaken shutters, thick enough to withstand the stroke of an arrow.

In the daytime one of these at least would have been thrown open to admit air and light. They did not quite meet, and a streak of sunshine, in addition to that which came through the tiny panes, entered at the chink. Only one window in the house contained more than two such panes (it was in the Baroness's sitting-room), and most of them had none at all. The glass left by the ancients in their dwellings had long since been used up or broken, and the fragments that remained were too precious to be put in ordinary rooms. When larger pieces were discovered, they were taken for the palaces of the princes, and even these were but sparingly supplied, so that the saying "he has glass in his window" was equivalent to "he belongs to the upper ranks".

On the recess of the window was an inkstand, which had been recently in use, for a quill lay beside it, and a sheet of parchment partly covered with writing. The ink was thick and very dark, made of powdered charcoal, leaving a slightly raised writing, which could be perceived by the finger on rubbing it lightly over. Beneath the window on the bare floor was an open chest, in which were several similar parchments and books, and from which the sheet on the recess had evidently been taken. This chest, though small, was extremely heavy and strong, being dug out with the chisel and gouge from a solid block of oak. Except a few parallel grooves, there was no attempt at ornamentation upon it. The lid, which had no hinges, but lifted completely off, was tilted against the wall. It was, too, of oak some inches thick, and fitted upon the chest by a kind of dovetailing at the edges.

Instead of a lock, the chest was fastened by a lengthy thong of oxhide, which now lay in a coil on the floor. Bound round and round, twisted and intertangled, and finally tied with a special and secret knot (the ends being concealed), the thong of leather secured the contents of the chest from prying eyes or thievish hands. With axe or knife, of course, the knot might easily have been severed, but no one could obtain access to the room except the retainers of the house, and which of them, even if unfaithful, would dare to employ such means in view of the certain punishment that must follow? It would occupy hours to undo the knot, and then it could not be tied again in exactly the same fashion, so that the real use of the thong was to assure the owner that his treasures had not been interfered with in his absence. Such locks as were made were of the clumsiest construction. They were not so difficult to pick as the thong to untie, and their expense, or rather the difficulty of getting a workman who could manufacture them, confined their use to the heads of great houses. The Baron's chest was locked, and his alone, in the dwelling.

Besides the parchments which were nearest the top, as most in use, there were three books, much worn and decayed, which had been preserved, more by accident than by care, from the libraries of the ancients. One was an abridged history of Rome, the other a similar account of English history, the third a primer of science or knowledge; all three, indeed, being books which, among the ancients, were used for teaching children, and which, by the men of those days, would have been cast aside with contempt.