O Amaryllis went up into the gaunt, cold room at the top of the house, and bent herself seriously to drawing. There was no fireplace, and if there had been they could not have allowed her coals; coals were dear. It was quite an event when the horse and cart went to the wharf for coal. There was plenty of wood for the hearth—wood grew on the farm—but coal was money.
The March winds howled round the corner of the old thatched house, and now and again tremendous rains blew up against the little western window near which she had placed her table. Through the silent cold of January, the moist cold of February, the east winds and hurricane rains of March, Amaryllis worked on in her garret, heedless of nipped fingers and chilled feet.
Sometimes she looked out of the window and watched Iden digging in the garden underneath, planting his potatoes, pruning his trees and shrubs, or farther away, yonder in the meadow, clearing out the furrows that the water might flow better—"trenching," as he called it.
The harder it rained the harder he worked at this in the open, with a sack about his shoulders like a cloak; the labourers were under shelter, the master was out in the wet, hoping by guiding the water to the grass to get a larger crop of hay in June.
Bowed under his sack, with his rotten old hat, he looked a woful figure as the heavy shower beat on his back. But to Amaryllis he was always her father.
Sometimes she went into the next room—the lumber-room—only lighted by a window on a level with the floor, a window which had no glass, but only a wire network. Sitting on the floor there, she could see him at the stile across the road, his hands behind his back, gossiping now with another farmer or two, now with a labourer, now with an old woman carrying home a yoke of water from the brook.
The gossiping hurt Amaryllis even more than the work in the cold rain; it seemed so incongruous, so out of character, so unlike the real Iden as she knew him.
That he, with his great, broad and noble forehead, and his profile like Shakespeare, should stand there talk, talk, talking on the smallest hamlet topics with old women, and labourers, and thickheaded farmers, was to her a bewilderment and annoyance.
She could not understand it, and she resented it. The real Iden she knew was the man of thought and old English taste, who had told her so much by the fireside of that very Shakespeare whom in features he resembled, and of the poets from Elizabethan days downwards. His knowledge seemed to be endless; there was no great author he had not read, no subject upon which he could not at least tell her where to obtain information. Yet she knew he had never had what is now called an education. How clever he must be to know all these things! You see she did not know how wonderful is the gift of observation, which Iden possessed to a degree that was itself genius. Nothing escaped him; therefore his store was great.
No other garden was planted as Iden's garden was, in the best of old English taste, with old English flowers and plants, herbs and trees. In summer time it was a glory to see: a place for a poet, a spot for a painter, loved and resorted to by every bird of the air. Of a bare old farmhouse he had made a beautiful home.