Something grey and spotted and puffy, not unlike a toad, moved about under the gorse of the garden hedge one morning, half hidden by the stalks of old grasses. By-and-by it hopped out—the last thrush, so distended with puffed feathers against the frost as to be almost shapeless. He searched about hopelessly round the stones and in the nooks, all hard and frostbound; there was the shell of a snail, dry and whitened and empty, as was apparent enough even at a distance. His keen eye must have told him that it was empty; yet such was his hunger and despair that he took it and dashed it to pieces against a stone. Like a human being, his imagination was stronger than his experience; he tried to persuade himself that there might be something there; hoping against hope. Mind, you see, working in the bird's brain, and overlooking facts. A mere mechanism would have left the empty and useless shell untouched—would have accepted facts at once, however bitter, just as the balance on the heaviest side declines immediately, obeying the fact of an extra grain of weight. The bird's brain was not mechanical, and therefore he was not wholly mastered by experience. It was a purely human action—just what we do ourselves. Next he came across to the door to see if a stray berry still remained on a creeper. He saw me at the window, and he came to the window—right to it—and stopped and looked full at me some minutes, within touch almost, saying as plainly as could be said, 'I am starving—help me.' I never before knew a thrush make so unmistakable an appeal for assistance, or deliberately approach so near (unless previously encouraged). We tried to feed him, but we fear little of the food reached him. The wonder of the incident was that a thrush should still be left—there had not been one in the garden for two months. Berries all gone, ground hard and foodless, streams frozen, snow lying for weeks, frost stealing away the vital heat—ingenuity could not devise a more terrible scene of torture to the birds. Neither for the thrushes nor for the new-born infants in the tent did the onslaught of the winter slacken. No pity in earth or heaven. This one thrush did, indeed, by some exceptional fortune, survive; but where were the family of thrushes that had sung so sweetly in the rainy autumn? Where were the blackbirds?
Looking down from the stilts of seven hundred feet into the deep coombe of black oaks standing in the white snow, day by day, built round about with the rugged mound of the hills, doubly locked with the key of frost—it seemed to me to take on itself the actuality of the ancient faith of the Magi. How the seeds of all living things—the germs—of bird and animal, man and insect, tree and herb, of the whole earth—were gathered together into a four-square rampart, and there laid to sleep in safety, shielded by a spell-bound fortification against the coming flood, not of water, but of frost and snow! With snow and frost and winter the earth was overcome, and the world perished, stricken dumb and dead, swept clean and utterly destroyed—a winter of the gods, the silence of snow and universal death. All that had been passed away, and the earth was depopulated. Death triumphed. But under the snow, behind the charmed rampart, slept the living germs. Down in the deep coombe, where the dark oaks stood out individually in the whiteness of the snow, fortified round about with immovable hills, there was the actual presentment of Zoroaster's sacred story. Locked in sleep lay bud and germ—the butterflies of next summer were there somewhere, under the snow. The earth was swept of its inhabitants, but the seeds of life were not dead. Near by were the tents of the gipsies—an Eastern race, whose forefathers perhaps had seen that very Magian worship of the Light; and in those tents birth had already taken place. Under the Night of winter—under the power of dark Ahriman, the evil spirit of Destruction—lay bud and germ in bondage, waiting for the coming of Ormuzd, the Sun of Light and Summer. Beneath the snow, and in the frozen crevices of the trees, in the chinks of the earth, sealed up by the signet of frost, were the seeds of the life that would replenish the air in time to come. The buzzing crowds of summer were still under the snow.
This forest land is marked by the myriads of insects that roam about it in the days of sunshine. Of all the million million heathbells—multiply them again by a million million more—that purple the acres of rolling hills, mile upon mile, there is not one that is not daily visited by these flying creatures. Countless and incalculable hosts of the yellow-barred hover-flies come to them; the heath and common, the moor and forest, the hedgerow and copse, are full of insects. They rise under foot, they rise from the spray brushed by your arm as you pass, they settle down in front of you—a rain of insects, a coloured shower. Legion is a little word for the butterflies; the dry pastures among the woods are brown with meadow-brown; blues and coppers float in endless succession; all the nations of Xerxes' army were but a handful to these. In their millions they have perished; but somewhere, coiled up, as it were, and sealed under the snow, there must have been the mothers and germs of the equally vast crowds that will fill the atmosphere this year. The great bumble-bee that shall be mother of hundreds, the yellow wasp that shall be mother of thousands, were hidden there somewhere. The food of the migrant birds that are coming from over sea was there dormant under the snow. Many nations have a tradition of a former world destroyed by a deluge of water, from the East to the West, from Greece to Mexico, where the tail of a comet was said to have caused the flood; but in the strange characters of the Zend is the legend of an ark (as it were) prepared against the snow. It may be that it is the dim memory of a glacial epoch. In this deep coombe, amid the dark oaks and snow, was the fable of Zoroaster. For the coming of Ormuzd, the Light and Life Bringer, the leaf slept folded, the butterfly was hidden, the germ concealed, while the sun swept upwards towards Aries.
There is nothing so wearying as a long frost—the endless monotony, which makes one think that the very fault we usually find with our climate—its changeableness—is in reality its best quality. Rain, mist, gales—anything; give us anything but weary, weary frost. But having once fixed its mind, the weather will not listen to the usual signs of alteration.
The larks sang at last high up against the grey cloud over the frost-bound earth. They could not wait longer; love was strong in their little hearts—stronger than the winter. After a while the hedge-sparrows, too, began to sing on the top of the gorse-hedge about the garden. By-and-by a chaffinch boldly raised his voice, ending with the old story, 'Sweet, will you, will you kiss—me—dear?' Then there came a hoar-frost, and the earth, which had been black, became white, as its evaporated vapours began to gather and drops of rain to fall. Even then the obstinate weather refused to quite yield, wrapping its cloak, as it were, around it in bitter enmity. But in a day or two white clouds lit up with sunshine appeared drifting over from the southward, and that was the end. The old pensioner came to the door for his bread and cheese: 'The wind's in the south' he said, 'and I hopes she'll stay there' Five dull yellow spots on the hedge—gorse bloom—that had remained unchanged for so many weeks, took a fresh colour and became golden. By the constant passing of the waggons and carts along the road that had been so silent it was evident that the busy time of spring was here. There would be rough weather, doubtless, now and again, but it would not again be winter.
Dark patches of cloud—spots of ink on the sky, the 'messengers'—go drifting by; and after them will follow the water-carriers, harnessed to the south and west winds, drilling the long rows of rain like seed into the earth. After a time there will be a rainbow. Through the bars of my prison I can see the catkins thick and sallow-grey on the willows across the field, visible even at that distance; so great the change in a few days, the hand of spring grows firm and takes a strong grasp of the hedges. My prison bars are but a sixteenth of an inch thick; I could snap them with a fillip—only the window-pane, to me as impenetrable as the twenty-foot wall of the Tower of London. A cart has just gone past bearing a strange load among the carts of spring; they are talking of poling the hops. In it there sat an old man, with the fixed stare, the animal-like eye, of extreme age; he is over ninety. About him there were some few chairs and articles of furniture, and he was propped against a bed. He was being moved—literally carted—to another house, not home, and he said he could not go without his bed; he had slept on it for seventy-three years. Last Sunday his son—himself old—was carted to the churchyard, as is the country custom, in an open van; to-day the father, still living, goes to what will be to him a strange land. His home is broken up—he will potter no more with maize for the chicken; the gorse hedges will become solid walls of golden bloom, but there will never again be a spring for him. It is very hard, is it not, at ninety? It is not the tyranny of any one that has done it; it is the tyranny of circumstance, the lot of man. The song of the Greeks is full of sorrow; man was to them the creature of grief, yet theirs was the land of violets and pellucid air. This has been a land of frost and snow, and here too, it is the same. A stranger, I see, is already digging the old man's garden.
How happy the trees must be to hear the song of birds again in their branches! After the silence and the leaflessness, to have the birds back once more and to feel them busy at the nest-building; how glad to give them the moss and fibres and the crutch of the boughs to build in! Pleasant it is now to watch the sunlit clouds sailing onwards; it is like sitting by the sea. There is voyaging to and fro of birds; the strong wood-pigeon goes over—a long course in the air, from hill to distant copse; a blackbird starts from an ash, and, now inclining this way and now that, traverses the meadows to the thick corner hedge; finches go by, and the air is full of larks that sing without ceasing. The touch of the wind, the moisture of the dew, the sun-stained raindrop, have in them the magic force of life—a marvellous something that was not there before. Under it the narrow blade of grass comes up freshly green between the old white fibres the rook pulled; the sycamore bud swells and opens, and takes the eye instantly in the still dark wood; the starlings go to the hollow pollards; the lambs leap in the mead. You never know what a day may bring forth—what new thing will come next. Yesterday I saw the ploughman and his team, and the earth gleam smoothed behind the share; to-day a butterfly has gone past; the farm-folk are bringing home the fagots from the hedgerows; to-morrow there will be a merry, merry note in the ash copse, the chiffchaffs' ringing call to arms, to arms, ye leaves! By-and-by a bennet, a bloom of the grass; in time to come the furrow, as it were, shall open, and the great buttercup of the waters will show a broad palm of gold. You never know what will come to the net of the eye next—a bud, a flower, a nest, a curled fern, or whether it will be in the woodland or by the meadow path, at the water's side or on the dead dry heap of fagots. There is no settled succession, no fixed and formal order—always the unexpected; and you cannot say, 'I will go and find this or that.' The sowing of life in the spring time is not in the set straight line of the drill, nor shall you find wild flowers by a foot measure. There are great woods without a lily of the valley; the nightingale does not sing everywhere. Nature has no arrangement, no plan, nothing judicious even; the walnut trees bring forth their tender buds, and the frost burns them—they have no mosaic of time to fit in, like a Roman tesselated pavement; nature is like a child, who will sing and shout though you may be never so deeply pondering in the study, and does not wait for the hour that suits your mind. You do not know what you may find each day; perhaps you may only pick up a fallen feather, but it is beautiful, every filament. Always beautiful! everything beautiful! And are these things new—the ploughman and his team, the lark's song the green leaf? Can they be new? Surely they have been of old time! They are, indeed, new—the only things that are so; the rest is old and grey, and a weariness.
[NATURE AND BOOKS.]
What is the colour of the dandelion? There are many dandelions: that which I mean flowers in May, when the meadow-grass has started and the hares are busy by daylight. That which flowers very early in the year has a thickness of hue, and is not interesting; in autumn the dandelions quite change their colour and are pale. The right dandelion for this question is the one that comes about May with a very broad disc, and in such quantities as often to cover a whole meadow. I used to admire them very much in the fields by Surbiton (strong clay soil), and also on the towing-path of the Thames where the sward is very broad, opposite Long Ditton; indeed, I have often walked up that towing-path on a beautiful sunny morning, when all was quiet except the nightingales in the Palace hedge, on purpose to admire them. I dare say they are all gone now for evermore; still, it is a pleasure to look back on anything beautiful. What colour is this dandelion? It is not yellow, nor orange, nor gold; put a sovereign on it and see the difference. They say the gipsies call it the Queen's great hairy dog-flower—a number of words to one stalk; and so, to get a colour to it, you may call it the yellow-gold-orange plant. In the winter, on the black mud under a dark, dripping tree, I found a piece of orange peel, lately dropped—a bright red orange speck in the middle of the blackness. It looked very beautiful, and instantly recalled to my mind the great dandelion discs in the sunshine of summer. Yet certainly they are not red-orange. Perhaps, if ten people answered this question, they would each give different answers. Again, a bright day or a cloudy, the presence of a slight haze, or the juxtaposition of other colours, alters it very much; for the dandelion is not a glazed colour, like the buttercup, but sensitive. It is like a sponge, and adds to its own hue that which is passing, sucking it up.