[CHAPTER XVI]
THE SOLICITOR
In glancing along the street of a country town, a house may sometimes be observed of a different and superior description to the general row of buildings. It is larger, rises higher, and altogether occupies more space. The façade is stylish, in architectural fashion of half a century since. To the modern eye it may not perhaps look so interesting as the true old gabled roofs which seem so thoroughly English, nor, on the other hand, so bright and cheerful as the modern suburban villa. But it is substantial and roomy within. The weather has given the front a sombre hue, and the windows are dingy, as if they rarely or never knew the care of a housemaid. On the ground floor the windows that would otherwise look on to the street are blocked to almost half their height with a wire blind so closely woven that no one can see in, and it is not easy to see out. The doorway is large, with stone steps and porch—the doorway of a gentleman's house. There is business close at hand—shops and inns, and all the usual offices of a town—but, though in the midst, this house wears an air of separation from the rest of the street.
When it was built—say fifty years ago, or more—it was, in fact, the dwelling-house of an independent gentleman. Similar houses may be found in other parts of the place, once inhabited by retired and wealthy people. Such persons no longer live in towns of this kind—they build villas with lawns and pleasure grounds outside in the environs, or, though still retaining their pecuniary interest, reside at a distance. Like large cities, country towns are now almost given over to offices, shops, workshops, and hotels. Those who have made money get away from the streets as quickly as possible. Upon approaching nearer to this particular building the street door will be found to be wide open to the public, and, if you venture still closer, a name may be seen painted in black letters upon the side of the passage wall, after the manner of the brokers in the courts off Throgmorton Street, or of the lawyers in the Temple. It is, in fact, the office of a country solicitor—most emphatically one of Hodge's many masters—and is admirably suited for his purpose, on account of its roomy interior.
The first door within opens on the clerks' room, and should you modestly knock on the panels instead of at once turning the handle, a voice will invite you to 'Come in.' Half of the room is partitioned off for the clerks, who sit at a long high desk, with a low railing or screen in front of them. Before the senior is a brass rail, along which he can, if he chooses, draw a red curtain. He is too hard at work and intent upon some manuscript to so much as raise his head as you enter. But the two younger men, eager for a change, look over the screen, and very civilly offer to attend to your business. When you have said that you wish to see the head of the firm, you naturally imagine that your name will be at once shouted up the tube, and that in a minute or two, at farthest, you will be ushered into the presence of the principal. In that small country town there cannot surely be much work for a lawyer, and a visitor must be quite an event. Instead, however, of using the tube they turn to the elder clerk, and a whispered conversation takes place, of which some broken sentences may be caught—'He can't be disturbed,' 'It's no use,' 'Must wait.' Then the elder clerk looks over his brass rail and says he is very sorry, but the principal is engaged, the directors of a company are with him, and it is quite impossible to say exactly when they will leave. It may be ten minutes, or an hour. But if you like to wait (pointing with his quill to a chair) your name shall be sent up directly the directors leave.
You glance at the deck, and elect to wait. The older clerk nods his head, and instantly resumes his writing. The chair is old and hard—the stuffing compressed by a generation of weary suitors; there are two others at equal distances along the wall. The only other furniture is a small but solid table, upon which stands a brass copying-press. On the mantelpiece there are scales for letter-weighing, paper clips full of papers, a county Post-office directory, a railway time-table card nailed to the wall, and a box of paper-fasteners. Over it is a map, dusty and dingy, of some estate laid out for building purposes, with a winding stream running through it, roads passing at right angles, and the points of the compass indicated in an upper corner.
On the other side of the room, by the window, a framed advertisement hangs against the wall, like a picture, setting forth the capital and reserve and the various advantages offered by an insurance company, for which the firm are the local agents. Between the chairs are two boards fixed to the wall with some kind of hook or nail for the suspension of posters and printed bills. These boards are covered with such posters, announcing sales by auction, farms to be let, houses to be had on lease, shares in a local bank or gasworks for sale, and so on, for all of which properties the firm are the legal representatives. Though the room is of fair size the ceiling is low, as in often the case in old houses, and it has, in consequence, become darkened by smoke and dust, therein, after awhile, giving a gloomy, oppressive feeling to any one who has little else to gaze at. The blind at the window rises far too high to allow of looking out, and the ground glass above it was designed to prevent the clerks from wasting their time watching the passers-by in the street. There is, however, one place where the glass is worn and transparent, and every now and then one of the two younger clerks mounts on his stool and takes a peep through to report to his companion.
The restraint arising from the presence of a stranger soon wears off; the whisper rises to a buzz of talk; they laugh, and pelt each other with pellets of paper. The older clerk takes not the least heed. He writes steadily on, and never lifts his head from the paper—long hours of labour have dimmed his sight, and he has to stoop close over the folio. He may be preparing a brief, he may be copying a deposition, or perhaps making a copy of a deed; but whatever it is, his whole mind is absorbed and concentrated on his pen. There must be no blot, no erasure, no interlineation. The hand of the clock moves slowly, and the half-heard talk and jests of the junior clerks—one of whom you suspect of making a pen-and-ink sketch of you—mingle with the ceaseless scrape of the senior's pen, and the low buzz of two black flies that circle for ever round and round just beneath the grimy ceiling. Occasionally noises of the street penetrate; the rumble of loaded waggons, the tramp of nailed shoes, or the sharp quick sound of a trotting horse's hoofs. Then the junior jumps up and gazes through the peephole. The directors are a very long time upstairs. What can their business be? Why are there directors at all in little country towns?
Presently there are heavy footsteps in the passage, the door slowly opens, and an elderly labourer, hat in hand, peers in. No one takes the least notice of him. He leans on his stick and blinks his eyes, looking all round the room; then taps with the stick and clears his throat—'Be he in yet?' he asks, with emphasis on the 'he.' 'No, he be not in,' replies a junior, mocking the old man's accent and grammar. The senior looks up, 'Call at two o'clock, the deed is not ready,' and down goes his head again. 'A main bit o' bother about this yer margidge' (mortgage), the labourer remarks, as he turns to go out, not without a complacent smile on his features for the law's delays seem to him grand, and he feels important. He has a little property—a cottage and garden—upon which he is raising a small sum for some purpose, and this 'margidge' is one of the great events of his life. He talked about it for two or three years before he ventured to begin it; he has been weeks making up his mind exactly what to do after his first interview with the solicitor—he would have been months had not the solicitor at last made it plain that he could waste no more time—and when it is finally completed he will talk about it again to the end of his days. He will be in and out asking for 'he' all day long at intervals, and when the interview takes place it will be only for the purpose of having everything already settled explained over to him for the fiftieth time. His heavy shoes drag slowly down the passage—he will go to the street corner and talk with the carters who come in, and the old women, with their baskets, a-shopping, about 'this yer law job.'