A thick border of dark green firs bounds the copse—the brown leaves that have fallen from the oaks have lodged on the foliage of the firs and are there supported. In the sheltered corner some of the bracken has partly escaped the frost, one frond has two colours. On one side of the rib it is green and on the other yellow. The grass is strewn with the leaves of the aspen, which have turned quite black. Under the great elms there seems a sudden increase of light—it is caused by the leaves which still remain on the branches; they are all of the palest yellow, and, as you pass under, give the impression of the tree having been lit up—illuminated with its own colour. From the bushes hang the red berries of the night shade, and the fruit on the briars glistens in the sun. Inside the copse stand innumerable thistles shoulder high, dead and gaunt; and a grey border running round the field at the bottom of the hedge shows where the tall, strong weeds of summer have withered up. A bird flutters round the topmost boughs of the elm yonder and disappears with a flash of blue—it is a jay. Here the grass of the meadow has an undertone of grey; then an arable field succeeds, where six strong horses are drawing the heavy drill, and great bags of the precious seed are lying on the furrows.
Another meadow, where note a broken bough of elder, the leaves on which have turned black, while still on its living branches they are green, and then a clump of beeches. The trunks are full of knot-holes, after a dead bough has fallen off and the stump has rotted away, the bark curls over the orifice and seemingly heals the wound more smoothly and completely than with other trees. But the mischief is proceeding all the same, despite that flattering appearance; outwardly the bark looks smooth and healthy, but probe the hole and the rottenness is working inwards. A sudden gap in the clump attracts the glance, and there—with one great beech trunk on this side and another on that—is a view opening down on the distant valley far below. The wood beneath looks dwarfed, and the uneven tops of the trees, some green, some tinted, are apparently so close together as to hide aught else, and the shadows of the clouds move over it as over a sea. A haze upon the horizon brings plain and sky together there; on one side, in the far distance a huge block, a rude vastness stands out dusky and dimly defined—it is a spur of the rolling hills.
Out in the plain, many a mile away, the sharp, needle-like point of a steeple rises white above the trees, which there shade and mingle into a dark mass—so brilliantly white as to seem hardly real. Sweeping the view round, there is a strange and total absence of houses or signs of habitation, other than the steeple, and now that, too, is gone. It has utterly vanished—where, but a few moments before it glowed with whiteness, is absolutely nothing. The disappearance is almost weird in the broad daylight, as if solid stone could sink into the earth. Searching for it suddenly a village appears some way on the right—the white walls stand out bright and clear, one of the houses is evidently of large size, and placed on a slight elevation is a prominent object. But as we look it fades, grows blurred and indistinct, and in another moment is gone. The whole village has vanished—in its place is nothing; so swift is the change that the mind scarcely credits the senses.
A deep shadow creeping towards us explains it. Where the sunlight falls, there steeple or house glows and shines; when it has passed, the haze that is really there, though itself invisible, instantly blots out the picture. The thing may be seen over and over again in the course of a few minutes; it would be difficult for an artist to catch so fleeting an effect. The shadow of the cloud is not black—it lacks several shades of that—there is in it a faint and yet decided tint of blue. This tone of blue is not the same everywhere—here it is almost distinct, there it fades; it is an aerial colour which rather hints itself than shows. Commencing the descent the view is at once lost, but we pass a beech whose beauty is not easily conveyed. The winds have scarcely rifled it; being in a sheltered spot on the slope, the leaves are nearly perfect. All those on the outer boughs are a rich brown—some, perhaps, almost orange. But there is an inner mass of branches of lesser size which droop downwards, something after the manner of a weeping willow; and the leaves on these are still green and show through. Upon the whole tree a flood of sunshine pours, and over it is the azure sky. The mingling, shading, and contrast of these colours give a lovely result—the tree is aglow, its foliage ripe with colour.
Farther down comes the steady sound of deliberate blows, and the upper branches of the hedge falls beneath the steel. A sturdy labourer, with a bill on a pole, strikes slow and strong and cuts down the hedge to an even height. A dreadful weapon that simple tool must have been in the old days before the advent of the arquebus. For with the exception of the spike, which is not needed for hedge work, it is almost an exact copy of the brown bill of ancient warfare; it is brown still, except where sharpened. Wielded by a sinewy arm, what, gaping gashes it must have slit through helm and mail and severed bone! Watch the man there—he slices off the tough thorn as though it were straw. He notes not the beauty of the beech above him, nor the sun, nor the sky; but on the other hand, when the sky is hidden, the sun gone, and the beautiful beech torn by the raving winds neither does he heed that. Rain and tempest affect him not; the glaring heat of summer, the bitter frost of winter are alike to him. He is built up like an oak. Believe it, the man that from his boyhood has stood ankle-deep in the chill water of the ditch, patiently labouring with axe and bill; who has trudged across the furrow, hand on plough, facing sleet and mist; who has swung the sickle under the summer sun—this is the man for the trenches. This is the man whom neither the snows of the North nor the sun of the South can vanquish; who will dig and delve, and carry traverse and covered way forward in the face of the fortress, who will lie on the bare ground in the night. For they who go up to battle must fight the hard earth and the tempest, as well as face bayonet and ball. As of yore with the brown bill, so now with the rifle—the muscles that have been trained about the hedges and fields will not fail England in the hour of danger.
Hark!—a distant whoop—another, a blast of a horn, and then a burst of chiding that makes the woods ring. Down drops the bill, and together, heedless of any social difference in the common joy, we scramble to the highest mound, and see the pack sweep in full cry across the furrows. Crash—it is the bushes breaking, as the first foam-flecked, wearied horse hardly rises to his leap, and yet crushes safely through, opening a way, which is quickly widened by the straggling troop behind. Ha! down the lane from the hill dashes another squadron that has eroded the chord of the arc and comes in fresher. Ay, and a third is entering at the bottom there, one by one, over the brook. Woods, field, and paths, but just before an empty solitude, are alive with men and horses. Up yonder, along the ridge, gallops another troop in single file, well defined against the sky, going parallel to the hounds. What a view they must have of the scene below! Two ladies who ride up with torn skirts cannot lift their panting horses at the double mound. Well, let us defy 'wilful damage' for once. The gate, jealously padlocked, is swiftly hoisted off its hinges, and away they go with hearty thanks. We slip the gate on again just as some one hails to us across the field to wait a minute, but seeing it is only a man we calmly replace the timber and let him take his chance. He is excited, but we smile stolidly. In another minute the wave of life is gone; it has swept over and disappeared as swiftly as it came. The wood, the field, and lane seem painfully—positively painfully—empty. Slowly the hedger and ditcher goes back to his work, where in the shade under the bushes even now the dew lingers.
So there are days to be enjoyed out of doors even in much-abused November. And when the wind rises and the storm is near, if you get under the lee of a good thick copse there is a wild pleasure in the frenzy that passes over. With a rush the leaves stream outwards, thickening the air, whirling round and round; the tree-tops bend and sigh, the blast strikes them, and in an instant they are stripped and bare. A spectral rustling, as the darkness falls and the black cloud approaches, is the fallen leaves in the copse, lifted up from their repose and dashed against the underwood. Then a howl of wrath descends and fills the sense of hearing, so that for the moment it is hard to tell what is happening. A rushing hiss follows, and the rain hurtles through the branches, driving so horizontally as to pass overhead. The sheltering thorn-thicket stirs, and a long, deep, moaning roar rises from the fir-trees. Another howl that seems to stun—to so fill the ears with sound that they cannot hear—the aerial host charges the tree-ranks, and the shock makes them tremble to the root. Still another and another; twigs and broken boughs fly before it and strew the sward; larger branches that have long been dead fall crashing downwards; leaves are forced right through the thorn-thicket, and strike against the face. Fortunately, so fierce a fury cannot last; presently the billows of wind that strike the wood come at longer intervals and with less vigour; then the rain increases, and yet a little while and the storm has swept on. The very fury—the utter abandon—of its rage is its charm; the spirit rises to meet it, and revels in the roar and buffeting. By-and-by they who have faced it have their reward. The wind sinks, the rain ceases, a pale blue sky shows above, and then yonder appears a majesty of cloud—a Himalaya of vapour. Crag on crag rises the vast pile—such jagged and pointed rocks as never man found on earth, or, if he found, could climb—topped with a peak that towers to the heavens, and leans—visibly leans—and threatens to fall and overwhelm the weak world at its feet. A gleam as of snow glitters on the upper rocks, the passes are gloomy and dark, the faces of the precipice are lit up with a golden gleam from the rapidly-sinking sun. So the magic structure stands and sees the great round disk go down. The night gathers around those giant mounts and dark space receives them.