Another footpath leads from the road across the meadows to where the brook is spanned by the strangest bridge, built of brick, with one arch, but only just wide enough for a single person to walk, and with parapets only four or five inches high. It is thrown aslant the stream, and not straight across it, and has a long brick approach. It is not unlike—on a small scale—the bridges seen in views of Eastern travel. Another path leads to a hamlet, consisting of a church, a farmhouse, and three or four cottages—a veritable hamlet in every sense of the word.
In a village a few miles distant, as you walk between cherry and pear orchards, you pass a little shop—the sweets, and twine, and trifles are such as may be seen in similar windows a hundred miles distant. There is the very wooden measure for nuts, which has been used time out of mind, in the distant country. Out again into the road as the sun sinks, and westwards the wind lifts a cloud of dust, which is lit up and made rosy by the rays passing through it. For such is the beauty of the sunlight that it can impart a glory even to dust.
Once more, never go by a stile (that does not look private) without getting over it and following the path. But they all end in one place. After rambling across furze and heath, or through dark fir woods; after lingering in the meadows among the buttercups, or by the copses where the pheasants crow; after gathering June roses, or, in later days, staining the lips with blackberries or cracking nuts, by-and-by the path brings you in sight of a railway station. And the railway station, through some process of mind, presently compels you to go up on the platform, and after a little puffing and revolution of wheels you emerge at Charing Cross, or London Bridge, or Waterloo, or Ludgate Hill, and, with the freshness of the meadows still clinging to your coat, mingle with the crowd.
The inevitable end of every footpath round about London is London. All paths go thither.
If it were far away in the distant country you might sit down in the shadow upon the hay and fall asleep, or dream awake hour after hour. There would be no inclination to move. But if you sat down on the sward under the ancient pollard oak in the little mead with the brook, and the wood of which I spoke just now as like a glade in the enchanted Forest of Arden, this would not be possible. It is the proximity of the immense City which induces a mental, a nerve-restlessness. As you sit and would dream a something plucks at the mind with constant reminder; you cannot dream for long, you must up and away, and, turn in which direction you please, ultimately it will lead you to London.
There is a fascination in it; there is a magnetism stronger than that of the rock which drew the nails from Sindbad's ship. You are like a bird let out with a string tied to the foot to flutter a little way and return again. It is not business, for you may have none, in the ordinary sense; it is not "society," it is not pleasure. It is the presence of man in his myriads. There is something in the heart which cannot be satisfied away from it.
It is a curious thing that your next-door neighbour may be a stranger, but there are no strangers in a vast crowd. They all seem to have some relationship, or rather, perhaps, they do not rouse the sense of reserve which a single unknown person might. Still, the impulse is not to be analysed; these are mere notes acknowledging its power. The hills and vales, and meads and woods are like the ocean upon which Sindbad sailed; but coming too near the loadstone of London, the ship wends thither, whether or no.
At least it is so with me, and I often go to London without any object whatever, but just because I must, and, arriving there, wander whithersoever the hurrying throng carries me.