The midsummer hum was audible above; the honey-dew glistened on the leaves of the limes. There is a sense of repose in the mere aspect of large trees in groups and masses of quiet foliage. Their breadth of form steadies the roving eye; the rounded slopes, the wide sweeping outline of these hills of green boughs, induce an inclination, like them, to rest. To recline upon the grass and with half-closed eyes gaze upon them is enough.

The delicious silence is not the silence of night, of lifelessness; it is the lack of jarring, mechanical noise; it is not silence but the sound of leaf and grass gently stroked by the soft and tender touch of the summer air. It is the sound of happy finches, of the slow buzz of humble-bees, of the occasional splash of a fish, or the call of a moorhen. Invisible in the brilliant beams above, vast legions of insects crowd the sky, but the product of their restless motion is a slumberous hum.

These sounds are the real silence; just as a tiny ripple of the water and the swinging of the shadows as the boughs stoop are the real stillness. If they were absent, if it was the soundlessness and stillness of stone, the mind would crave for something. But these fill and content it. Thus reclining, the storm and stress of life dissolve—there is no thought, no care, no desire. Somewhat of the Nirvana of the earth beneath—the earth which for ever produces and receives back again and yet is for ever at rest—enters into and soothes the heart.

The time slips by, a rook emerges from yonder mass of foliage, and idly floats across, and is hidden in another tree. A whitethroat rises from a bush and nervously discourses, gesticulating with wings and tail, for a few moments. But this is not possible for long; the immense magnetism of London, as I have said before, is too near. There comes the quick short beat of a steam launch shooting down the river hard by, and the dream is over. I rise and go on again.

Already one of the willows planted about the pond is showing the yellow leaf, before midsummer. It reminds me of the inevitable autumn. In October these ponds, now apparently deserted, will be full of moorhens. I have seen and heard but one to-day, but as the autumn comes on they will be here again, feeding about the island, or searching on the sward by the shore. Then, too, among the beeches that lead from hence towards the fanciful pagoda the squirrels will be busy. There are numbers of them, and their motions may be watched with ease. I turn down by the river; in the ditch at the foot of the ha-ha wall is plenty of duckweed, the Lemna of the tank.

A little distance away, and almost on the shore, as it seems, of the Thames, is a really noble horse-chestnut, whose boughs, untouched by cattle, come sweeping down to the ground, and then, continuing, seem to lie on and extend themselves along it, yards beyond their contact. Underneath, it reminds one of sketches of encampments in Hindostan beneath banyan trees, where white tent cloths are stretched from branch to branch. Tent cloths might be stretched here in similar manner, and would enclose a goodly space. Or in the boughs above, a savage's tree-hut might be built, and yet scarcely be seen.

My roaming and uncertain steps next bring me under a plane, and I am forced to admire it; I do not like planes, but this is so straight of trunk, so vast of size, and so immense of height that I cannot choose but look up into it. A jackdaw, perched on an upper bough, makes off as I glance up. But the trees constantly afford unexpected pleasure; you wander among the timber of the world, now under the shadow of the trees which the Red Indian haunts, now by those which grow on Himalayan slopes. The interest lies in the fact that they are trees, not shrubs or mere saplings, but timber trees which cast a broad shadow.

So great is their variety and number that it is not always easy to find an oak or an elm; there are plenty, but they are often lost in the foreign forest. Yet every English shrub and bush is here; the hawthorn, the dogwood, the wayfaring tree, gorse and broom, and here is a round plot of heather. Weary at last, I rest again near the Herbaceous Ground, as the sun declines and the shadows lengthen.

As evening draws on, the whistling of blackbirds and the song of thrushes seem to come from everywhere around. The trees are full of them. Every few moments a blackbird passes over, flying at some height, from the villa gardens and the orchards without. The song increases; the mellow whistling is without intermission; but the shadow has nearly reached the wall, and I must go.