At the verge of the pens there stand four oxen with their yokes, and the long slender guiding-rod of hazel placed lightly across the necks of the two foremost. They are quite motionless, except their eyes, and the slender rod, so lightly laid across, will remain without falling. After traversing the whole field, if you return you will find them exactly in the same position. Some black cattle are scattered about on the high ground in the mist, which thickens beyond them, and fills up the immense hollow of the valley.
In the street of booths there are the roundabouts, the swings, the rifle galleries—like shooting into the mouth of a great trumpet—the shows, the cakes and brown nuts and gingerbread, the ale-barrels in a row, the rude forms and trestle tables; just the same, the very same, we saw at our first fair five-and-twenty years ago, and a hundred miles away. It is just the same this year as last, like the ploughs and hurdles, and the sheep themselves. There is nothing new to tempt the ploughboy's pennies—nothing fresh to stare at.
The same thing year after year, and the same sounds—the dismal barrel organs, and brazen instruments, and pipes, wailing, droning, booming. How melancholy the inexpressible noise when the fair is left behind, and the wet vapours are settling and thickening around it! But the melancholy is not in the fair—the ploughboy likes it; it is in ourselves, in the thought that thus, though the years go by, so much of human life remains the same—the same blatant discord, the same monotonous roundabout, the same poor gingerbread.
The ploughs are at work, travelling slowly at the ox's pace up and down the hillside. The South Down plough could scarcely have been invented; it must have been put together bit by bit in the slow years—slower than the ox; it is the completed structure of long experience. It is made of many pieces, chiefly wood, fitted and shaped and worked, as it were, together, well seasoned first, built up, like a ship, by cunning of hand.
None of these were struck out—a hundred a minute—by irresistible machinery ponderously impressing its will on iron as a seal on wax—a hundred a minute, and all exactly alike. These separate pieces which compose the plough were cut, chosen, and shaped in the wheelwright's workshop, chosen by the eye, guided in its turn by long knowledge of wood, and shaped by the living though hardened hand of man. So complicated a structure could no more have been struck out on paper in a deliberate and single plan than those separate pieces could have been produced by a single blow.
There are no machine lines—no lines filed out in iron or cut by the lathe to the draughtsman's design, drawn with straight-edge and ruler on paper. The thing has been put together bit by bit: how many thousand, thousand clods must have been turned in the furrows before the idea arose, and the curve to be given to this or that part grew upon the mind as the branch grows on the tree! There is not a sharp edge or sharp corner in it; it is all bevelled and smoothed and fluted as if it had been patiently carved with a knife, so that, touch it where you will, it handles pleasantly.
In these curved lines and smoothness, in this perfect adaptability of means to end, there is the spirit of art showing itself, not with colour or crayon, but working in tangible material substance. The makers of this plough—not the designer—the various makers, who gradually put it together, had many things to consider. The fields where it had to work were, for the most part, on a slope, often thickly strewn with stones which jar and fracture iron.
The soil was thin, scarce enough on the upper part to turn a furrow, deepening to nine inches or so at the bottom. So quickly does the rain sink in, and so quickly does it dry, that the teams work in almost every weather, while those in the vale are enforced to idleness. Drain furrows were not needed, nor was it desirable that the ground should be thrown up in "lands," rising in the centre. Oxen were the draught animals, patient enough, but certainly not nimble. The share had to be set for various depths of soil.
All these are met by the wheel plough, and in addition it fulfils the indefinite and indefinable condition of handiness. A machine may be apparently perfect, a boat may seem on paper, and examined on principles, the precise build, and yet when the one is set to work and the other floated they may fail. But the wheel plough, having grown up, as it were, out of the soil, fulfils the condition of handiness.
This handiness, in fact, embraces a number of minor conditions which can scarcely be reduced to writing, but which constantly occur in practice, and by which the component parts of the plough were doubtless unconsciously suggested to the makers. Each has its proper name. The framework, on wheels in front—the distinctive characteristic of the plough—is called collectively "tacks," and the shafts of the plough rest on it loosely, so that they swing or work almost independently, not unlike a field-gun limbered up.