At Sarsen the dusty road enters the more modern part of the village at once, where the broad signs hang from the taverns at the cross-ways and where the loafers steadily gaze at the new comer. The Lower Path, after stile and hedge and elm, and grass that glows with golden buttercups, quietly leaves the side of the double mounds and goes straight through the orchards. There are fewer flowers under the trees, and the grass grows so long and rank that it has already fallen aslant of its own weight. It is choked, too, by masses of clog-weed, that springs up profusely over the site of old foundations; so that here ancient masonry may be hidden under the earth. Indeed, these orchards are a survival from the days when the monks laboured in vineyard and garden, and mayhap even of earlier times. When once a locality has got into the habit of growing a certain crop it continues to produce it for century after century; and thus there are villages famous for apple or pear or cherry, while the district at large is not at all given to such culture.
The trunks of the trees succeed each other in endless ranks, like columns that support the most beautiful roof of pink and white. Here the bloom is rosy, there white prevails: the young green is hidden under the petals that are far more numerous than leaves, or even than leaves will be. Though the path really is in shadow as the branches shut out the sun, yet it seems brighter here than in the open, as if the place were illuminated by a million tiny lamps shedding the softest lustre. The light is reflected and apparently increased by the countless flowers overhead.
The forest of bloom extends acre after acre, and only ceases where hedges divide, to commence again beyond the boundary. A wicket gate, all green with a film of vegetation over the decaying wood, opens under the very eaves of a cottage, and the path goes by the door—across a narrow meadow where deep and broad trenches, green now, show where ancient stews or fishponds existed, and then through a farmyard into a lane. Tall poplars rise on either hand, but there seem to be no houses; they stand, in fact, a field’s breadth back from the lane, and are approached by footpaths that every few yards necessitate a stile in the hedge.
When a low thatched farmhouse does abut upon the way, the blank white wall of the rear part faces the road, and the front door opens on precisely the other side. Hard by is a row of beehives. Though the modern hives are at once more economical and humane, they have not the old associations that cling about the straw domes topped with broken earthenware to shoot off the heavy downfall of a thunderstorm.
Everywhere the apple-bloom; the hum of bees; children sitting on the green beside the road, their laps full of flowers; the song of finches; and the low murmur of water that glides over flint and stone so shadowed by plants and grasses that the sunbeams cannot reach and glisten on it. Thus the straggling flower-strewn village stretches along beneath the hill and rises up the slope, and the swallows wheel and twitter over the gables where are their hereditary nesting-places. The lane ends on a broad dusty road, and, opposite, a quiet thatched house of the larger sort stands, endways to the street, with an open pitching before the windows. There, too, the swallows’ nests are crowded under the eaves, flowers are trained against the wall, and in the garden stand the same beautiful apple-trees. But within, the lower part of the windows—that have recess seats—are guarded by horizontal rods of iron, polished by the backs of many men. It is an inn, and the rods are to save the panes from the impact of an excited toper’s arm.
The talk to-day, as the brown brandy, which the paler cognac has not yet superseded, is consumed, and the fumes of coarse tobacco and the smell of spilt beer and the faint sickly odour of evaporating spirits overpower the flowers, is of horses. The stable lads from the training stables far up on the Downs drop in or call at the door without dismounting. Once or twice in the day a tout calls and takes his “grub,” and scribbles a report in the little back parlour. Sporting papers, beer-stained and thumb-marked, lie on the tables; framed portraits of racers hang on the walls. Burly men, who certainly cannot ride a race, but who have horse in every feature, puff cigars and chat in jerky monosyllables that to an outsider are perfectly incomprehensible. But the glib way in which heavy sums of money are spoken of conveys the impression that they dabble in enormous wealth.
There are dogs under the tables and chairs; dogs in the window-seat; dogs panting on the stone flags of the passage, after a sharp trot behind a trap, choosing the coolest spot to loll their red tongues out; dogs outside in the road; dogs standing on hind legs, and painfully lapping the water in the horse-trough; and there is a yapping of puppies in the distance. The cushions of the sofa are strewn with dogs’ hairs, and once now and then a dog leisurely hops up the staircase.
Customers are served by the landlady, a decent body enough in her way: her son, the man of the house, is up in the “orchut” at the rear, feeding his dogs. Where the “orchut” ends in a paddock stands a small shed: in places the thatch on the roof has fallen through in the course of years and revealed the bare rafters. The bottom part of the door has decayed, and the long nose of a greyhound is thrust out sniffing through a hole. Dickon, the said son, is delighted to undo the padlock for a visitor who is “square.” In an instant the long hounds leap up, half a dozen at a time, and I stagger backwards, forced by the sheer vigour of their caresses against the doorpost. Dickon cannot quell the uproarious pack: he kicks the door open, and away they scamper round and round the paddock at headlong speed.
What a joy it is to them to stretch their limbs! I forget the squalor of the kennel in watching their happy gambols. I cannot drink more than one tumbler of brown brandy and water; but Dickon overlooks that weakness, feeling that I admire his greyhounds. It is arranged that I am to see them work in the autumn.
The months pass, and in his trap with the famous trotter in the shafts we roll up the village street. Apple-bloom and golden fruit too are gone, and the houses show more now among the bare trees; but as the rim of the ruddy November sun comes forth from the edge of a cloud there appears a buff tint everywhere in the background. When elm and ash are bare the oaks retain their leaves, and these are illumined by the autumn beams. Over-topped by tall elms and hidden by the orchards, the oaks were hardly seen in summer; now they are found to be numerous and give the prevailing hue to the place.