The ground plan is extremely simple. It consists of two rooms, oblong, and generally of the same size—one to live in, the other to sleep in—for the great majority of the squatters' hovels have no upstair rooms. At one end there is a small shed for odds and ends. This shed used to be built with an oven, but now scarcely any labourers bake their own bread, but buy of the baker. The walls of the cottage having been carried up some six feet, or six feet six—just a little higher than a man's head—the next process is to construct the roof, which is a very simple process. The roof is then thatched, sometimes with flags cut from the brooks, but more usually with straw, and practically the cottage is now built, for there are no indoor fittings to speak of. The chimney is placed at the end of the room set apart for day use. There is no ceiling, nothing between the floor and the thatch and rafters, except perhaps at one end, where there is a kind of loft. The floor consists simply of the earth itself rammed down hard, or sometimes of rough pitching-stones, with large interstices between them. The furniture of this room is of the simplest description. A few chairs, a deal table, three or four shelves, and a cupboard, with a box or two in the corners, constitute the whole. The domestic utensils are equally few, and strictly utilitarian. A great pot, a kettle, a saucepan, a few plates, dishes and knives, half-a-dozen spoons, and that is about all. But on the mantelpiece there is nearly sure to be a few ornaments in crockery, bought from some itinerant trader. The walls are whitewashed. The bedroom is plainly and rudely furnished. Some cottages do not even attain to this degree of comfort. They consist of four posts set in the ground which support the cross-beam and the roof, and the walls are made of wattle and daub, i.e., of small split willow sticks, put upright and daubed over with coarse plaster. The roofs of these cottages are often half hidden with rank grass, moss, and sillgreen, a vegetation perhaps encouraged by the drippings from a tree overhanging the roof; and the situation of the cottage is itself in many cases low and damp.
But there is a class of squatters, who possess habitations more fit for human beings. These were originally built by men who had saved a little money, had showed, perhaps, a certain talent for hedge carpentering or thatching, become tinkers, or even blacksmiths. In such capacities a man may save a little money—not much, perhaps £30 or £40 at furthest. With the aid of this he manages to build a very tidy cottage, in the face of the statement made by architects and builders that a good cottage cannot be erected under £120. Their dwellings do not, indeed, compete with the neat, prim, and business-like work of the professional builder; but still they are roomy and substantial cottages. The secret of cheapness lies in the fact that they work themselves at the erection, and do not entrust some one else with a contract. Moreover, they make shifts and put up with drawbacks as no business-man could possibly do. The materials they purchase are cheap and of second-class condition, but good enough to hold together and to last some time. Their rude beams and rafters would not satisfy the eye of a landed proprietor, but they hold up the roof-tree equally well. Every pound they spend goes its full length, and not a penny is wasted. After a while a substantial-looking cottage rises up, whitewashed and thatched. It has an upper storey with two rooms, and two, at least, downstairs, with the inevitable lean-to or shed, without which no labourer's cottage is complete. This is more like a house, the residence of a man, than that of the poorer squatter. The floor is composed of flag-stones, in this case always carefully washed and holystoned. There are the same chairs and deal table as in the poorer cottage, but there are many more domestic utensils, and the chimney-piece is ornamented with more crockery figures. A few coarse prints hang against the walls. Some of these old prints are great curiosities in their way—hardly valuable enough for a collection, but very amusing. A favourite set of prints is the ride of Dick Turpin to York on Black Bess, representing every scene in that famous gallop. The upstair rooms are better furnished, and the beds often really good.
Some of these cottages in summer-time really approach something of that Arcadian beauty which is supposed to prevail in the country. Everything, of course, depends upon the character of the inmates. The dull tint of the thatch is relieved here and there by great patches of sillgreen, which is religiously preserved as a good herb, though the exact ailments for which it is "good" are often forgotten. One end of the cottage is often completely hidden with ivy, and woodbine grows in thickest profusion over the porch. Near the door there are almost always a few cabbage-rose trees, and under the windows grow wall-flowers and hollyhocks, sweet peas, columbine, and sometimes the graceful lilies of the valley. The garden stretches in a long strip from the door, one mass of green. It is enclosed by thick hedges, over which the dog-rose grows, and the wild convolvulus will blossom in the autumn. Trees fill up every available space and corner—apple trees, pear trees, damsons, plums, bullaces—all varieties. The cottagers seem to like to have at least one tree of every sort. These trees look very nice in the spring when the apple blossom is out, and again in the autumn when the fruit is ripe. Under the trees are gooseberry bushes, raspberries, and numbers of currants. The patches are divided into strips producing potatoes, cabbage, lettuce, onions, radishes, parsnips; in this kitchen produce, as with the fruit, they like to possess a few of all kinds. There is generally a great bunch of rhubarb. In odd corners there are sure to be a few specimens of southernwood, mugwort, and other herbs; not for use, but from adherence to the old customs. The "old people" thought much of these "yherbs," so they must have some too, as well as a little mint and similar potherbs. In the windows you may see two or three geraniums, and over the porch a wicker cage, in which the "ousel cock, with orange-tawny bill," pours out his rich melodious notes. There is hardly a cottage without its captive bird, or tame rabbit, or mongrel cur, which seems as much attached to his master as more high-bred dogs to their owners.
These better cottages are extremely pleasing to look upon. There is an old English, homely look about them. I know a man now whose cottage is ornamented much in the way I have described, a man of sixty, who can neither read nor write, and is rude and uncouth in speech, yet everything about him seems pleasant and happy. To my eye the thatch and gables, and picturesque irregularity of this class of cottages, are more pleasing than the modern glaring red brick and prim slate of dwellings built to order, where everything is cut with a precise uniformity. If a man can be encouraged to build his own house, depend upon it it is better for him and his neighbours than that he should live in one which is not his own. The sense of ownership engenders a pride in the place, and all his better feelings are called into play. Some of these cottagers, living in such houses as these, are the very best labourers to be had. They stay on one farm a lifetime, and never leave it—an invaluable aid to a farmer. They frequently possess some little special knowledge of carpentering or blacksmith's work, which renders them extremely useful, and at the same time increases their earnings. These men are the real true peasantry, quiet and peaceful, yet strong and courageous. These are the class that should be encouraged by every possible means; a man who keeps his little habitation in the state I have described, who ornaments it within, and fills his garden with fruit and flowers, though he may be totally unable to read or to speak correctly, is nevertheless a good and useful citizen, and an addition to the stability of the State.
Though these cottages are worth the smallest sums comparatively, it is interesting to note with what pride and satisfaction the possessors contemplate leaving them to their children. Of course this very feeling, where there are quarrelsome relations, often leads to bickerings and strife. It is astonishing with what tenacity a man who thinks he has a claim to a part of such a small estate will cling to his cause, and will not hesitate to spend to maintain his claim all his little earnings on the third-class lawyers whom the agricultural poor mostly patronise. Even after every shadow of legal chance is gone, he still loudly declares his right; and there is more squabbling about the inheritance of these places than over the succession to great domains.
Another class of labourers' cottages is found chiefly in the villages. These were not originally erected for the purpose to which they are now applied; they were farmhouses in the days when small farms were the rule, or they were built for tradesmen who have long since departed. These buildings are divided into two, three, or more habitations, each with its family; and many makeshifts have to be resorted to to render them decent and comfortable. This class of cottage is to be avoided if possible, because the close and forced intercourse which must take place between the families generally leads to quarrels. Perhaps there is one pump for the entire building, and one wants to use it just at the moment that another requires water; or there is only one gateway to the court, and the passage is obstructed by the wheelbarrow of the other party. It is from these places that the greater part of the malcontents go up to the magistrates in petty sessions. It is rare, indeed, that the cottager living more or less isolated by the side of the road appears in a court of law. Of course, in these villages there are cottages which have been built expressly for the use of labouring men, and these, like those in the open country, may be divided into three classes—the hovel, the cottage proper, and the model modern cottage.
In the villages there is almost sure to be one or more cottages which carries one's idea of Lilliputian dwellings to the extreme. These are generally sheds or outhouses which have been converted into cottages. I entered one not long since which consisted of two rooms, one above and one below, and each of these rooms could not have measured, at a guess, more than six feet six across. I had heard of this place, and expected to find it a perfect den of misery and wretchedness. No such thing. To my surprise the woman who opened the door was neatly clad, clean, and bright. The floor of the cottage was of ordinary flag-stones, but there was a ceiling whitewashed and clean. A good fire was burning in the grate—it was the middle of winter—and the room felt warm and comfortable. The walls were completely covered with engravings from the Illustrated London News. The furniture was equal to the furniture of the best cottages, and everything was extremely clean. The woman said they were quite comfortable; and although they could have had a larger cottage many times since, they never wished to change, as they had no children. That of course made a great difference. I never should have thought it possible for two human beings to have existed, much less been comfortable, in such a diminutive place. Another cottage I know contains but one room altogether, which is about eight feet square; it is inhabited by a solitary old woman, and looks like a toy-house. One or two such places as these may be found in most villages, but it does not by any means follow that because they are small the inhabitants are badly off. The condition they are found in depends entirely upon the disposition of the inmates. If they are slatternly and dirty, the largest cottages would not improve them.
In some rural villages a great many cottages may be observed sadly out of repair—the thatch coming off and in holes, the windows broken, and other signs of dilapidation. This is usually set down to the landlord's fault, but if the circumstances are inquired into, it will often be found that the fault lies with the inmates themselves. These cottages are let to labourers at a merely nominal rent, and with them a large piece of allotment ground. But although they thus get a house and garden almost free, they refuse to do the slightest or simplest repairs. If the window gets broken—"Oh, let it stop; the landlord can do that." If a piece of thatch comes off—"Oh, 'tisn't my house; let the landlord do it up." So it goes on till the cottage is ready to tumble to pieces. What is the landlord to do? In his heart he would like to raze the whole village to the ground and rebuild it afresh. But there are not many who can afford such an expense. Then, if it were done, the old women and old men, and infirm persons who find a home in these places, would be driven forth. If the landlord puts up two hundred new cottages, he finds it absolutely necessary to get some kind of return for the capital invested. He does not want more than two and a half per cent.; but to ask that means a rise of perhaps a shilling a week. That is enough; the labourer seeks another tumbledown place where he can live for tenpence a week, and the poor and infirm have to go to the workhouse. So, rather than be annoyed with the endless complaints and troubles, to say nothing of the inevitable loss of money, the landlord allows things to go on as they are.
Among our English cottages in out-of-the-way places may be found curious materials for the study of character in humble life. In one cottage you may find an upright, stern-featured man, a great student of the Bible, and fond of using its language whenever opportunity offers, who is the representative of the old Puritan, though the denomination to which he may belong is technically known as the Methodist. He is stern, hard, uncompromising—one who sets duty above affection. His children are not spoiled because the rod is spared. He stands aloof from his fellows, and is never seen at the cottage alehouse, or lingering in groups at the cross-roads. He is certain to be at the "anniversary," i.e., the commemoration of the foundation of the Methodist chapel of the parish. The very next cottage may contain the antithesis of this man. This is a genius in his way. He has some idea of art, as you may gather from the fanciful patches into which his garden is divided. He has a considerable talent for construction, and though he has never been an apprentice he can do something towards mending a cart or a door. He makes stands with wires to put flowers in for the farmers' parlours, and strings the dry oak-apples on wire, which he twists into baskets, to hold knicknackeries. He is witty, and has his jest for everybody. He can do something of everything—turn his hand any way—a perfect treasure on the farm. In the old days there was another character in most villages; this was the rhymer. He was commonly the fiddler too, and sang his own verses to tunes played by himself. Since the printing-press has come in, and flooded the country with cheap literature, this character has disappeared, though many of the verses these men made still linger in the countryside.
The ordinary adult farm labourer commonly rises at from four to five o'clock; if he is a milker, and has to walk some little distance to his work, even as early as half-past three. Four was the general rule, but of late years the hour has grown later. He milks till five or half-past, carries the yokes to the dairy, and draws water for the dairymaid, or perhaps chops up some wood for her fire to scald the milk. At six he goes to breakfast, which consists of a hunch of bread and cheese as the rule, with now and then a piece of bacon, and as a milker he receives his quart of beer. At breakfast there is no hurry for half-an-hour or so; but some time before seven he is on at the ordinary work of the day. If a milker and very early riser, he is not usually put at the heavy jobs, but allowances are made for the work he has already done. The other men on the farm arrive at six. At eleven, or half-past, comes luncheon, which lasts a full hour, often an hour and a quarter. About three o'clock the task of milking again commences; the buckets are got out with a good deal of rattling and noise, the yokes fitted to the shoulders, and away he goes for an hour or hour and a half of milking. That done, he has to clean up the court and help the dairymaid put the heavier articles in place; then another quart of beer, and away home. The time of leaving off work varies from half-past five to half-past six. At ordinary seasons the other men leave at six, but in haymaking or harvest time they are expected to remain till the job in hand that day is finished, often till eight or half-past. This is compensated for by a hearty supper and almost unlimited beer. The women employed in field labour generally leave at four, and hasten home to prepare the evening meal. The evening meal is the great event of the day. Like the independent gentleman in this one thing, the labourer dines late in the day. His midday meal, which is the farmer's dinner, is his luncheon. The labourer's dinner is taken at half-past six to seven in the evening, after he has got home, unlaced his heavy and cumbrous boots, combed his hair, and washed himself. His table is always well supplied with vegetables, potatoes, and particularly greens, of which he is peculiarly fond. The staple dish is, of course, a piece of bacon, and large quantities of bread are eaten. It is a common thing now, once or twice in the week, for a labourer to have a small joint of mutton, not a prime joint, of course, but still good and wholesome meat. Many of them live in a style, so far as eating and drinking is concerned, quite equal to the small farmers, and far superior to what these small farmers were used to. Instead of beer, the agricultural labourer frequently drinks tea with his dinner—weak tea in large quantities. After the more solid parts comes a salad of onions or lettuce. These men eat quantities which would half kill many townspeople. After dinner, if it is the season of the year, they go out to the allotment and do a little work for themselves, and then, unless the alehouse offers irresistible attractions, to bed. The genuine agricultural labourer goes early to bed. It is necessary for him, after the long toil of the day, on account of the hour at which he has to rise in the morning.