Chapter Twelve.
The Ash Copse—The Nightingale—Cloud of Starlings—Hedgehogs—Heron’s Head—Moorhens—Among the Reeds.
A gap in the hedge by Hazel Corner leads through a fringe of hawthorn bushes into the ash copse. There is a gate at a little distance; but somehow it is always more pleasant to follow the bye-way of the gap, where two steps, one down into the ditch, or rather on to the heap of sand thrown out from a rabbit bury, and one up on the mound, carry you from the meadow—out of cultivation—into the pathless wood. The green sprays momentarily pushed aside close immediately behind, shutting out the vision, and with it the thought of civilisation. These boughs are the gates of another world. Under trees and leaves—it is so, too, sometimes even in an avenue—where the direct rays of the sun do not penetrate, there is ever a subdued light; it is not shadow, but a light toned with green.
In spring the ground here is hidden by a verdant growth, out of which presently the anemone lifts its chaste flower. Then the wild hyacinths hang their blue bells so thickly that, glancing between the poles, it is hazy with colour; and in the evening, if the level beams of the red sun can reach them, here and there a streak of imperial purple plays upon the azure. Woodbine coils round the tall straight poles, and wild hops, whose bloom emit a pleasant smell if crushed in the fingers. On the upper and clearer branches of the hawthorn the nightingale sings—more sweetly, I think, in the freshness of the spring morning than at night. Resting quietly on an ash-stole, with the scent of flowers, and the odour of green buds and leaves, a ray of sunlight yonder lighting up the lichen and the moss on the oak trunk, a gentle air stirring in the branches above, giving glimpses of fleecy clouds sailing in the ether, there comes into the mind a feeling of intense joy in the simple fact of living.
The nightingale shows no timidity while all is still, but sings on the bough in full sight, hardly three yards away, so that you can see the throat swell as the notes are poured forth—now in intricate trills, now a low sweet call, then a liquid ‘jug-jug-jug!’ To me it sounds richer in the morning—sunlight, flowers, and the rustle of green leaves seem the natural accompaniment; and the distant chorus of other birds affords a contrast and relief—an orchestra filling up the pauses and supporting the solo singer.
Passing deeper into the wood, it is well to be a little careful while stepping across the narrow watercourse that winds between the stoles. Rushes grow thickly by the side, and the slender stream seems to ooze rather than run, trickling slowly down to the brook in the meadow. But the earth is treacherous on its banks—formed of decayed branches, leaves, and vegetable matter, hidden under a thin covering of aquatic grasses. Listen! there is a faint rustling and a slight movement of the grass: it is a snake gliding away to its hole, with yellow-marked head lifted above the ground over which his dull green length is trailing. Stepping well over the moist earth, and reaching the firmer ground, there the thistles grow great and tall, many up to the shoulder; it is a little more open here, the stoles having been cut only two years ago, and they draw the thistles up.
Sometimes the young ash, shooting up after being cut, takes fantastic shapes instead of rising straight. The branch loses its roundness and flattens out to a width of three or four inches, curling round at the top like the conventional scroll ornament. These natural scrolls are occasionally hung up in farmhouses as curiosities. The woodmen jocularly say that the branch grew in the night, and so could not see its way. In some places (where the poles are full-grown) the upper branches rub against each other, causing a weird creaking in a gale. The trees as the wind rises find their voices, and the wood is full of strange tongues. From each green thing touched by its fingers the breeze draws a different note: the bennets on the hillside go ‘sish, sish;’ the oak in the copse roars and groans; in the firs there is a deep sighing; the aspen rustles. In winter the bare branches sing a shrill ‘sir-r-r.’
The elm, with its rough leaf, does not grow in the copse: it is a tree that prefers to stand clear on two sides at least. Oak and beech are here; on their lower branches a few brown leaves will linger all through the winter. Where a huge bough has been sawn from a crooked ill-grown oak a yellow bloated fungus has spread itself, and under it if you lift it with a stick, the woodlice are crowded in the rotting stump. The beech boughs seem to glide about, round and smooth, snake-like in their easy curves. The bark of the aspen, and of the large willow poles, looks as if cut with the point of a knife, the cut having widened and healed with a rough scar. On the trunk of the silver birch sometimes the outer bark peels and rolls up of itself. Seen from a distance, the leaves of this tree twinkle as the breeze bends the graceful hanging spray.