Another circumstance that brought Aymer into still closer contact with the great case, was the fact that this firm of Shaw, Shaw, and Simson had an American client, who was himself one of the claimants. His name was another variation upon the old stem.
Anthony Baskelette was tolerably well to do. He had a great business, and had large transactions with manufacturers in Stirmingham. These necessitated an agent there, and Shaw, Shaw, and Simson had for years looked after his affairs. He was one of the Original Swampers. He really could prove his direct descent from one of old Will Baskette’s cousins, and held ample documentary evidence; and being moderately wealthy, thought he would have a trial at the monster estate at Stirmingham. He instructed Shaw, Shaw, and Simson to get up his claim in a legal form, and announced his intention of accompanying the body of the claimants to England in the steamer Lucca, which had been so generously chartered by Marese.
All the correspondence from him to Shaw and Company was sent on to Barnham; and in this way Aymer, who had much to do with Broughton’s correspondence, began to have some idea of the magnitude of the interests at stake. Though constitutionally averse to the law, and hating its formalities, he could not help feeling some considerable excitement about this tremendous case, and perhaps showed more genuine alacrity in executing Broughton’s instructions relating to it, than he had with other matters.
At all events, Broughton told him that he should want him to act as his clerk, or notary, during his approaching visit to Stirmingham. The lawyer had begun to feel a certain amount of trust and confidence in Aymer, who never failed to fulfil his orders, though obviously against the grain, and especially as Aymer’s demeanour was quiet and gentlemanly. If he did venture to throw out a suggestion, it was in the most respectful and diffident manner.
In this way it happened that Aymer became well up in the latter part of the history of Stirmingham, especially in that section of the case which concerned the Baskettes, and in time it grew to be almost the leading thought in his mind. His letters to Violet were full of it. The history was so romantic—so extraordinary, and yet so true—that it took strong hold upon his imagination.
He looked forward with pleasure to his approaching visit to Stirmingham. Like all men with any pretence to brains, though he delighted in Nature and loved the country, there was a strong, almost irresistible, desire within him to mingle in the vast crowds of cities, to feel that indefinable “life” which animates the mass. A great city to such a man as Aymer was like a wonderful book—an Arabian Night’s tale, an endless romance which would afford inexhaustible pleasure in the study of its characteristics.
Though it would involve at least a month’s absence from Violet, he looked forward to the visit with impatience—not without a secret hope that he might in some unexpected manner find a chance of rising in the scale, and getting a little nearer to the object of his life.
He had a number of commissions to execute for Lady Lechester—particularly one. This was to search the old bookstalls and the curiosity shops, in out-of-the-way corners, for antique Bibles. Agnes had a weakness, if it may be so-called, for collecting old editions of the Bible, and possessed a large and extremely interesting library filled with them. One or two particularly rare copies had hitherto escaped her search, and if there was such a thing to be found in Stirmingham she felt sure that Aymer would be precisely the man to find it.
He had also a commission to purchase for her a few pictures, with which to decorate the walls of a new wing she was adding to The Towers. She had a curious dislike to the old family mansion, and yet wished to live in the neighbourhood from a sense of duty. She held it as a doctrine that the owners of large estates should pass a part of their time, at all events, at home—there were so many ways in which they could do good, not only by charity, but by encouraging local industries.
The new wing was being built to enable her to reside at home, and yet gratify the innate dislike to The Towers which she cherished. Aymer’s artistic taste was so marked that she felt confident he would select her suitable pictures. There were plenty of old paintings in the galleries of The Towers which could have been spared for the new wing, but she preferred to be surrounded with fresh objects, even down to the very footstool.