After a while he went suddenly back to Stirmingham without a word, without so much as seeking an interview with Lucia, or issuing any instructions as to what was to be done. He went back to his old apartments at Dodd’s Hotel. He shut himself up, refusing to see even the wretched parasites who had sown the seed of this mischief. It was an instinctive attempt to return to the old, old habit, the ancient self-concentration, apart from the world. But it failed. So soon as ever he began to read his letters, to look into his accounts, every figure, every transaction reminded him of Lucia and her extravagance; the follies she had been guilty of, and the no less greater folly he had himself yielded to in granting her every wish, thereby involving his affairs in the most hopeless confusion. The attempt failed. He rushed again from his retreat to seek her. Then he heard that she was in Vienna performing. He got there, supported by his attendants. Doubtless the physical fatigue of the journey irritated his nerves; at all events, there seems no doubt that when he reached Vienna he was for the time absolutely mad.
He went to the theatre. He saw Lucia as Godiva, just as she had been seen in Paris. He was alone in his box. Deliberately he levelled a pistol, resting the barrel upon the edge of the balustrade. As the incense of praise and adulation rose up, as the pageant moved to and fro, the deadly weapon was aimed at the central figure. He fired, and the house was in commotion.
Those who know what happens when a full theatre is alarmed and excited will require no description; those who have not seen it cannot imagine it.
A second report, and the curling smoke caused a rush to the box, and the occupant was found upon the floor, as was thought, dead. Lucia alone was calm and cool. The bullet had not passed even near her; the distance was great and the aim unsteady; the ball had struck a screen, and did no injury. She dismounted and advanced to the footlights, extended her hands, and in a few words begged the audience to be calm. Speedily they saw her thus, as it were, in their very arms.
The theatre rang with acclamation. If it had been a scene prepared it could not have succeeded better.
There were threats and loud cries of rage against the man who had fired at her.
“Do not injure him,” she said, at the top of her full, deep voice; “he is mad!” For she guessed in a moment who it was.
In a few minutes the whole thing was understood. Continental people are quick at comprehending—an old husband, a young wife—bah! An attempt first at murder, then at suicide—bah! What could he have done better calculated to put Lucia upon the pedestal of fame?
Sternhold was not dead; not even injured. The ball he had fired at himself had not touched him. He had fallen exhausted. When he became physically conscious, he was raving mad.
There was no doubt about it this time. It was a pitiable sight.