For what is the lot of woman? The first superficial fact about a woman is, of course, her beauty. Secondly, as the leaves about a rose, comes her dress. To be beautiful and to wear pretty things—these are two of the obvious privileges of woman. To be a living rose, with bosom of gold and petals of lace, a rose each passer-by longs to pluck from its husband-stem, but dare not for fear of the husband-thorns. To be privileged to play Narcissus all day long with your mirror, to love yourself so much that you kiss the cold reflection, yet fear not to drown. To reveal yourself to yourself in a thousand lovely poses, and bird-like poises of the head. To kneel to yourself in adoration, to laugh and nod and beckon to yourself with your own smiles and dimples, to yearn in hopeless passion for your own loveliness. To finger silken garments, linings to the casket of your beauty, never seen of men, to draw on stiff embroidered gowns, to deck your hands with glittering jewels, and your wrists with bands of gold—and then to sail forth from your boudoir like the moon from a cloud, regally confident of public worship; to be at once poet and poem, painter and painted: does not this belong to the lot of woman?

But it was of nobler privileges than these that the candidate for womanhood of whom I have spoken was thinking. It is fit that we skim the surface before we dive into the deeps—especially so attractive a surface as woman's. He was, doubtless, thinking less of woman as a home comfort or a beauty, and much more of her as she once used to be among our far-off sires, Sibyl and Priestess. Is it but an insular fancy to suppose that Englishmen, beyond any other race, still retain the most living faith in the sanctity of womanhood? and, if so, can it be doubted that it is an inheritance from those wild child-hearted Vikings, who were first among the peoples of Europe to conceive woman as the chosen vessel of the divine? And how wittily true, by the way, how slily significant, was both the Norse and the Greek conception of the ruling destinies of man, the Norns and the Fates, as women!

To speak with authority, one should, doubtless, first sprout petticoats; and, meanwhile, one must rest content with asking the intelligent women of our acquaintance—whether man inspires them with anything like the feelings of reverential adoration, the sense of a being holy and supernal, with which woman undoubtedly inspires man. He is, of course, their god, but a god of the Greek pattern, with no little of the familiarising alloy of earth in his composition. He is strong, and swift, and splendid—but seems he holy? Is he angel as well as god? Does the dream of him rise silvery in the imagination of woman? Is he a star to lift her up to heaven with pure importunate beam? I seem to hear the nightingale-laughter of women for answer. Man neither is, nor would they have him, any of these things.

But though some men, by a fortunate admixture of woman silver in their masculine clay, may be even these, there is one sacred thing no man can ever be, a privilege by which nature would seem to have put beyond doubt the divinity of woman: a mother. It is true that it is within his reach to be a father; but what is 'paternity' compared with motherhood? The very word wears a droll face, as though accustomed to banter. Let us venture on the bull: that, though it be possible for most men to be fathers, no man can ever be a mother. Maybe a recondite intention of the dogma of the Immaculate Conception was the accentuation of the fact that man's share in the sacred mystery of birth is so small and woman's so great, that the birth of a child is truly a mysterious traffic between divine powers of nature and her miraculous womb—mystic visitations of radiant forces hidden eternally from the knowledge of man.

We stand in wonder before the magical germinating properties of a clod of earth. A grass-seed and a thimbleful of soil set all the sciences at nought. But if such is the wonder of the mere spectator, how strange to be the very vessel of the mystery, to know it moving through its mystic stations within our very bodies, to feel the tender shoots of the young life striking out blade after blade, already living and wonderful, though as yet unsuspected of other eyes; to know the underground inarticulate spring, sweeter far than spring of bird and blossom, while as yet all seems barren winter in the upper air; to hear already the pathetic pleadings of the young life, and to send back soothing answer along the hidden channels of tender tremulous affinities; to lie still in the night and see through the darkness the little white soul shining softly in its birth-sleep, slowly filling with life as a moon with silver—it was a woman and not a man that God chose for this blessedness.


VIRAGOES OF THE BRAIN

The strength of the old-fashioned virago was in her muscles. That of the newfangled modern development is in her 'reason'—a very different thing indeed from 'woman's reasons.' As the former knocked you down with her fist, the latter fells you with her brain. In her has definitely commenced that evolutionary process which, according to the enchanting dream of a recent scientist, is to make the 'homo' a creature whose legs are of no account, poor shrivelled vestiges of once noble calves and thighs; and whose entire significance will be a noseless, hairless head, in shape and size like an idiot's, which the scientist, gloating over the ugly duckling of his distorted imagination, describes as a 'beautiful, glittering, hairless dome!' A sad period one fears for Gaiety burlesque. In that day a beautifully shaped leg and a fine head of hair will be rather a disgrace than a distinction. They will be survivals of a barbarous age. Indeed that they are already so regarded, there can be no doubt, by the more 'advanced' representatives of the female sex.

There is one radical difference between the old and the new virago: the old gloried in the fact that she was a woman, because thus her sex triumphed over that male whom she despised, like her modern sister, in proportion as she resembled him. The new virago, however, hates above all things to be reminded of her womanhood, which she is constantly engaged in repressing with Chinese ferocity. Not, as we have hinted, that she thinks any better of man. Though she dresses as like him as possible, she is very angry if you suggest that she at all envies him his birthright. And the humour of the situation, the hopeless dilemma in which she thus places herself—if it be right to apply the feminine gender!—never occurs to one whose sense of humour has long been atrophied, perhaps at Girton, or by a course of sterilising Extension lectures.

Obviously, there is but one course open for the advanced 'woman' in this dilemma—to evolve a third sex, and this she is doing her best to achieve, with, I am bound to admit, remarkably speedy success. The result up to date is the Virago of the Brain, or the Female Frankenstein. The patentees of this fearsome tertium quid hope to present it to their patrons, within a very few years, in a form entirely devoid of certain physiological defects, with which the cussedness of human structure still uselessly burdens the Virago. As it is, of course, it is by no means uncommon for the virago to be born without that sentimental organ, the heart; and it can, therefore, only be a matter of time before she is rid of what the present writer has been criticised for calling 'her miraculous womb.' Doubtless, the patentees will then turn their attention to Sir Thomas Browne's suggested method for the propagation of the race after the reasonable, civilised, and advanced manner of trees.