"Our Queen! Our Queen!"

Then the King and Queen passed into the palace, and the tiring-maids led the little beggar-maid into a great chamber hung with tapestries and furnished with many mirrors, and they took from off her white body the tattered gown she had worn in the forest, and robed her in perfumed linen and cloth of gold, and set jewels at her throat and in her hair; and at evening in the cathedral, before the high altar, in the presence of all the people, the King placed a sapphire beautiful as the evening star upon her finger, and the twain became man and wife; and the moon rose and the little beggar-maid was a Queen and lay in a great King's arms.

On the morrow the King summoned a famous worker in metals attached to his court, and commanded him to make a beautiful coffer of beaten gold, in which to place the little ragged robe of his beggar-maid; for it was very sacred to him because of his great love. After due time the coffer was finished, and it was acclaimed the masterpiece of the great artificer who had made it. About its sides was embossed the story of the King's love. On one side was the pool with the water-lilies and the beggar-maid braiding her hair on its brink. And on another she was riding on horseback with the King through the forest. And on another she was standing by his side on the steps of the palace before all the people. And on the fourth side she was kneeling by the King's side before the high altar in the cathedral.

The King placed the coffer in a secret gallery attached to the royal apartments, and very tenderly he placed therein the little tattered gown and the lute with which his Queen was wont to wander from village to village and town to town, singing her little songs.

Often at evening, when his heart brimmed over with the tenderness of his love, he would persuade his Queen to doff her beautiful royal garments and clothe herself again in that little tattered gown, through the rents of which her white body showed whiter than any water-lilies. And, however rich or exquisite the other garments she wore, it was in those beloved rags, the King declared, that she looked most beautiful. In them he loved her best.

But this had been a while ago, and though, as has been said, the King's love was still hers as when he had met her that strange morning in the forest, and though every day he brought her a new and priceless jewel to hang about her neck, or wear upon her moonbeam hands, or to shine in the fragrant night of her hair, it was many months since he had asked her to wear for him the little tattered gown.

Was the miracle of their love beginning to lose a little of its wonder for him, too; was it beginning to take its place among the accepted realities of life?

Sometimes the Queen fancied that he seemed a little impatient with her elfin bird-like ways, as though, in his heart, he was beginning to wish that she was more in harmony with the folk around her, more like the worldly court ladies, with their great manners and artificial smiles. For, though she had now been a Queen a long while, she had never changed. She was still the wild gipsy-hearted child the King had found braiding her hair that morning by the lilied pool.

Often she would steal away by herself and enter that secret gallery, and lift the lid of the golden coffer, and look wistfully at the little tattered robe, and run her hands over the cracked strings of her little lute.