The Maker of Rainbows, and Other Fairy-tales and Fables

by Richard Le Gallienne

Thus it had come about that her only care was to gaze all day at her own face. So enamored had she become of it, that she hated even to sleep; but not even in sleep did she lose the beautiful face she loved, for it was still there in the mirror of dreams. Yet often she would wake in the night to gaze at it, and always she arose at dawn that, with the first rays of the sun, she might look into her mirror. Thus, from the rising sun to the setting moon, she would sit at her window, and never take her eyes from those beautiful eyes that looked back at her, and the longest day in the year was not long enough to return their gaze.

This particular morning was a morning in May—all bloom and song, and crowding leaves and thickening grass. The valley was a mist of blossom, and the air thrilled with the warbling of innumerable birds. Soft dewy scents floated hither and thither on the wandering breeze. But the princess took no note of these things, lost in the dream of her face, and saw the changes of the dawn only as they were reflected in her mirror and suffused her beauty with their rainbow tints. So rapt in her dream was she that, when a bird alighted near at hand and broke into sudden song, she was so startled that—the mirror slipped from her hand.

Now the princess's window was in the wall of an old castle built high above the valley, and beneath it the ground sloped precipitately, covered with underbrush and thick grasses, to a highroad winding far beneath. As the mirror slipped from the hand of the princess it fell among this underbrush and rolled, glittering, down the slope, till the princess finally lost sight of it in a belt of wild flowers overhanging the highroad.

As it finally disappeared, she screamed so loudly that the ladies-in-waiting ran to her in alarm, and servants were instantly sent forth to search for the lost mirror. It was a very beautiful mirror, the work of a goldsmith famous for his fantastic masterpieces in the precious metals. The fancy he had skilfully embodied was that of beauty as the candle attracting the moths. The handle of the mirror, which was of ivory, represented the candle, the golden flame of which swept round in a circle to hold the crystal. Wrought here and there, on the golden back of the mirror, were moths with wings of enamel and precious stones. It was a marvel of the goldsmith's art, and as such was beyond price. Yet it was not merely for this, as we know, that the princess loved it, but because it had been so long the intimate of her beauty. For this reason it had become sacred in her eyes, and, as she watched it roll down the hillside, she realized that it had gained for her also a superstitious value. It almost seemed as if to lose it would be to lose her beauty too. She ran to another mirror in panic. No! her beauty still remained. But no other mirror could ever be to her like the mirror she had lost. So, forgetting her beauty for a moment, she wept and tore her hair and beat her tiring-maids in her misery; and when the men returned from their searching without the mirror, she gave orders to have them soundly flogged for their failure.

Meanwhile the mirror rested peacefully among the wild flowers and the humming of bees.

A short while after the serving-men had been flogged and the tiring-maids had been beaten, there came along the white road at the foot of the castle a tired minstrel. He was singing to himself out of the sadness of his heart. He was forty years old, and the exchange that life had given him for his dreams had not seemed to him a fair equivalent. He had even grown weary of his own songs.

He sat, dejected, amid the green grasses, and looked up at the ancient heaven—and thought to himself. Then suddenly he turned his tired eyes again to earth, and saw the daisies growing there, and the butterflies flitting from flower to flower. And the road, as he looked at it, seemed long—longer than ever. He took his old lute in his hand—wondering to himself if they could play another tune. They were so in love with each other—and so tired of each other.

He played one of his old songs, of which he was heartily weary, and, as he played, the butterflies flitted about him and filled his old hair with blue wings.

He was forty years old and very weary. He was alone. His last nightingale had ceased singing. The time had come for him when one thinks, and even dreams, of the fireside, the hearth, and the beautiful old memories.

He had, in short, arrived at that period of life when one begins to perceive the beauty of money.