The Romance of Zion Chapel [3d ed.]

by Richard Le Gallienne

And till London knew him as well as Coalchester, there was no real monument to Jenny. London--no longer the city of Isabel--must learn to say "Theophilus Londonderry" so naturally, that it would some day serve as an unforgettable remembrance of Jenny. He must become a great man, because a great name is the one shrine in which love's memory may escape oblivion. In the arms of his name Jenny would then be carried down the years, one woman-star saved from the night of death. Again, the world, for which in one way he had so little care, was to help him indirectly to keep his troth to Jenny.

In a sense, the mountain was already coming to this young prophet; for with the winter some of London's finest spirits were now and again to be met in that incongruous Zion Place, as visiting lecturers to New Zion. And each one, as he came, was impressed as Isabel had been on that old evening when she had discovered her colony of surprise-people. Each realised in that gravely masterful young minister a power and a force of attraction which could not long remain hidden in that little country town. Meanwhile, their visits enabled him to test his own calibre by comparison with theirs, and to realise that his instincts had not befooled him, but that he too had been called to the stage of the great world.

It was in the operation of this method of inviting the mountain that the French poet, with a reference to whom we began this history, made his fantastic appearance in Zion Place. It is to be feared that it was a conscious love of paradox that prompted an invitation from which indeed New Zion must derive the most mystical of benefits and the most imaginary of delights; but it was Theophil's whim to crown the Renaissance in Coalchester by this reductio ad absurdum. The subtlest poetic art of France should come in person to Coalchester, and after days should tell that Theophilus Londonderry, while still a young country minister, had bidden Paris sing her loveliest siren-song in the musty little lecture-hall of New Zion. It is thus power bends the bow of the world till the ends meet, and shoots the arrow of his name among the stars.

With the reawakening of his ambition, Theophil began to realise that his work at New Zion was nearing its end, and that before long he must seek that larger stage. Yet all his heart remained in that dull little Zion Place, and while Jenny's old mother lived he could not conceive tearing himself away. Could he indeed even bring himself to say good-bye to these mean little romantic streets along which Jenny had tripped? Could he bear to think of the commonplace little house which Jenny had transfigured to a shrine being desecrated with vulgar occupation? If he could only raze it to the ground, as a cup from which a queen has drunk is shattered lest it should be soiled with usage of common lips! Some day he might have grown rich enough to buy it, and set it apart for ever, as a little house sacred to love and youth; but, meanwhile, with what ugly and noisome presences would it have been defiled!

He would stand in Jenny's room with its quiet books and flowers, and his heart would ache to think that some day harsh hands must noisily break in upon that sacred silence, and strip it of all its delicate memories. Jenny's room the lair of wild beasts, a nest of foulness and serpents! Sometimes he was thus haunted with the ghosts of those who were to riot up and down these stairs when Jenny's memory had quite died out of these walls like a fragrance of musk overborne with coarse odours.

Yes! in this perhaps are the rich most enviable of the poor, that they can afford chapels for their memories, and their houses, thus saved from external taint from generation to generation, become temples of which the very walls breathe nobleness, whereas the very birthplace of genius itself becomes a butcher's shop; and though that genius be Shakespeare, and the old house be some day purified seventy times seven, and garnished as you please, the smell of slaughtered beasts will still cling about its rooms, and the butcher insist upon immortality too.

Jenny's old mother was soon to turn into a memory also. She had from time to time declared that she would not see another May, and had indeed on one occasion named the day on which she would die, with a curious precision, as though she had seen it written somewhere in a book, or learnt it from private or unimpeachable information. Latterly she had met Jenny twice in full daylight on the stairs, and it was evident that the old woman would soon complete that little family circle in Paradise.

But she still kept about, and whereas her old husband had grown sleepier as his end neared, she seemed to be growing more active again, fidgety and restless. She slept badly, and returned to her old habit of being first down in the morning and lighting the kitchen fire, in spite of remonstrances. Indeed, she might sometimes be heard up in the middle of the night, making herself a cup of tea in the kitchen. The kitchen had been her world, and she was already beginning to haunt it.

There it was one wintry morning they found her sitting in the old arm-chair in which her husband had died, and then they recalled her words, for she had died on the very day she had predicted.

She knew nothing of books, this quaint old woman, and had a very antiquated taste in wall-papers; yet there would seem to be other ways of being wise, and it may indeed be held that books act too much as insulators between us and the earth, to the mysterious currents of which gnarled shapes of unlettered old men and women may be the more sensitive as lying closer to the Mother.