Thus it was that one May morning Isabel sat very still in her little room with a telegram just opened on her lap. The telegram ran: "Jenny is dead and I am dying. Theophil." And this was the first message Isabel had received from her lover since they had parted at Coalchester station eighteen months ago.
She knew nothing of Theophil's wild visit to her room, for the housemaid had forgotten to mention his call; and the strange and perhaps somewhat cruel silence could, of course, only mean one thing for her,--that Jenny had divined their love, and that for Jenny's happiness Theophil had determined that they must never see each other again.
Yet, even so, it could not have wronged Jenny for him to have sent so much in written words! Had he ceased loving her?... No, that she could never believe. They had met too really for that. And, after all, this silence was no more than their sad marriage-bond. Sad, truly, and a little tired these months had made Isabel, but they had had no power over her love. That belonged to the realities; that could never change.
"Jenny is dead, and I am dying," Isabel kept saying over to herself, divining, with love's intuition, something of Jenny's tragedy, and something of Theophil's conflict during those silent months.
"Jenny is dead, and I am dying,"--a sad, a tragic message, surely! And yet, as from the first shock and consequent turmoil of that message, its real significance slowly evolved, even Isabel was perhaps surprised to find it rather a happy than an unhappy significance. Jenny was dead, and Theophil was dying; and yet, when at last she shook herself out of her reverie, her face was curiously lit with peace.
She presently discovered that there was a train north in two hours; and then she turned to her desk, and with that business-like carefulness with which we often act in a dream, she went over its contents, and methodically transferred its various accumulations to the tiny grate, which was soon blazing with unwonted summer fire. A little handful of letters she saved, and from the diminutive locked cupboard in the centre she took out a small sealed packet, which was to be included among her luggage.
All trains do not separate. There are also glad trains which bring together; and soon Isabel was in one of these, and soon it had taken her to Theophil,--to whose ears at last had come the sound of wonderful wheels in the dead street, wheels that had stopped beneath his window, a rustle of alighting, an opening and shutting of doors, an approaching whisper on the staircase, and then, with reality unutterable--Isabel.
Isabel!
You could hardly have told that Theophil was dying, and the face that Isabel thus found again was marked by none of the dreadful writing of death. His eyes were brighter, his brow more hollow, his cheeks thinner,--that was all; and he was to be of those of whom we have spoken, whose flame of life burns brightly to the end. No heavy mists of Lethe hung about his bed. Till his last heartbeat, he was to be conscious of the nearness of Isabel. For a fortnight he was thus to lie within sight and touch of her. How good life is! Think of it, a whole fortnight! How extravagantly blessed!
Isabel was living in the same house with him day after day. She was no visitor, but went in and out of the room with the step of one who is at home. If he grew weary and dozed a moment, she would still be sitting there when he awoke. She was wearing home things. One morning when she had been busied in the kitchen preparing some little delicacy for him, she had left her task for a moment to see if he needed anything; and as she had bent over him, she had worn a household apron,--a wife's apron. Yes, she was at home, she would never leave him again, never leave him--till he died.