All religions are made up of a spiritual element and a moral element, the moral element being the temporary, practical, so to say, working side of religion, concerned with this present world, and the limitations and necessities of the various societies that compose it. The spiritual element, the really important part of religion, has no concern with Time and Space, temporary mundane laws, or conduct. It concerns itself only with the eternal properties of things. Its business is the contemplation and worship of the mystery of life, "the mystery we make darker with a name."
Now, great popular religions, designed as they are for the discipline and control of the great brute masses of humanity, are almost entirely occupied with morality, and what passes in them for spirituality is merely mythology, an element of picturesque supernaturalism calculated to enforce the morality with the multitude. Christianity is such a religion. It is mostly a matter of conduct here and now upon the earth. Its mystic side does not properly belong to it, and is foreign to, not to speak of its being practically ignored by, the average "Christian." It is a religion designed to work hand in hand with a given state of society, making for the preservation of such laws and manners and customs as are best fitted to make that society a success here and now, a worldly success in the best sense of the term. Mohammedanism is a similar religion calculated for the needs of a different society. Whatever the words or intentions of the founders of such religions, their kingdoms are essentially of this world. They are not mystic, or spiritual, or in anyway concerned with infinite and eternal things. Their business is the moral policing of humanity. Morality, as of course its name implies, is a mere matter of custom, and therefore varies with the variations of races and climates. It has nothing to do with spirituality, and, in fact, the best morals are often the least spiritual, and vice versa. It will be understood then that any force which is apt to disturb this moral, or more exactly speaking social, order will meet at once with the opposition of organized "religions" so called, and the more spiritual it is, the greater will be the opposition, for it will thus be the more dangerous.
Now one begins to see why Beauty is necessarily the bugbear, more or less, of all religions, or, as I prefer to regard them, "organized moralities"; for Beauty is neither moral nor immoral, being as she is a purely spiritual force, with no relations to man's little schemes of being good and making money and being knighted and so forth. For those who have eyes to see, she is the supreme spiritual vision vouchsafed to us upon the earth—and, as that, she is necessarily the supreme danger to that materialistic use and wont by which alone a materialistic society remains possible. For this reason our young men and maidens—particularly our young men—must be guarded against her, for her beauty sets us adream, prevents our doing our day's work, makes us forget the soulless occupations in which we wither away our lives. The man who loves beauty will never be mayor of his city, or even sit on the Board of Aldermen. Nor is he likely to own a railroad, or be a captain of industry. Nor will he marry, for her money, a woman he does not love. The face of beauty makes all such achievements seem small and absurd. Such so-called successes seem to him the dreariest forms of failure. In short, Beauty has made him divinely discontented with the limited human world about him, divinely incapable of taking it seriously, or heeding its standards or conditions. No wonder society should look upon Beauty as dangerous, for she is constantly upsetting its equilibrium and playing havoc with its smooth schemes and smug conventions. She outrages the "proprieties" with "the innocence of nature," and disintegrates "select" and "exclusive" circles with the wand of Romance. For earthly possessions or rewards she has no heed. For her they are meaningless things, mere idle dust and withered leaves. Her only real estate is in the moon, and the one article of her simple creed—"Love is enough."
Love is enough: though the world be a-waning
And the woods have no voice but the voice of complaining,
Though the sky be too dark for dim eyes to discover
The gold-cups and daisies fair blooming thereunder,
Though the hills beheld shadows, and the sea a dark wonder
And this day draw a veil over all deeds passed over,
Yet their hands shall not tremble, their feet shall not falter;
The void shall not weary, the fear shall not alter
These lips and these eyes of the loved and the lover.
Those who have looked into her eyes see limitless horizons undreamed of by those who know her not, horizons summoning the soul to radiant adventures beyond the bounds of Space and Time. The world is so far right in regarding beauty with a sort of superstitious dread, as a presence almost uncanny among our mere mortal concerns, a daemonic thing,—which is what the world has meant when it has, not unnaturally, confused it with the spirits of evil; for surely it is a supernatural stranger in our midst, a fairy element, and, like the lorelei and the lamia, it does beckon its votaries to enchanted realms away and afar from "all the uses of the world." Therefore, to them also it brings the thrill of a different and nobler fear—the thrill of the mortal in presence of the immortal. A strange feeling of destiny seems to come over us as we first look into the beautiful face we were born to love. It seems veritably an apparition from another and lovelier world, to which it summons us to go with it. That is what we mean when we say that Love and Death are one; for Death, to the thought of Love, is but one of the gates to that other world, a gate to which we instinctively feel Love has the key. That surely is the meaning of the old fairy-stories of men who have come upon the white woman in the woodland, and followed her, never to be seen again of their fellows, or of those who, like Hylas, have met the water-nymph by the lilied spring, and sunk with her down into the crystal deeps. The strange earth on which we live is just such a place of enchantment, neither more nor less, and some of us have met that fair face, with a strange suddenness of joy and fear, and followed and followed it on till it vanished beyond the limits of the world. But our failure was that we did not follow that last white beckoning of the hand—
And I awoke and found me here
On the cold hill's side.
VIII
THE MANY FACES—THE ONE DREAM
Among the many advantages of being very young is one's absolute certainty that there is only one type of beautiful girl in the world. That type we make a religion. We are its pugnacious champions, and the idea of our falling in love with any other is too preposterous even for discussion. If our tastes happen to be for blondness, brunettes simply do not exist for us; and if we affect the slim and willowy in figure, our contempt for the plump and rounded is too sincere for expression. Usually the type we choose is one whose beauty is somewhat esoteric to other eyes. We are well aware that photographs do it no justice, and that the man in the street—who, strangely enough, we conceive as having no eye for beauty—can see nothing in it. Thank Heaven, she is not the type that any common eye can see. Heads are not turned in her wake as she passes along. Her beauty is not "obvious." On the contrary, it is of that rare and exquisite quality which only a few favoured ones can apprehend—like the beauty of a Whistler or a Corot, and we have been chosen to be its high-priest and evangelist. It is our secret, this beautiful face that we love, and we wonder how any one can be found to love the other faces. We even pity them, those rosy, rounded faces, with their bright unmysterious eyes and straight noses and dimpled chins. How fortunate for them that the secret of the beauty we love has been hidden from their lovers. Sheer Bouguereau! Neither more nor less.