Literary criticism had kindled into emotion; and Henry bent down, and kissed Myrtilla's hand. In return she let her hand rest a moment lightly on his hair, and then, rather spasmodically, turned to remark on his bookshelves with suspicious energy.
At that moment another step was heard in the corridor, again feminine. Henry knew it for Angel's; and it may be that his expression grew a shade embarrassed, as he said:
"I believe I shall be able to introduce you to Angel after all--for I think this is she coming along the passage."
As Henry opened the door, Angel was on the point of throwing her arms round his neck, when, noticing a certain constraint in his manner of greeting, she realised that he was not alone.
"We were just talking of you, dear," said Henry. "This is my friend, Mrs. Williamson,--'Myrtilla,' of whom you've often heard me speak."
"Oh, yes, I've often heard of Mrs. Williamson," said Angel, not of course suffering the irony of her thought to escape into her voice.
"And I've heard no less of Miss Flower," said Mrs. Williamson, "not indeed from this faithless boy here,--for I haven't seen him for so long that I've had to humble myself at last and call,--but from Esther."
Myrtilla loved the transparent face, pulsing with light, flushing or fading with her varying mood, answering with exquisite delicacy to any advance and retreat of the soul within. But an invincible prejudice, or perhaps rather fear, shut Angel's eyes from the appreciation of Myrtilla. She was sweet and beautiful, but to the child that Angel still was she suggested malign artifice. Angel looked at her as an imaginative child looks at the moon, with suspicion.
So, in spite of Myrtilla's efforts to make friends, the conversation sustained a distinct loss in sprightliness by Angel's arrival.
Myrtilla, perhaps divining a little of the truth, rose to go.