The play was "Pygmalion and Galatea," and at the appearance of Galatea they knew that the overture had not lied. There, in dazzling white flesh, was all it had promised; and when she called "Pyg-ma-lion!" how their hearts thumped!--for they knew it was really them she was calling.
"Pyg-ma-lion! Pyg-ma-lion!"
It was as though Cleopatra called them from the tomb.
Their hands met. They could hear each other's blood singing. And was not the play itself an allegory of their coming lives? Did not Galatea symbolise all the sleeping beauty of the world that was to awaken, warm and fragrant, at the kiss of their youth? And somewhere, too, shrouded in enchanted quiet, such a white white woman waited for their kiss. In a vision they saw life like the treasure cave of the Arabian thief; and they said to their beating hearts that they had the secret of the magic word, that the "open Sesame" was youth.
No fall of the curtain could hide the vision from their young eyes. It transfigured the faces of their fellow-playgoers, crowding from the pit; it made another stage of the embers of the sunset, a distant bridge of silver far down the street. Then they took it with them to the tavern; and to write of the solemn libations of that night would be to laugh or cry. Only youth can be so radiantly ridiculous.
They had found their own corner. Turning down the gas, the fire played at day and night with their faces. Imagine them in one of the flashes, solemnly raising their glasses, hands clasped across the table, earnest gleaming eyes holding each other above it.
"Old man, some day, somewhere, a woman like that!"
But there was still a sequel. At home at last and in bed, how could Damon sleep! It seemed as if he had got into a rosy sunset cloud in mistake for his bed. The candle was out, and yet the room was full of rolling light.
It was no use; he must get up. So, striking a light, he was presently deep in the composition of a fiery sonnet. It was evidently that which had caused all the phosphorescence. But a sonnet is a mere pill-box; it holds nothing. A mere cockle-shell,--and, oh, the raging sea it could not hold! Besides being confessedly an art-form, duly licenced to lie, it was apt to be misunderstood. It could not say in plain words, "Meet me at the pier to-morrow at three in the afternoon;" it could make no assignation nearer than the Isles of the Blest, "after life's fitful fever." Therefore, it seemed well to add a postscript to that effect in prose.
But then, how was she to receive it? There was nothing to be hoped from the post, and Damon's home in Sidon was three miles from the ferry. Likewise, it was now nearing three in the morning. Just time to catch the half-past three boat, run up to the theatre, a mile away, and meet the return boat. So down, down through the creaking house, carefully, as though he were a Jason picking his way among the coils of the sleeping dragon; and soon he was shooting through the phantom streets, like Mercury on a message through Hades.