Complete Story of the San Francisco Horror

by Richard Linthicum; Samuel Fallows; Trumbull White

Far removed above the din and noise of the city Charles Crocker was the first to erect his residence on the top of this historic hill which afterward became known as Nob Hill. The Crocker home was built of brick and wood originally, but in later years granite staircases, pillars and copings were substituted. In its time it was looked upon as the most imposing edifice in the city and for that reason the business associates of the railroad magnate decided to vie with him in the building of their homes.

Directly across from the Crocker residence on California street Leland Stanford caused to be built a residence structure that was intended to be the most ornate in the western metropolis. It was a veritable palace and it was within its walls that the boyhood days of Leland Stanford, Jr., after whom the university is named, were spent in luxurious surroundings. After the death of the younger Stanford a memorial room was set apart and the parents permitted no one to enter this except a trusted man servant who had been in the family for many years.

But the Stanford residence was relegated to the background as an object of architectural beauty when Mark Hopkins invaded the sacred precincts of Nob Hill and erected the residence which he occupied for three or four years. At his death the palatial building was deeded to the California Art Institute and as a tribute to the memory of the sturdy pioneer the building was called the Hopkins Institute of Art. Its spacious rooms were laden with the choicest works of art on the Pacific coast and the building and its contents were at all times a source of interest to the thousands of tourists who visited the city.

The late Collis P. Huntington was the next of the millionaires of San Francisco to locate upon the crest of Nob Hill. Within a block of the Crocker, Stanford and Hopkins palaces this railroad magnate of the west erected a mansion of granite and marble that caused all the others to be thrown in the shade. Its exterior was severe in its simplicity, but to those who were fortunate to gain entrance to the interior the sight was one never to be forgotten. The palaces of Europe could not excel it and for several years Huntington and his wife were its only occupants aside from the army of servants required to keep the house and grounds in order.

Not to be outdone by the railroad magnates of the city the next to acquire property on the crest of the hill was James Flood, the “bonanza king” and partner with William O’Brien, the names of both being closely interwoven with the early history of California and the Comstock lode. After having paid a visit to the east the millionaire mine owner became impressed with the brown stone fronts of New York and outdone his neighbors by erecting the only brown stone structure in San Francisco.

It was in this historic hilltop also that James G. Fair laid the foundation of a residence that was intended to surpass anything in the sacred precincts, but before the foundations had been completed domestic troubles resulted in putting a stop to building operations and it is on this site that Mrs. Hermann Oelrichs, daughter of the late millionaire mine owner, erected the palatial Fairmont hotel, which was one of the most imposing edifices in San Francisco.

The old San Francisco is dead. The gayest, lightest hearted, most pleasure loving city of this continent, and in many ways the most interesting and romantic, is a horde of huddled refugees living among ruins. But those who have known that peculiar city by the Golden Gate and have caught its flavor of the Arabian Nights feel that it can never be the same. It is as though a pretty, frivolous woman had passed through a great tragedy. She survives, but she is sobered and different. When it rises out of the ashes it will be a modern city, much like other cities and without its old flavor.

The city lay on a series of hills and the lowlands between. These hills are really the end of the Coast Range of mountains which lie between the interior valleys and the ocean to the south. To its rear was the ocean; but the greater part of the town fronted on two sides on San Francisco Bay, a body of water always tinged with gold from the great washings of the mountains, usually overhung with a haze, and of magnificent color changes. Across the bay to the north lies Mount Tamalpais, about 5,000 feet high, and so close that ferries from the water front took one in less than half an hour to the little towns of Sausalito and Belvidere, at its foot.

It is a wooded mountain, with ample slopes, and from it on the north stretch away ridges of forest land, the outposts of the great Northern woods of Sequoia semperrirens. This mountain and the mountainous country to the south brought the real forest closer to San Francisco than to any other American city.

Within the last few years men have killed deer on the slopes of Tamalpais and looked down to see the cable cars crawling up the hills of San Francisco to the north. In the suburbs coyotes still stole and robbed hen roosts by night. The people lived much out of doors. There was no time of the year, except a short part of the rainy season, when the weather kept one from the woods. The slopes of Tamalpais were crowded with little villas dotted through the woods, and those minor estates ran far up into the redwood country. The deep coves of Belvidere, sheltered by the wind from Tamalpais, held a colony of “arks” or houseboats, where people lived in the rather disagreeable summer months, going over to business every day by ferry. Everything invited out of doors.