In the orange colored dawn which always comes through the mists of that bay, the fishing fleet would crawl in under triangular lateen sails, for the fishermen of San Francisco Bay were all Neapolitans who brought their customers and their customs and sail with lateen rigs shaped like the ear of a horse when the wind fills them and stained an orange brown.
Along the water front the people of these craft met. “The smelting pot of the races,” Stevenson called it; and this was always the city of his soul. There are black Gilbert Islanders, almost indistinguishable from Negroes; lighter Kanakas from Hawaii or Samoa; Lascars in turbans; thickset Russian sailors; wild Chinese with unbraided hair; Italian fishermen in tam o’ shanters, loud shirts and blue sashes; Greeks, Alaska Indians, little bay Spanish-Americans, together with men of all the European races. These came in and out from among the queer craft, to lose themselves in the disreputable, tumbledown, but always mysterious shanties and small saloons. In the back rooms of these saloons South Sea Island traders and captains, fresh from the lands of romance, whaling masters, people who were trying to get up treasure expeditions, filibusters, Alaskan miners, used to meet and trade adventures.
There was another element, less picturesque and equally characteristic, along the water front. For San Francisco was the back eddy of European civilization—one end of the world. The drifters came there and stopped, lingered a while to live by their wits in a country where living after a fashion has always been marvellously cheap. These people haunted the water front or lay on the grass on Portsmouth Square.
That square, the old plaza about which the city was built, Spanish fashion, had seen many things. There in the first burst of the early days the vigilance committee used to hold its hangings. There in the time of the sand lot riots Dennis Kearney, who nearly pulled the town down about his ears, used to make his orations which set the unruly to rioting. In these later years Chinatown laid on one side of it and the Latin quarter and the “Barbary Coast” on the other.
On this square men used to lie all day long and tell strange yarns. Stevenson lay there with them in his time and learned the things which he wrote into “The Wrecker” and his South Sea stories, and in the center of the square there stood the beautiful Stevenson monument. In later years the authorities put up a municipal building on one side of this square and prevented the loungers, for decency’s sake, from lying on the grass. Since then some of the peculiar character of the old plaza had gone.
The Barbary Coast was a loud bit of hell. No one knows who coined the name. The place was simply three blocks of solid dance halls, there for the delight of the sailors of the world. On a fine busy night every door blared loud dance music from orchestra, steam pianos and gramophones and the cumulative effect of the sound which reached the street was at least strange. Almost anything might be happening behind the swinging doors. For a fine and picturesque bundle of names characteristic of the place, a police story of three or four years ago is typical. Hell broke out in the Eye Wink Dance Hall. The trouble was started by a sailor known as Kanaka Pete, who lived in the What Cheer House, over a woman known as Iodoform Kate. Kanaka Pete chased the man he had marked to the Little Silver Dollar, where he turned and punctured him. The by-product of his gun made some holes in the front of the Eye Wink, which were proudly kept as souvenirs, and were probably there until it went out in the fire. This was low life, the lowest of the low.
Until the last decade almost anything except the commonplace and the expected might happen to a man on the water front. The cheerful industry of shanghaiing was reduced to a science. A stranger taking a drink in one of the saloons which hung out over the water might be dropped through the floor into a boat, or he might drink with a stranger and wake in the forecastle of a whaler bound for the Arctic. Such an incident is the basis of Frank Norris’s novel, “Moran of the Lady Letty,” and although the novel draws it pretty strong, it is not exaggerated. Ten years ago the police and the foreign consuls, working together, stopped this.
Kearney street, a wilder and stranger Bowery, was the main thoroughfare of these people. An exiled Californian, mourning over the city of his heart, said recently:
“In a half an hour of Kearney street I could raise a dozen men for any wild adventure, from pulling down a statue to searching for the Cocos Island treasure.”
This is hardly an exaggeration.