"This--this is intolerable. Aunt, it is impossible for me to stay. You--you'll find me there when you get home."
The Rev. Alan, in a state of quite indescribable confusion, turned towards the door. But before he could move a step, Miss Vesey struck a chord on the piano.
"Stay!" she said.
The curate seemed to hesitate for a moment, then turned to her again. He seemed to be under the impression that he owed an apology to the pianist. "I--I must apologise for--for my seeming rudeness. I know that my--my aunt only meant what she said as--as a joke; but, at the same time, my respect for my sacred office"--at this point the little man drew himself up--"compels me, after what has passed, to go."
Miss Vesey struck a second chord.
"Stay!" she said again.
Before the agitated believer in the propriety of the unmarried state for clergymen could say her yea or nay, she cast her spells--and her hands--upon the keyboard of the instrument, so that it burst out into a concourse of sweet sounds. The Rev. Alan was, in his way a born musician. The only dissipation he allowed himself was music. The soul of the mean-looking, wrong-headed little man was attuned to harmony. Good music had on him the effect which Orpheus with his lute had on more stubborn materials than curates--it bewitched him. Miss Vesey had not played ten seconds before he realised that here was a dispenser of the food which his soul loved--a mistress of melody. What it was she played he did not know--it seemed to him an improvisation. He stood listening--entranced. Suddenly the musician's mood changed. The notes of triumph ceased, and there came instead a strain of languorous music which set all the curate's pulses throbbing.
"Come here!"
Miss Vesey whispered. The curate settled his spectacles upon his nose. He looked around him as though he were not sure that he had heard aright. And the command was uttered in such half-tones that he might be excused for supposing that his ears had played him false.
"Come here!"