"No, you don't!" he cried. But already the other's fingers were round the bottle's neck. "By----, you'll be sorry if you try that, you----!"

While he still was vomiting adjectives the bottle swung into the air; Dorothy saw that as it was turned upside down some of its contents went down the stranger's sleeve. Mr Emmett tried to stop it, and did, with his head. As he endeavoured to grab the other's arm, the stranger, swerving, brought the heavy bottle down upon his unprotected head with murderous force. The head and the bottle were smashed together; even then Dorothy was struck by the difference there was between the two sounds, the breaking of the bottle, and the breaking of the head. Mr Emmett and the bottle vanished together, with something of the effect of a conjuring trick. Mr Emmett disappeared behind the table; all that was left of the bottle was an inch or two of splintered glass, which the stranger still gripped. The result appeared to surprise him. He looked down at the floor on the side of the table which was hidden from Dorothy, and continued to look, as if he saw something there which was beyond his comprehension. Then he looked at the splinter of glass, which was all that was left of the bottle; approaching it to his face, as if to enable him to see it better. As he looked at it he smiled; and he said, as if he were speaking to himself, though his words were distinctly audible to Dorothy:

"My word! if it hadn't smashed!" His glance returned to the floor. He spoke again. "Emmett!" None replied. Something in the silence seemed to tickle him, because he both smiled and spoke again. "It seems it held out long enough." He observed the broken splinter with what appeared to be amused curiosity. After seeming to hesitate what to do with it he placed it carefully on the table, splintered end upwards. Then again he spoke. "Emmett!" When there was still no answer he bent over what he saw lying on the floor. Presently he kneeled. Dorothy could not see what he was doing with his hands; she did not need to see; she knew. When he rose it was with difficulty; his arms were about Mr Emmett; he raised him with them. As Mr Emmett did nothing to raise himself, since he was such a heavy man, the stranger had not an easy task. When he had regained his own feet he was holding his burden closer to him than could have been quite convenient. It was with curious sensations that the unseen witness observed how limp her guardian was; his head waggled with the stranger's every movement, as if the muscles of the neck refused to hold it up. Staggering forward, the stranger deposited Mr Emmett on the chair on which he had been seated at dinner. The effect was singular. It was an old wooden arm-chair, with a capacious seat, and a high back. Mr Emmett could not be induced to sit up straight. The stranger made one or two well-meaning efforts; but the results were not so satisfactory as his labours deserved. Mr Emmett would persist in assuming a lop-sided attitude: his chin on his chest, his body in a variety of curves, his arms hanging anyhow. Realising that it was futile to try to induce him to take up a more dignified position, apparently the stranger decided to let him stop as he was. He drew back a little, as if the better to observe the effect. The spectacle he offered seemed to move him to reflection, and reflection to speech. He said, out loud: "If ever there was a scoundrel----" and then stopped, leaving the sentence unfinished; possibly recalling the old school tag, which recommends us to say objectionable things of our friends only while they are living. A cloth cap, a cane, and a pair of gloves were lying on a side table. Turning away, taking up these three articles, the stranger moved briskly towards the door, and out of the room, never once looking back at what was on the chair.

And Dorothy was left alone with her guardian.

CHAPTER IV

[THE MAN IN THE CHAIR]

It was only then that the full meaning of what had taken place began to dawn upon Dorothy. It was only when the door had been opened and shut, and the stranger was gone, that she commenced to realise what kind of a drama this was which had been enacted before her eyes; that it was not a comedy, but a tragedy; in which the most tragic part was probably still to come. It was odd how silent it was when the stranger had gone. Unconsciously she had found comfort in his neighbourhood, his presence. When that was withdrawn, only the unspeakable remained.

Not the least terrible part of it was that, so soon as it became clear to her that she really was alone, she could not take her eyes off the figure in the chair. She would have given more than she had ever had if Mr Emmett would only have moved; if only he would make some effort to alter what must be a position of such obvious discomfort. Though she had come to regard him almost as if he were the bad ogre of some fairy tale, at that moment she would rather he should do anything than keep so still; she was more afraid of him dead than alive; especially as each instant the feeling oppressed her more and more that he was dead because of her. Actually--practically--it was she who had killed him. If she had only made her presence known; if she had only moved; if she had only uttered a sound--the thing would not have been done which had been done; of that she was assured. That, morally, she was an accomplice in this man's killing, she knew, if no one else did. From the moment in which she had discovered the stranger in the room, and had begun to watch, and to listen, she had seen the coming event casting its shadow before; she knew that now, as she had known it then. Some instinct had told her that the fury which possessed the stranger was of the sort which, to use a phrase, makes a man "see red"; that because of him Mr Emmett was in danger--although Mr Emmett himself had not suspected it, she knew. She had seen it in the stranger's face, in his manner; she had felt it in the air.

Not only had she had, in a sense, the prophetic vision, she had rejoiced to have it. She herself had had such a loathing for the man, had stood in such terror of him, that when that queer instinct began to tell her that it was quite within the range of possibility that the stranger might act as executioner the blood began to run pleasurably faster through her veins. Expectation became desire; she waited eagerly for him to strike the blow; knowing, before it came, that it was coming. Was that not to be his accomplice? Her hope had been that he would do what she felt he was about to do; although she might have stayed him with the movement of a finger she had given no sign. It was useless for her to tell herself that she had not expected that he would actually kill him: perhaps the stranger himself had not meant actually to kill him. She had foreseen that he would probably assail him with violence; and had been willing that he should use what violence he chose. A little more--a little less--what did it matter? Only in the event of the stranger getting the worst of it would she have interposed; she would not have cared how much worsted Mr Emmett might have been. The proof that he had been worsted was there before her, in the chair. The result being, so far as she herself was concerned, that, as has been said, she was more afraid of him dead than alive.

How long, after she was left alone with her guardian, she remained motionless behind that curtain, she never knew. Before, while the drama was being acted, she would not have revealed herself on any account, lest she should balk the principal player; now her capacity to do so seemed to have left her. It was so still in the room that she dared not disturb the silence. She kept her eyes fastened to that bare place, looking at what she could not help but look; motionless, scarcely breathing; as if some form of paralysis had riveted her in that one position. But, by degrees, in spite of the horror which held her, there did come to her some dim appreciation of the fact that she could not stay there all night; for ever. She would have to leave her hiding-place some time, and show herself to the figure in the chair. The necessity was a terrible one; but it was a necessity; therefore, the sooner she came out from behind that curtain the sooner the ordeal would be over; only let her be sure to go as softly as she could; so that, making no noise, none might hear her. With this idea of moving quietly she lifted her hand to part the curtains, and had just insinuated her fingers between them when the door was opened, and her hand fell back.