Which was all she knew. Dorothy was to learn that, in suffering herself to be persuaded--because she loved, she had played the coward again--more harm was to come of her just showing herself than she might ever be able to undo.
Before quitting the pink room, Frances looked her over, as if she had been a picture, and, as an artist might have done, gave her here and there a finishing touch; expressing herself as only half satisfied with the ultimate result.
"I've half-a-mind, do you know, young woman, to put a touch of colour on your cheeks--a dab on each of them; because, though I won't deny that pallor suits you, and even makes you fascinatingly interesting, I don't want folks to think that you've met with a tragic fate beneath this roof; or I shall have them nudging each other in the side; and wondering to what cruel treatment you've been subjected; and eyeing me askance, as if I must be the wretch. Don't you think you might manage to wear, when you notice that people are looking at you, what I have seen described, in print, as the ghost of a smile? It will anyhow let them know that you've as much as the ghost of a smile left in you."
It was with curious sensations that Dorothy found herself, in what she felt were borrowed plumes, moving, on Frances' arm, amid a gaily attired crowd of persons, not one of whom seemed to have a care in the world. If, as Frances had said, many had already gone, then the lawns must have been inconveniently thronged, for certainly enough people for comfort still remained; and if, as Frances had also said, those who stayed, proposed, immediately, to depart, then they managed to mask their intentions with considerable skill. It seemed to Dorothy that not only had many of them no present intention of leaving, but that they intended to stop where they were as long as they possibly could.
As the two girls passed together, arm-in-arm, across the lawns, they were the subjects of general attention. As Frances had prophesied, Dorothy made a sensation. People asked each other who she was, giving to their inquiries different forms: one wondering who the "curious-looking," and another who the "striking-looking," girl might be. A lady who was standing by Mrs Vernon gave her question a shape which was still more flattering to its object.
"My dear!" she exclaimed, "who is that lovely girl with Frances?"
"What lovely girl?" Up to that moment Mrs Vernon had been unaware that her pertinacious daughter had, at last, succeeded in her avowed design; and when, on turning, she beheld proof of the fact, she smiled. She replied to the question with another. "Do you think she's lovely?"
"Don't you? My dear! she's such good style!"
"Yes, she is good style; and, now, she does look lovely."
"Why do you say 'now'--in that tone?" Mrs Vernon was thinking what a difference the frock made, and the artist's hand in the treatment of the hair, and suffered the words to go unheeded. The speaker pressed her former query: "Who is she?"