I was beginning to tear open the piece of paper, and with that intent had already twisted off a corner, when, hey presto! it opened of its own accord, just as if a living thing had been inside, and, with a rapid movement, rent it from top to bottom. I was holding what seemed to be a curiosity in the way of tiny dolls. The toy, if it was a toy, was not so long as my forefinger. It seemed to have been cut out of a piece of wood, and fantastically painted to illustrate some very peculiar original. It had neither feet nor legs, nor hands or arms. Its head, which was set between hunched-up shoulders, was chiefly remarkable for a pair of sparkling eyes, which I concluded to be beads. I turned it over and over without discovering anything which pointed to a hidden spring. It looked as if it had never moved, and never would. There was nothing whatever to show by what means the paper had come open.

“It’s odd, and ingenious. I suppose there is a spring of some sort; wood, even when it represents the God of Fortune—I think the lady mentioned the God of Fortune—does not move of its own volition. I’ll discover it when I get home.”

I slipped the toy into my waistcoat pocket, meaning to subject it to a searching examination later on. However, when I reached my chambers I found letters which demanded immediate attention. They occupied some time. It was only when I was thinking of a nightcap preparatory to turning into bed, and was feeling for a penknife with which to cut a cigar, that I remembered the doll. I tossed it on to the mantelshelf. There it remained.

As I have said, that was the night of April 3. Since nearly a month elapsed before the arrival of Mr. Batters’ will, and nothing in any way suggestive occurred in the interval, it would seem as if the connection between the will and the events of that evening was of the slightest. Yet I felt that if it had not been for the Affair of the Freak in the Commercial Road, or if I had afterwards refused to give the woman my name and address, I should have heard nothing of Mr. Batters’ will. I do not pretend to be able to explain the feeling, but there it was.

I should, perhaps, in fairness add, that a queer little incident which coincided with the arrival of the will, seemed to point, whimsically enough, in the same direction.

The document came on a Thursday morning. When I entered the room which I used as an office, I found that four communications were awaiting me. The postman had brought them all. The boy I call—to shed dignity on him and on myself—a clerk, had set them out upon the table. Three letters in ordinary envelopes. The fourth was an awkward, bulky, coarse brown paper parcel. On it was the doll which the woman had given me on the night of April 3, in the lonely street near Tower Hill.

I had forgotten its existence. I took it for granted that its presence on that spot was owing to Crumper’s sense of humour. I called to him.

“Crumper!” His head appeared at the door. “What do you mean by putting this here?” He stared, as if he did not catch my meaning. There are moments when Crumper finds it convenient to be dull. “You understand me well enough; what do you mean by putting this doll upon my parcel?”

He still looked as if he did not understand. But Crumper had a capacity of being able to handle his face as if it were an indiarubber mask, on which he is able to produce any expression at will.

“Doll, sir? I don’t know anything about a doll, sir.” He came into the room, pointing with his thumb. “Do you mean that, sir? It wasn’t there when I left the room just now; to that I’ll take my affidavit.”