By degrees, regaining something of her composure, she turned and looked at Ballingall, with a look before which he cowered, actually raising his arm as if warding off a blow. And, when she had breath enough, she spoke to him, in a whisper, as if her strength was gone.
"What are you doing here?"
Ballingall hesitated, looking about him this way and that as if seeking for some road of retreat. Finding none, making a pitiful effort to gather himself together, he replied to her question in a voice which was at once tremulous and sullen.
"Tom asked me to come. You know, Tom, you asked me to come."
He stretched out his arm with a gesture which was startling, as if to him also the woman's companion was a reality. There was silence. He repeated his assertion, still with his outstretched arm.
"You know, Tom, you asked me to come."
Then there happened the most startling thing of all. Some one laughed. It was a man's laugh--low, soft, and musical. But there was about it this peculiar quality--it was not the merriment of one who laughs with, but of one who laughs at; as though the laugher was enjoying thoroughly, with all his heart, a jest at another's expense. Before it the man and woman cowered, as if beneath a rain of blows.
After it ceased they were still. It was plain that the woman was ashamed, disillusioned, conscious that she had been made a butt of; and that, in spite of all appearances to the contrary, she was still among the hopeless, the outcast, the condemned. She glanced furtively towards the companion of her shame; then more quickly still away from him, as if realising only too well that, in that quarter, there was no promise of hope rekindled. And she said, with choking utterance:
"Tom, I never thought--you'd laugh at me. Did you bring--me home--for this?"
She put up her hands, in their dreadful gloves, to her raddled, shrunken face, and stood, for a moment, still. Then her frame began to quiver, and she cried; and as she cried there came that laugh again.