He says this in a quick, cut-and-thrust fashion which suggests that, behind the official, there is marked individuality of character. With the gentleman in the brick-coloured costume, you follow him up the flight of steps you not very long ago descended. He unlocks the door. "Stand here." Your companion stands. "You come along with me!" He unlocks another door, you follow him down another flight of stone steps into a lofty ward, on one side of which are cells. He shows you into one. Being in, he bangs the door on you. You are in a cell which is own brother to the one which you have quitted, only that this one makes some pretence to being furnished. It is, perhaps, ten feet by eight feet. The roof is arched, rising, probably, to quite twelve feet. Walls and roofs are of whitewashed brick. The floor is tiled. Opposite to the door, about five feet from the ground, is a small window. Panes of ground glass about two inches square are set in a massive iron frame. The only thing you can see through the window are iron bars. If you get through the window, you will still have to reckon with the bars.
The furniture consists of a wooden frame about two feet by six. An attenuated mattress, which you afterwards learn is stuffed with coir. A pillow of the same ilk. A pair of clean sheets which, by the way, the warder gave you, and which you have brought into the cell. A pair of blankets which look as if they had not been washed for years. A coverlet which, in common with the rest of the bedding, is stamped with the "broad arrow." There is a heavy wooden stool. A table perhaps eighteen inches square. In one corner is a shelf. On it is a wooden soap-box, containing an ancient scrap of yellow soap, a wooden salt-box containing salt, a small comb and a round tin, very much like a publican's pint pot. On the floor are a tin washing-basin, a covered tin, which you find you are supposed to use for personal purposes, a home-made hand broom, an odd collection of rags, some whiting, by the aid of which latter articles you are required to keep your cell and your utensils clean and in good order.
While you are taking a mental inventory of your quarters a voice addresses you. Turning to the door you perceive that near the top of it is a "bull's eye" spy-hole, covered on the outside by a revolving flap. This flap has been raised, someone is looking at you from without.
"Where are you from?" You vouchsafe the information.
"How long have you got?" You again oblige. "Never say die! keep up your pecker, old chap!"
"Are they going to keep me locked in here?"
"Till you've seen the doctor in the morning, then they'll let you out. Cheer up!"
The speaker disappears, the flap descends. You try to cheer up, to act upon the advice received, though, to be frank, you find the thing a little difficult. You taste the stuff in the tin. It may, as the warder said, be good oatmeal, but to an unaccustomed palate it is not inviting. You try a morsel of the mahogany-coloured loaf. It is dry as sawdust, and sour. Opposite you, against the wall, hangs a printed card. It is headed, "Dietary for Destitute Debtors." You are a destitute debtor--for the next fourteen days this will be your bill of fare. For breakfast and for supper daily, a pint of gruel, six ounces of bread. For those two meals there does not seem to be a promise of much variety. For dinner, on Mondays and Fridays, you will receive six ounces of bread, eight ounces of potatoes and three ounces of cooked meat, without bone; or as a substitute for the meat, three-quarters of an ounce of fat bacon and eight ounces of beans--you wonder how they manage to weigh that three-quarters of an ounce. On Tuesdays, Thursdays and Saturdays, four ounces of bread, six ounces of potatoes and three quarters of a pint of soup. On Wednesdays and Sundays, four ounces of bread, six ounces of potatoes and six ounces of suet pudding.
Stretching out the mattress upon the wooden frame, you endeavour to digest the circumstances of your situation and the prospect of such a dietary. In the ill-lighted cell the shadows quickly deepen. There is a clock somewhere in the prison. It noisily clangs out the half-hours and the hours. Soon after it has announced that it is half-past seven there is a sound of hurrying footsteps, a clattering of keys, a banging of doors. All is still--curiously still. In your cell it is much too dark to read. You make your bed. Undressing, you get between the sheets--immediately discovering that they rival sandpaper for roughness. The bed is just wide enough to enable you to lie flat upon your back--if you turn, unless you are very careful, you either strike against the wall or fall upon the floor. Also, you are not long in learning that it contains other occupants besides yourself. You have heard and read a great deal about the cleanliness of prisons. However that may be, it is quite certain that cleanliness has no connection with that particular set of bedding. It is alive. All night you lie in agony--literally. The clanging clock makes darkness hideous--it seems to accentuate the all-prevailing silence. Your brain is in a whirl--thoughts are trampling on each other's heels. To mental discomfort is added physical. When the earliest glimpse of dawn peeps through the caricature of an honest window you rise and search. There is slaughter. Rest is out of the question. Putting on your clothes you pace the cell. Soon after six the door is opened, an officer thrusts in his head.
"All right?"