There was intermission of fifteen minutes. On the reappearance of Daisey De Vere, when the curtain went up, she was accorded a greeting that showed she had won her way to the hearts of her audience. With her interpretation of the onetime popular song, "Down in a Coal Mine," she completely captured those present with her vocalization. She had to repeat the ballad that good old Tony Pastor made popular in days of yore, when she had warmed up to her work, her "I'll tell you what I'll do. If you'll all join me in the chorus, I'll give you two verses when I get my second wind," set them all laughing, and clinched the hold she had already secured. The recitation of "Shamus O'Brien" seemed tame by comparison. But when Myles O'Hara gave them a vigorous and athletic exhibition of the "Fox Hunter's Jig," as Myles' father danced it in the Green Isle long before the O'Haras ever dreamt of emigrating to the land of the West, the applause was once more renewed. Dinny Dempsey supplied the music on the Irish pipes, which was in itself a novelty so appealing that he had to repeat, and Myles to dance, until both were fairly used up. It was eleven o'clock and after when Handy and his company started in for the wind-up, with their familiar old stand-by, "The Strollers' Medley." What it was all about no one present could tell. Only there was plenty of fun and merriment in it. There was a song, and a chorus now and then, a bit of a dance occasionally, and Daisey De Vere did a few grotesque steps and Handy entertained them with a comic speech. All were in the best of humor and heartily enjoyed what they saw and heard. Joy danced with fun, and the crowd was indeed a merry, happy, and fantastic gathering.
Before the curtain fell Big Ed McGowan came on the stage. His appearance was the signal for a great outburst of cheers. When something like quiet was restored, he thanked the audience, on behalf of the company for their splendid manifestation of appreciation and grand attendance at the great entertainment. He then invited all hands present to join and sing "Should auld acquaintance be forgot?" It is needless to add that it was sung with a vigor, strength, and heartiness which still remains a cheerful memory in Gotown.
CHAPTER XXVI
"Say not 'Good night,' but in some brighter clime
Bid me 'Good morning.'"
—Barbauld.
In a small back room in McGowan's hospitable hostelry Handy, Weston, McGowan himself, the members of the company, and a few others were gathered for a little bite and a sup before the players returned to Weston. It was a convivial party—not noisy nor boisterous. Just cheerful, good-natured crowd. All were happy over the night's fun. They showed it in their smiling faces and laughing eyes. Strange as it may appear, the most thoughtful appearing one in the assemblage was the veteran himself. McGowan noticed his demeanor more quickly than any of the others, and by the way of cheering or bracing him up he rose from his chair and proposed for a standing toast the health, wealth and prosperity of their friend who afforded them the enjoyment they had that night,—"Our friend, Handy! May he live long and prosper."
It was given with a hearty response. A speech was then called, when Handy with much reluctance rose and said:
"Friends—I take the liberty of calling you friends after the generous treatment you have given me and my poor humble little company to-night—we are only a troupe of strolling players trying to do the best we can to please you, to make you cheerful, to banish dull care from your minds in your leisure hours, and make you laugh with happy hearts. No one was ever hurt or harmed by an honest laugh. No time was ever wasted that brought with it, through the agency of song, music and acting, brighter thoughts and happier feelings. And, after all, that seems to me to be the mission of the players. I am no speech-maker, my friends, I am speaking to you as the words come from my heart, and my heart is full and happy to-night. All the world, we are told, is a stage, a place where everyone must play his part. And how true are those words both men and women know. I feel as if I had played many and many parts. I have had my ups and downs; my joys and sorrows, and sometimes I have supped bitter in sorrow. But no matter, I presume we all have the same story to tell. I am not going to bother you with a recital of any of them. Let them pass, just as the summer storm passes away when the sun peeps out from behind the clouds and lights up everything with its radiance and makes us all cheerful, contented and happy. Ah, boys! I have been many years on the road, traveling over this broad land of ours. Aye! a poor player. I have grown old in the line of making laughter for others and lending a hand to bring merriment to my aid. The frost of years is beginning to lay its mark already on my once fiery locks, and the time is drawing near when I will have to make my final exit and quit work; and when a man stops working nature is finished with him, and when nature is through with him it is pretty near time to go. Well, so be it. In years long gone by I came across a little poem which I carried about with me months and months, in the war campaign of the sixties, for, friends, I served my time as a drummer boy with the old Army of the Potomac. Well, this is a little gem, at least, I thought it so then. I think it so now. It was written by a woman. It is said it was the last she ever wrote. I read it and read it until I committed it to memory. 'Tis short, very short. If you wish to hear it, I'll recite it for you now. Yes?
"Life! we've been long together
Through pleasant and through cloudy weather;
'Tis hard to part, when friends are dear,
Perhaps 'twill cost a sigh, a tear.