"They are credited with doing so."
"Then you can safely bet on my talk."
"Now, then—what about Gotown?"
"I'm with you. We'll tackle Gotown on miscellaneous paper. There's my hand on it."
That afternoon Handy and the landlord started for the scene of operations, to look the place over. Before going, Handy had an interview with the members of the company, unfolded his plans to them, and drew a flattering picture of the prospects of success. A few of them hesitated and decided to go home, but enough remained to enable the veteran to carry out his scheme. To Smith was entrusted the duty of ascertaining the strong points of the individual members of the troupe and finding in what particular line their talents would show to the best advantage.
"Try them in song and dance," were Handy's instructions to his lieutenant, "and all that kind of thing. We will have to fake this show in red-hot style. We are not going to play to any Metropolitan Opera House, Dan Frohman, or Dave Belasco audience. Don't forget, old man, we are going into a mining district where we will have the first go at it. Quantity not quality must be our motto. Remember, above all things, Smith, that the corned beef and cabbage of the menu will be more acceptable for a starter than the roast beef and plum pudding of dramatic art. Take your cue from the great far West. The young towns out there have all gone through a similar experience, until now they have become so fastidious that nothing less than grand opera, with a bunch of foreign stars, or a presentation of imported plays and play actors can satisfy their cultivated tastes. Let your show dish be well hashed and don't, above all things, neglect the histrionic pepper and mustard. The more highly seasoned it is the more kindly our patrons will take to the theatrical feast we will be compelled to give them."
"Leave that to me."
CHAPTER XXI
"I'll view the manners of the town,
Peruse the traders, gaze upon the buildings."