"How's that?"

"We will present for the first time only the great fifth act of 'Richard III' out of compliment to the people of Gotown, and you will be the Richmond."

"Oh, come off!" answered Smith. "Why, darn it, man! 'Richard' will be all Greek to them—the Gotown public don't know anything about Shakespeare. Maybe never heard tell of him."

"But they will know all about him after we introduce him. But that has nothing to do with the case. Now let me enlighten you. I am afraid you don't catch on to the situation. I will explain: Don't you see Richmond's first speech, 'Thus far into the bowels of the land,' is typical of the miner. He makes his living by driving into the bowels of the land, don't he?"

"You bet he does, and good money, too," answered Smith enthusiastically.

"Into the bowels of the land, or earth, as the case may be, have we marched on without impediment." Handy paused here for a moment to catch his wandering thoughts in order to explain his text. "You see, Smith, Richmond marched on without impediment. So does the miner at first, when he has only to wrestle with the soil, sub-soil, and all that kind of thing. Then comes Gloster, the bloody and devouring boar, typified again by the hard and flinty rock the miner frequently encounters. For a time there's a fierce struggle between Richard, as represented by the rock, and Richmond, as personified by the miner. It's about an even bet as to who wins out. The play all over; don't you see? There's a purty lively scrimmage between the two. 'Tis nip and tuck for a time. At length Richard caves in, and Richmond wins out. So with the miner, the rock resists, then finally yields, and after that the milk and honey of enterprise in the shape of liquid oil flows forth. Am I clear or crude, dear boy?"

"Both!" exclaimed Smith, holding up both hands. "Handy, why in the name of heaven were you not born rich instead of great?"

"Smith," continued Handy, "you will be the miner, I the rock—Richmond and Richard."

"Handy, you ought to print a diagram to explain the act. The audience may not be able to understand it if you don't."

"Map of the seat of war, eh?"