When the pursuers reached the trail, it was marked by the abandoned blanket. A heavy saddle also lay there, cut loose. Joaquin Murieta was riding away on the wings of the wind, but unwittingly into the jaws of death. Two or three from the main body took up the trail. The whole body pushed ahead on the track of the flying bandit—ready for fight.
With failing energies, Valois directs the unwounded pursuer to rejoin the column. He sends stern orders to Harris, to spare neither man nor beast, to follow the trail to the last. Even to the heart of the gloomy forests, this great human vampire must be hounded on his lonely ride to death.
In the saddle, held up by his men, Maxime Valois toils slowly towards Lagunitas. Beside him the wounded scout, pistol in hand, rides as a body-guard. In charge of growling old Don Miguel, a man leads him, dismounted, by a lariat. His horse and trappings lie on the trail, after removing all the arms. He is sullen and silent. His servant is a mere human animal. Cautiously approaching, the plaza lies below them. In the square, the horses of the captors can be seen peacefully grazing. Sentinels are mounted at several places. Valois at last reenters the old hacienda, wounded, but in pride, as a conqueror.
He is met at the priest's door by Padre Francisco. Don Miguel Peralta, the last of the land barons of the San Joaquin, is now a prisoner in the sacristy of the church. Time has its revenges. The turns of fortune's wheel. Padre Francisco assembles the entire population of the home ranch by the clanging of the church bell. In a few words he explains the reasons of the occupancy. He orders the hired men to remain in the enclosure under the guard of the sentinels. He dresses skilfully the wound of Maxime. He patches up the face of the wounded scout, whose proudest future boast will be that Joaquin Murieta gave him those honorable scars.
Maxime, worn and faint, falls into a fevered sleep. His subordinate holds the ranch, with all the force ready for any attack. The afternoon wears on. In sleep Valois forgets both the flying bandit and his fate. The old Don, his eyes filled with scalding tears, rages in his bonds. Pale, frightened Donna Juanita clasps her hands in the agony of prayer before the crucifix in the chapel. Beside her stands Dolores, now a budding beauty, in radiant womanhood. The dark-eyed young girl is mute. Her pathetic glances are as shy as a wounded deer's dying gaze. "The dreaded Americanos."
Over the beautiful hills, fanned by the breezes of sunset, the softened shadows fall. Twilight brings the hush and rest of early evening. The stars mirror themselves in the sparkling bosom of Lagunitas.
Watching the wounded leader, Padre Francisco's seamed, thoughtful face is very grave. His thin fingers tell the beads of the rosary. Prayer after prayer passes his moving lips.
The shadow of sorrow, sin, and shame is on Lagunitas. He fears for the future of the family. There has been foul play. There the tiger of Sonora has made his lair in the trackless ca¤ons and rich valleys of the foot-hills. The old Don must have known all.
Prayers for the dead and dying fall on the silence of the night. They are roughly broken by the trampling of horses' feet. The priest is called out by the sentinel. By the dim light of the stars, he sees two score shadowy horsemen. Between their lines, several poor wretches are bound and shivering in captivity.
A swarthy figure swings from the saddle. Captain Harry Love springs across the threshold. Unmindful of the warning of the priest, he rouses Valois. He cries exultantly, "We have him this time, squire!" Lying on the portico, tied in the sack, in which it swung at the ranger's saddle-horn, is the head of Joaquin Murieta. Valois struggles to his feet. Surrounded by the victors, by the light of a torch, he gazes on the awful token of victory. As the timid priest sees the fearful object, he cries, "Joaquin Carrillo!"