“The original of this poem is in the possession of my friend, Mr. William Upcott, of the London Institution, whose invaluable collection of rarities can also boast one of the very papers on which the King and his Royal companions had their names printed! This truly interesting document consists of a quarter sheet of coarse Dutch paper, on which, within a type border, measuring 3¼ inches by 4, are the magnificent names of
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![]() | CHARLES, KING. —————————————— London: Printed by G. Croom, on | ![]() |
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“Here, then, we have King Charles the Second; his brother James, Duke of York, afterwards James the Second; Queen Catherine, Infanta of Portugal; Mary D’Este, sister of Francis, Duke of Modena, James’s Second Duchess; the Princess Anne, second daughter of the Duke of York, afterwards Queen Anne; and her husband, Prince George of Denmark: and the last name, which I think was doubtless a touch of the King’s humour, signifies ‘Jack in the Cellar,’ alluding to the pregnant situation of Anne of Denmark. This most remarkable paper may, with great probability, be considered unique; and not to mention several of a similar nature containing common names, I may notice to you that there is in the same collection another bearing the noble titles of ‘Henry, Earl of Clarendon,’ son of the Chancellor; ‘Flora, Countess of Clarendon,’ and ‘Edward, Lord Cornbury.’ The date of this is February the 2nd, and I will conclude these notices of printing on the ice, by some lines from the poem I have already quoted, which tell its readers
‘——————— to the Print-house go,
Where Men the Art of Printing soon do know:
Where, for a Teaster, you may have your Name
Printed, hereafter for to shew the same;
And sure, in former Ages, ne’er was found,
A Press to print, where men so oft were dround!’”
“I am very much bounden to you, honest Mr. Geoffrey,” recommenced the Antiquary, as I concluded, “for these most appropriate and interesting illustrations: for although the sports of this frost can hardly be said to form an immediate portion of the history of London Bridge, yet so memorable an event on the Thames well deserves some pains to be bestowed in recording it.
“The principal scene of this Blanket-Fair, indeed,—for so the tents and sports on the Thames were denominated,—was opposite to the Temple stairs, for few, or none, of the festivities approached very near to London Bridge; as we are informed by the many rude, but curious memorials of it, which are yet in existence. One of the most interesting of these is an original and spirited, though unfinished, sketch in pencil, slightly shaded with Indian ink; supposed to have been the production of Thomas Wyck, an artist particularly eminent for his views at this period. In the right hand corner, at the top, the drawing is dated in an ancient hand, ‘Munday, February the 4: 1683-4;’ and it consists of a view down the River from the Temple-stairs to London Bridge, the buildings of which are faintly seen in the back ground. In front appear various groups of figures, and a side prospect of that line of tents which stretched all across the Thames, known during the frost by the name of Temple-street. You will find this drawing in volume viii. of Mr. Crowle’s Illustrated Pennant, in the British Museum, after page 262; and it measures 28 inches by 93⁄8. Gough, in his ‘British Topography,’ volume i., pages 731, 784,* mentions several other publications ‘illustrative of this frost, some of which are also in the same volume of Mr. Crowle’s Pennant, and the principal particulars of them I shall give you briefly in the following list.
“A large copper-plate, 20½ inches by 165⁄8, entitled ‘A Map of the River Thames, merrily call’d Blanket Fair, as it was frozen in the memorable year 1683-4, describing the booths, footpaths, coaches, sledges, bull-baiting, and other remarks upon that famous river.’ Dedicated to Sir Henry Hulse, Knt. and Lord Mayor, by James Moxon, the Engraver.
“A large and coarse engraving on wood, representing the sports, tents, and buildings on the ice, taken from opposite the Temple buildings, which are shewn in the back ground; beneath are 106 lines of very inferior verse, and the title:—‘A true description of Blanket-Fair, upon the River Thames, in the time of the great Frost. In the year of our Lord 1683.’ Broadside sheet, 12¾ inches by 16½.
“‘Wonders on the deep, or the most exact description of the frozen river of Thames; also what was remarkably observed thereon in the last great frost, which began about the middle of December, 1683, and ended the 8th of February following: together with a brief Chronology of all the memorable strong frosts for almost 60 years, and what happened in the Northern kingdoms.’ A wood-cut.
“‘A wonderfull fair, or a fair of wonders; being a new and true illustration and description of the several things acted and done on the river of Thames in the time of the terrible frost, which began about the beginning of Dec. 1683, and continued till Feb. 4, and held on with such violence that men and beasts, coaches and sledges, went common thereon. There was also a street of booths from the Temple to Southwark, where was sold all sorts of goods: likewise bull-baiting, and an ox roasted whole, and many other things, as the map and description do plainly shew.’ Engraved and printed on a sheet, 1684.



