My Life — Volume 2

by Richard Wagner

We reached Munich that evening, and inspected it the next day (after tonique and ham had again been obtained) with great satisfaction, particularly on the part of Ollivier, who thought that the 'antique' style in which King Ludwig I. had had the museums built contrasted most favourably with the buildings with which, much to his indignation, it had pleased Louis Napoleon to fill Paris. I here ran across an old acquaintance, young Hornstein, whom I introduced to my friends as 'the baron.' His comical figure and clumsy behaviour gave them food for mirth, which degenerated into a positive orgy of merriment when 'the baron' thought it necessary, before we started on our night journey to Reichenhall, to take us to a Bier-Brauerei some distance away, so that we should see that side of Munich life. It was pitch dark and there was no light provided, except a stump of a candle to light 'the baron,' who had to go down himself to fetch the beer from the cellar. The beer certainly tasted particularly good, and Hornstein repeated his descent into the cellar several times. When, being obliged to hurry, we set off on our perilous journey across fields and ditches to the station, we found that the unwonted refreshment had somewhat dazed us. Blandine fell fast asleep as soon as she got into the carriage, only waking at daybreak when we arrived at Reichenhall. Here Cosima met us, and took us to the rooms that had been prepared for us.

We were first of all rejoiced to find Cosima's state of health much less alarming than we—I in particular—had known it to be before. She had been ordered a sour-milk cure, and we went to look on the next morning when she took her walk to the institution. Cosima appeared to lay less stress on the actual milk-drinking, however, than on the walks and the sojourn in the splendid, bracing, mountain air. Ollivier and I were generally excluded from the merriment which here too immediately set in, as the two sisters, to secure more privacy for their talks—they laughed so incessantly that they could be heard a long way off—usually shut themselves away from us in their bedrooms, and almost my only resource was to converse in French with my political friend. I succeeded in gaining admission to the sisters once or twice, to announce to them amongst other things my intention of adopting them, as their father took no more notice of them—a proposition received with more mirth than confidence. I once deplored Cosima's wild ways to Blandine, who seemed unable to understand me, until she had persuaded herself that I meant timidite d'un sauvage by my expression. After a few days I had really to think of continuing my journey, which had been so pleasantly interrupted. I said good-bye in the hall, and caught a glimpse of almost timid inquiry from Cosima.

I first drove down the valley to Salzburg in a one-horse carriage. On the Austrian frontier I had an adventure with the custom-house. Liszt had given me at Weimar a box of the most costly cigars—a present to him from Baron Sina. As I knew from my visit to Venice what incredible formalities make it exceedingly difficult to introduce these articles into Austria, I hit upon the plan of hiding the cigars singly among my dirty linen and in the pockets of my clothes. The officer, who was an old soldier, seemed to be prepared for precautionary measures of this sort, and drew forth the corpora delicta skilfully from all the folds of my little trunk. I tried to bribe him with a tip, which he actually accepted, and I was all the more indignant when, in spite of this, he denounced me to the authorities. I was made to pay a heavy fine, but received permission to buy back the cigars. This I furiously declined to do. With the receipt of the fine I had paid, however, I was also given back the Prussian thaler which the old soldier had quietly tucked away before, and when I got into my carriage to continue the journey I saw the same officer sitting placidly before his beer and bread and cheese. He bowed very politely, and I offered to give him his thaler back, but this time he refused it. I have often been angry with myself since for not asking the man's name, as I clung to the notion that he must be a particularly faithful servant, in which capacity I should like to have engaged him myself later on.

I touched at Salzburg, arriving soaked through by floods of rain, and spent the night there, and on the following day at last reached my place of destination—Vienna. I proposed to accept the hospitality of Kolatschek, with whom I had been friendly in Switzerland. He had long since been granted an amnesty by Austria, and had, on my last visit to Vienna, called on me and offered me the use of his house, to avoid the unpleasantness of an inn, in the event of my returning for a longer stay. For reasons of economy alone—and these at the time were very urgent—I had willingly accepted this offer, and now drove direct with my hand luggage to the house described. To my surprise I at once discovered that I was in an exceedingly remote suburb, practically cut off from Vienna itself. The house was quite deserted, Kolatschek and his family having gone to a summer resort at Hutteldorf. With some difficulty I unearthed an old servant, who seemed to think she had been warned of my arrival by her master. She showed me a small room in which I could sleep if I liked, but was apparently unable to provide either linen or service of any kind. Greatly discomfited by this disappointment, I first drove back into town to wait for Kolatschek at a certain cafe in Stephan's Platz, which, according to the servant, he was likely to visit at a particular time. I had been sitting there a good while, making repeated inquiries for the man I expected to see, when suddenly I saw Standhartner come in. His extreme surprise at finding me there was intensified, as he told me, by the fact that he had never in his life entered this cafe. It had been quite a special coincidence that had brought him there on that day and at that time. On being made aware of my situation he at once became furious at the idea of my living in the most deserted part of Vienna when I had such pressing business in the city, and promptly offered me his own house for temporary quarters, as he and all his family would be away for six weeks. A pretty niece, who, with her mother and sister, lived in the same house, was to see to all my wants, including breakfast, etc., and I should be able to make use of the whole place with the greatest freedom. He took me triumphantly home with him at once to a deserted dwelling, as the family had already gone to their summer resort at Salzburg. I let Kolatschek know, had my luggage brought in, and for a few days had the pleasure of Standhartner's society and easy hospitality. I realised, however, from information given me by my friend, that my path was beset with new difficulties. The rehearsals for Tristan und Isolde, which had been planned in the spring to take place about this time (I had arrived in Vienna on 14th August), had been postponed indefinitely as Ander, the tenor, had sent word that he had injured his voice. On hearing this I at once concluded that my stay in Vienna would be useless; but I knew that no one would be able to suggest any other place where I could employ myself profitably.

My situation was, as I now saw plainly, quite hopeless, for every one seemed to have deserted me. A few years back I might, in a similar case, have flattered myself that Liszt would be pleased to have me at Weimar during the period of waiting, but if I returned to Germany just now I should only have to look on at the dismantling of the house—to which I have already alluded. My chief concern, then, was to find a friendly shelter somewhere. It was with this sole end in view that I turned to the Grand Duke of Baden, who had shortly before greeted me with such kindness and sympathy. I wrote him a beseeching letter, urging him to consider my necessitous condition. I pointed out that what I wanted, above all, was an asylum, however modest, and implored him to provide me with one in or near Karlsruhe, by securing me a pension of two thousand four hundred marks. Judge of my surprise on receiving a reply, not in the Grand Duke's own hand, but only signed by him, to the effect that if my request were granted, it would probably mean that I would interfere with the management of the theatre, and, as a very natural result, discussions would ensue with the director (my old friend E. Devrient, who was now doing splendidly). As the Grand Duke would in any such case feel obliged to act in the interests of justice, 'possibly to my disadvantage,' as he put it, he must, after mature consideration, regretfully decline to accede to my request.

Princess Meternich, who had suspected my embarrassment on that score also when I left Paris, had given me a warm recommendation to Count Nako and his family in Vienna, referring me with particular emphasis to his wife. Now I had made the acquaintance through Standhartner, during the short time before he left me, of young Prince Rudolph Liechtenstein—known to his friends as Rudi. His doctor, with whom he was very intimate, had spoken of him to me in the most flattering way as being a passionate admirer of my music. I often met him at meal times at the 'Erzherzog Karl,' after Standhartner had joined his family, and we planned a visit to Count Nako on his estate at Schwarzau, some distance away. The journey was made in the most comfortable fashion, partly by rail, in the company of the Prince's young wife. They introduced me to the Nakos at Schwarzau. The Count proved to be a particularly handsome man, while his wife was more of a cultured gipsy, whose talent for painting was evidenced in striking fashion by the gigantic copies of Van Dyck resplendent on the walls. It was more painful to hear her amuse herself at the piano, where she gave faithful renderings of gipsy music, which, she said, Liszt failed to do. The music to Lohengrin seemed to have prepossessed them all very much in my favour, and this appreciation was confirmed by other magnates who were visiting there, among them being Count Edmund Zichy, whom I had known in Venice. I was thus able to observe the character of unconstrained Hungarian hospitality, without being much edified by the subjects of conversation, and I had soon, alas! to face the question as to what I was to get from these people. I was given a decent room for the night, and on the following day took an early opportunity of looking round the beautifully kept precincts of the majestic castle, wondering in which part of the building there might be found room for me in case of a longer visit. But my remarks in praise of the size of the building were met at breakfast with the assurance that it really was hardly big enough for the family, as the young Countess in particular lived in great style with her suite. It was a cold morning in September, and we spent it out of doors. My friend Rudi seemed to be out of humour. I felt cold, and very soon took leave of the great man's board with the consciousness of having rarely found myself in the company of such nice people without discovering the smallest subject in common. This consciousness grew into a positive feeling of disgust when I was driving with several of the cavalieri to the station at Modling, for I was reduced to absolute silence during the hour's drive, as they had literally only the one topic of conversation, by that time so terribly familiar to me!—namely horses.

I got out at Modling to call on Ander the tenor, having invited myself for that day with the intention of going through Tristan. It was still very early on a bright morning, and the day was gradually growing warmer. I decided to take a walk in the lovely Bruhl before looking up Ander. There I ordered a lunch in the garden of the beautifully situated inn, and enjoyed an extremely refreshing hour of complete solitude. The wild birds had already ceased singing, but I shared my meal with an army of sparrows, which assumed alarming proportions. As I fed them with bread-crumbs, they finally became so tame that they settled in swarms on the table in front of me to seize their booty. I was reminded of the morning in the tavern with the landlord Homo in Montmorency. Here again, after shedding many a tear, I laughed aloud, and set off to Ander's summer residence. Unfortunately his condition confirmed the statement that the injury to his voice was not merely an excuse; but in any case I soon saw that this helpless person could never under any circumstances be equal to the task of playing Tristan, demi-god as he was, in Vienna. All the same I did my best, as I was there, to show him the whole of Tristan in my own interpretation of the part (which always excited me very much), after which he declared that it might have been written for him. I had arranged for Tausig and Cornelius, whom I had again met in Vienna, to come out to Ander's house that day, and I returned with them in the evening.

I spent a good deal of time with these two, who were sincerely concerned about me and did their best to cheer me. Tausig, it is true, was rather more reserved, as he had aspirations in high quarters at that time. But he, too, accepted Frau Dustmann's invitations to the three of us. She was then at Hietzing for the summer, and there dinners were given more than once, and also a few vocal rehearsals for Isolde, for which part her voice seemed to possess some of the spiritual susceptibility required. There, too, I read through the poem of Tristan again, still thinking the prospect of its performance possible with the exercise of patience and enthusiasm. For the present patience was the quality most needed; certainly nothing was to be obtained by enthusiasm. Ander's voice still failed him and did not improve, and no doctor was prepared to fix a limit to his malady. I got through the time as best I could, and hit upon the idea of translating back into German the new scene to Tannhauser, written to a French text for the performance in Paris. Cornelius had first to copy it from the original score for me, as this was in a very defective condition. I accepted his copy without inquiring further about the original left in his hands, and we shall see the result of this later on.

A musician named Winterberger also joined our party. He was an old acquaintance, and I found him in a position I much envied. Countess Banfy, an old friend of Liszt's, had taken him into her very pleasant house at Hietzing, and he was thus in excellent quarters, living at ease, and with nothing to trouble about, as the kind lady thought it her duty to keep this fellow—in other respects so undeserving—supplied with everything. Through him I again had news of Karl Ritter, and was told that he was now at Naples, where he lived in the house of a piano-maker, whose children he had to teach in return for board and lodging. It seems that Winterberger, after running through everything, had on the strength of some of Liszt's introductions started off to seek his fortune in Hungary. But things did not fall out to his satisfaction, and he was now enjoying compensation in the house of the worthy Countess. I met an excellent harpist there—also one of the family—Fraulein Mossner. By the Countess's orders she was made to betake herself and her harp to the garden, where, either at or with her harp, she had a most pert air and looked quite delightful, so that I gained an impression which lingered pleasantly in my mind. Unfortunately I became involved in a quarrel with the young lady because I would not compose a solo for her instrument. From the time when I definitely refused to humour her ambitions she took no more notice of me.

The poet Hebbel must be mentioned among the special acquaintances I made in Vienna during this difficult epoch. As it seemed not unlikely that I should have to make Vienna the scene of my labours for some time, I thought it desirable to become better acquainted with the literary celebrities living there. I prepared myself for meeting Hebbel by taking considerable trouble to read his dramatic pieces beforehand, doing my best to think that they were good and that a closer acquaintance with the author was desirable. I was not to be deterred from my purpose by my consciousness of the great weakness of his poems, although I realised the unnaturalness of his conceptions and the invariably affected and frequently vulgar form of expression. I only visited him once, and did not have a particularly long talk with him even then. I did not find any expression in the poet's personality of the eccentric force which threatens to explode in the figures of his dramas. When I heard, some years later, that Hebbel had died of softening of the bones, I understood why he had affected me so unpleasantly. He talked about the theatrical world in Vienna with the air of an amateur who feels himself neglected but continues to work in a businesslike fashion. I felt no particular desire to repeat my visit, especially after his return call in my absence, when he left a card announcing himself as 'Hebbel, chevalier de plusieurs ordres!'