He did not answer. I waited, bending over him, not daring to guess what had befallen him, holding my breath. Then, cautiously, I moved my fingers before his eyes: they did not wink. I placed my hand over his heart.... It was as still as a rundown clock. The room itself was still. The wind had paused a moment as if for this.... The Judge was dead. And yet because he still sat there, his gray head resting on the cushions, and because he stared so fixedly before him, I could not grasp the fact of death. I had never met it face to face before. I could not honor its credentials.
For a moment I stood in front of the old man, with the single thought that our extraordinary interview had been too much for him: it never occurred to me to go for assistance any more than it occurred to me that death, unlike sleep, was a permanent thing, from which the Judge would never come back again. I simply stood there, awed by the presence of death, yet crediting death with none of death’s attributes.
And as I stood, my attention became more and more fixed upon the Judge’s stare. It did not seem to be a vacant gaze; on the contrary, it seemed to contain something. It seemed not only fixed; it seemed fixed on some object. It looked past me, behind me, and there, with all its terror and all its intelligence, it rested, motionless. It seemed to refute the notion that dead men cannot see; it seemed to affirm that dead men’s eyes are not dead. Into that terrible stare I looked, fascinated, awed, hushed, motionless. Then, suddenly, I heard the dog.
LISTEN TO ME, ESTABROOK!
The great Scotch hound had been snarling. He had growled, for I remembered it as a fact brought out of the background of my consciousness. And when I tore my eyes away from the Judge’s stare, I saw that the dog was staring, too,—was staring, was drawing back his black lips, exposing his yellow teeth. Every hair on his back was erect, his nostrils were distended as if he were relying upon his sense of smell to determine the nature of what he saw. Could there be any doubt that he, living, and his master, dead, still saw something—something which, because it was behind me, I could not see?
At first I did not dare to look. I felt some dreadful presence behind me—a presence upon which the lifeless man and the cringing, snarling beast had set their eyes, a presence which had wiped the smile from the Judge’s face and tightened every nerve and sinew in the dog’s lean body. I could hear the wind, and, in its lapses, the rumble of the city, I could smell the warm aroma of the Judge’s pipe, I could feel my senses grow keener as I gathered my courage to look over my shoulder.
When at last, after that dragging moment’s reluctance, I did so, I believed that I had looked for no purpose. The room behind me was empty. My nervous eyes searched the rectangular space, swept over the chairs, the tea-table covered with its display of rare china, the blue-and-gold Japanese floor vase, the brasses on the cases of books, the dark walls, the pictures, the gloomy corners filled with the mist of shadows, the rugs, the cornice, the draperies.
Then suddenly I saw!