Her reply was a well-placed thrust of her two old knees which nearly sent me through the glass. It placed me in a position, however, where I could, with a push of my foot, close the door and shut us into the vestibule, so that her clamor, which had broken forth again, might be muffled.
Furthermore, I now had my chance to unloose my anæsthetic. I can hear the squeak of that fat cork now; I can recall the pleasure of smelling those dizzy fumes as I thrust the gauze into her face. Time after time she succeeded in thrusting it aside with her clawing hands; time after time I succeeded in jamming it back again against her nose. The scene is not one I recall with pride, but my brief excuse must be that I do not like to have my undertakings fail. The delicacies of the best of us, moreover, depart at critical junctures.
However that may be, the important point is that finally I felt her struggles subside. Her hands no longer acted with intelligence; they moved about wildly in front of her face, as if to push away a tangle of cobwebs. Her head rolled to and fro; the gurglings, sputters, half-uttered cries of rage, ceased.
“Breathe again!” said I, with the habitual phrase of the surgeon administering an anæsthetic. “Breathe away—breathe away—Ah, now!—breathe—breathe—breathe!”
And at last she was still. I threw the gauze into the corner. I got up panting, for I am not built for exercise, and, panting still, I peeped out through the silk curtains to be sure that in our little adventure we had attracted no attention.
The wind-driven rain still swept down the streets under the iridescent glows of the arc lights, my car still stood like a forlorn, forgotten thing in the gutter. In one direction the wet perspective of the avenue appeared as empty as a street scene on a drop curtain. But when I turned my eyes the other way my heart gave quick response. Just beyond the iron fence stood a patrolman.
He had stopped and seemed to be looking directly at the door behind which I stood. I could see his two bare hands on the iron railing. They were very conspicuous against the rubber coat—wet, black, and shiny—which covered his burly figure, and he used them to sway himself softly backward and forward. It seemed to me that he was debating how to act, and I believe that I learned then, peeping through the glass, to what extent guilt and the desire for secrecy will sharpen the imagination.
I say this, because, almost at the moment that I felt sure he had taken a step forward toward me, I saw that not his face but his back was turned toward me, that his hands were behind him and that he had leaned for a moment on the rail, perhaps to look at the physician’s green cross on my lights. A second later he ducked his helmet into the driving rain and, walking on, turned into the shadows of the cross-street.
I knew then I had no time to lose. I had been delayed; Margaret Murchie might regain her senses. And yet, when I had signaled to Estabrook, when he, without a word, had come, and when I felt the excitement most keenly, I found myself impressed not with the necessities of the moment, but rather with the extraordinary grotesqueness of the situation.
“Take her about the knees,” said I, and then touched his elbow. “Estabrook,” I added, “this—mind you—happens in a twentieth-century metropolis.”