PANTHEISM, a doctrine into which some of the sages of antiquity fell by revolting at the monstrous absurdities of Polytheism. Not knowing the true God as an infinite and personal subsistence, a cause above and distinct from all effects, they believed that God was every thing, and every thing God. This monstrous, and in its effects immoral, notion, is still held by the Brahmins of India.
PAPER REED, גמא, Exod. ii, 3; Job viii, 11; Isaiah xviii, 2; xxxv, 7. When the outer skin, or bark, is taken off, there are several films, or inner pellicles, one within another. These, when separated from the stalk, were laid on a table artfully matched and flatted together, and moistened with the water of the Nile, which, dissolving the glutinous juices of the plant, caused them to adhere closely together. They were afterward pressed, and then dried in the sun, and thus were prepared sheets or leaves for writing upon in characters marked by a coloured liquid passing through a hollow reed. The best papyrus was called ἱερατικὴ, or paper of the priests. On this the sacred documents of Egypt were written. Ancient books were written on papyrus, and those of the New Testament among the rest. In the fourth century however these sacred writings are found on skins. This was preferred for durability; and many decayed copies of the New Testament, belonging to libraries, were early transferred to parchment. Finally came paper, the name of which was taken from the Egyptian reed; but the materials of which it was fabricated were cotton and linen. See [Bulrush] and [Book].
PAPHOS, a celebrated city of Cyprus, lying on the western coast of the island, where Venus (who from hence took the name of Paphia) had her most ancient and most famous temple; and here the Roman proconsul, Sergius Paulus, resided, whom St. Paul converted to Christianity, Acts xiii, 6.
PARABLE, ϖαραβολή, formed from ϖαραβάλλειν, to oppose or compare, an allegorical instruction, founded on something real or apparent in nature or history, from which a moral is drawn, by comparing it with some other thing in which the people are more immediately concerned. (See [Allegory].) Aristotle defines parable, a similitude drawn from form to form. Cicero calls it a collation; others, a simile. F. de Colonia calls it a rational fable; but it may be founded on real occurrences, as many parables of our Saviour were. The Hebrews call it משל, from a word which signifies either to predominate or to assimilate; the Proverbs of Solomon are by them also called >משלים, parables, or proverbs.
Parable, according to the eminently learned Bishop Lowth, is that kind of allegory which consists of a continued narration of a fictitious or accommodated event, applied to the illustration of some important truth. The Greeks call these αἶνοι, allegories, or apologues; the Latins, fabulæ, or fables;” and the writings of the Phrygian sage, or those composed in imitation of him, have acquired the greatest celebrity. Nor has our Saviour himself disdained to adopt the same method of instruction; of whose parables it is doubtful whether they excel most in wisdom and utility, or in sweetness, elegance, and perspicuity. As the appellation of parable has been applied to his discourses of this kind, the term is now restricted from its former extensive signification to a more confined sense. But this species of composition occurs very frequently in the prophetic poetry, and particularly in that of Ezekiel. If to us they should sometimes appear obscure, we must remember, that, in those early times when the prophetical writings were indited, it was universally the mode throughout all the eastern nations to convey sacred truths under mysterious figures and representations. In order to our forming a more certain judgment upon this subject, Dr. Lowth has briefly explained some of the primary qualities of the poetic parables; so that, by considering the general nature of them, we may decide more accurately on the merits of particular examples.
It is the first excellence of a parable to turn upon an image well known and applicable to the subject, the meaning of which is clear and definite; for this circumstance will give it perspicuity, which is essential to every species of allegory. If the parables of the sacred prophets are examined by this rule, they will not be found deficient. They are in general founded upon such imagery as is frequently used, and similarly applied by way of metaphor and comparison in the Hebrew poetry. Examples of this kind occur in the parable of the deceitful vineyard, Isaiah v, 1–7, and of the useless vine, Ezek. xv; xix, 10–14; for under this imagery the ungrateful people of God are more than once described; Ezek. xix, 1–9; xxxi; xvi; xxiii. Moreover, the image must not only be apt and familiar, but it must be also elegant and beautiful in itself; since it is the purpose of a poetic parable, not only to explain more perfectly some proposition, but frequently to give it some animation and splendour. As the imagery from natural objects is in this respect superior to all others, the parables of the sacred poets consist chiefly of this kind of imagery. It is also essential to the elegance of a parable, that the imagery should not only be apt and beautiful, but that all its parts and appendages should be perspicuous and pertinent. Of all these excellencies, there cannot be more perfect examples than the parables that have been just specified; to which we may add the well known parable of Nathan, 2 Sam. xii, 1–4, although written in prose, as well as that of Jotham, Judges ix, 7–15, which appears to be the most ancient extant, and approaches somewhat nearer to the poetical form. It is also the criterion of a parable, that it be consistent throughout, and that the literal be never confounded with the figurative sense; and in this respect it materially differs from that species of allegory, called the continued metaphor, Isaiah v, 1–7. It should be considered, that the continued metaphor and the parable have a very different view. The sole intention of the former is to embellish a subject, to represent it more magnificently, or at the most to illustrate it, that, by describing it in more elevated language, it may strike the mind more forcibly; but the intent of the latter is to withdraw the truth for a moment from our sight, in order to conceal whatever it may contain ungrateful or reproving, and to enable it secretly to insinuate itself, and obtain an ascendency as it were by stealth. There is, however, a species of parable, the intent of which is only to illustrate the subject; such is that remarkable one of the cedar of Lebanon, Ezek. xxxi; than which, if we consider the imagery itself, none was ever more apt or more beautiful; or the description and colouring, none was ever more elegant or splendid; in which, however, the poet has occasionally allowed himself to blend the figurative with the literal description, verses 11, 14–17; whether he has done this because the peculiar nature of this kind of parable required it, or whether his own fervid imagination alone, which disdained the stricter rules of composition, was his guide, our learned author can scarcely presume to determine.
In the New Testament, the word parable is used variously: in Luke iv, 23, for a proverb, or adage; in Matt. xv, 15, for a thing darkly and figuratively expressed; in Heb. ix, 9, &c, for a type; in Luke xiv, 7, &c, for a special instruction; in Matt. xxiv, 32, for a similitude or comparison.
PARADISE, according to the original meaning of the term, whether it be of Hebrew, Chaldee, or Persian derivation, signifies, a place enclosed for pleasure and delight.” The LXX., or Greek translators of the Old Testament, make use of the word paradise, when they speak of the garden of Eden, which Jehovah planted at the creation, and in which he placed our first parents. There are three places in the Hebrew text of the Old Testament where this word is found, namely, Neh. ii, 8; Cant. iv, 13; Eccles. ii, 5. The term paradise is obviously used in the New Testament, as another word for heaven; by our Lord, Luke xxiii, 43; by the Apostle Paul, 2 Cor. xii, 4; and in the Apocalypse, ii, 7. See [Eden].
PARAN, Desert of, a great and terrible wilderness” which the children of Israel entered after leaving Mount Sinai, Num. x, 12; Deut. i, 19; and in which thirty-eight of their forty years of wandering were spent. It extended from Mount Sinai on the south, to the southern border of the land of Canaan on the north; having the desert of Shur, with its subdivisions, the deserts of Etham and Sin, on the west, and the eastern branch of the Red Sea, the desert of Zin and Mount Seir, on the east. Burckhardt represents this desert, which he entered from that of Zin, or valley of El Araba, about the parallel of Suez, as a dreary expanse of calcareous soil, covered with black flints.
PARTRIDGE, קדא, 1 Samuel xxvi, 20; Jer. xvii, 11; ϖέρδιξ, Ecclus. xi, 30. In the first of these places David says, The king of Israel is come out to hunt a partridge on the mountains;” and in the second, The partridge sitteth,” on eggs, and produceth,” or hatcheth, not; so he that getteth riches, and not by right, shall leave them in the midst of his days, and at his end shall be contemptible.” This passage does not necessarily imply that the partridge hatches the eggs of a stranger, but only that she often fails in her attempts to bring forth her young. To such disappointments she is greatly exposed from the position of her nest on the ground, where her eggs are often spoiled by the wet, or crushed by the foot. So he that broods over his ill-gotten gains will often find them unproductive; or, if he leaves them, as a bird occasionally driven from her nest, may be despoiled of their possession. As to the hunting of the partridge, which, Dr. Shaw observes, is the greater, or red-legged kind, the traveller says: The Arabs have another, though a more laborious, method of catching these birds; for, observing that they become languid and fatigued after they have been hastily put up twice or thrice, they immediately run in upon them, and knock them down with their zerwattys, or bludgeons as we should call them.” Precisely in this manner Saul hunted David, coming hastily upon him, putting him up incessantly, in hopes that at length his strength and resources would fail, and he would become an easy prey to his pursuer. Forskal mentions a partridge whose name in Arabic is kurr; and Latham says, that, in the province of Andalusia in Spain, the name of the partridge is churr; both taken, no doubt, like the Hebrew, from its note.